Fuhring Peter (104 results)

Softcover. Condition: Very Good.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Small quarto in stiff paper wraps. B&W illustrations. Near fine condition.

Soft cover. Condition: Near Fine. No Jacket. Accompanies exhibitions at the Armand Hammer Museum; New York City's Metropolitan Museum of Art; and Bibliotheque Nationale de France in Paris during Nov 1994 - July 1995. Small 1/2" indentation on back wrap (see image), otherwise book is fine and appears unread. 493 pages, 9" x 12". Heavy book, extra postage needed for expedited or international shipping.…

Condition: Good.

Condition: Good.

Condition: Good. Paperback, illustrations in colour and b/w, 4to.

Condition: Good. Paperback, illustrations in colour and b/w, 4to.

Condition: Very Good.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Large near fine hardcover in dj, 4to, NF/NF, illustrated, no names or markings.

Orig wrappers, 24 x 24 cm., 100pp. Black/white ills. Dutch text. VG.

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Brand New. 160 pages. 2.00x94.88x120.08 inches. In Stock.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Den Haag, Ulysses, 1981. 100 blz. Ills. Paperback. Goed. [153344].

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. Cloth, xi, 332 pages, illustrations; 29 cm. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "Once considered the golden age of French printmaking, Louis XIV's reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothe`que nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries." - Publisher. *** CONTENTS: The arts in the service of the king's glory, by Thomas W. Gaehtgens; Printmaking under Louis XIV, by Maxime Preaud; What is a print? The fabrication of images, by Vanessa Selbach; What is a printmaker?, by Remi Mathis; Publishers, sellers, and the market, by Peter Fuhring; Collectors and collecting prints, by Veronique Meyer; On the critical fortune of Girard Audran and Gerard Edelinck, by Louis Marchesano; Catalog. Size: 4to. Collectible.…

Original publisher's sewn paperback, pictorial overlapping covers, 4to: frontispiece, 124pp. 108 illustrations, 5 essays, list details of colour-plates, catalogue works exhibited, concordence, bibliography. Contributions: Krista de Jonge - Chris de Maegd - Peter Fuhring - Ursula Härting. - as new. Still shrink-wrapped. Exhibition Antwerpen - Rubenshuis. …

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

cm 16x22 pag. 328 ill. molte b/n e col. Francese.

Condition: As New. Unread book in perfect condition.

softcover, originele uitgeversomslag met flappen in kleur, 24x18 cm., 44 pp., geillustreerd in kleur en in z/w. ISBN 9051303475. Een unieke getuigenis van de rijke Antwerpse barokkunst. Fuhring plaatst de lampetkan en schaal terug in hun historische en kunsthistorische context. 450 g.

Soft Cover. Condition: Fine. First Edition. soft cover, as issued., no flaws or wear, no markings. no bumps, tears. clean. tight binding.; english text.; 232pp., illustrated throughout in color. three essays and detailed catalogue entries. explores the prints made after bosch works, as well as seldom seen painted versions of his compositions. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. BRAND NEW & SEALED hardcover with DJ in publisher's shrink wrap. See photo, ships same day or next day.

Broche, sous jaquette originale d'editeur en couleurs, 24x18 cm., 44 pp., illustrations en couleurs et en n/b. ISBN 2872123334. Un temoin incomparable de la richesse artistique du baroque anversois. Fuhring situe la place de l'aiguiere et de son bassin dans l'histoire et l'histoire de l'art. 450 g.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.