Gabrielle Decamous (19 results)

hardcover. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

hardcover. Condition: Good. Crease/tear to cover.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condition: Good. Very Good text. Ex-library with usual stamps and labels, may have dustjacket/cover/spine protector. Purchased at Friends of the Library sale. Fast shipping from Northern California via US MAIL. Most International orders shipped via DHL/Asendia. Additional postage may be required on oversize books and sets. Please, NO prison orders.…

hardcover. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Hardback. Condition: Very Good. How art makes visible what had been invisible-the effects of radiation, the lives of atomic bomb survivors, and the politics of the atomic age. The effects of radiation are invisible, but art can make it and its effects visible. Artwork created in response to the events of the nuclear era allow us to see them in a different way. In Invisible Colors, Gabrielle Decamous explores the atomic age from the perspective of the arts, investigating atomic-related art inspired by the work of Marie Curie, the bombings of Hiroshima and Nagasaki, the disaster at Fukushima, and other episodes in nuclear history. Decamous looks at the "Radium Literature" based on the work and life of Marie Curie; "A-Bomb literature" by Hibakusha (bomb survivor) artists from Nagasaki and Hiroshima; responses to the bombings by Western artists and writers; art from the irradiated landscapes of the Cold War-nuclear test sites and uranium mines, mainly in the Pacific and some African nations; and nuclear accidents in Fukushima, Chernobyl, and Three Mile Island. She finds that the artistic voices of the East are often drowned out by those of the West. Hibakusha art and Japanese photographs of the bombing are little known in the West and were censored; poetry from the Marshall Islands and Moruroa is also largely unknown; Western theatrical and cinematic works focus on heroic scientists, military men, and the atomic mushroom cloud rather than the aftermath of the bombings. Emphasizing art by artists who were present at these nuclear events-the "global Hibakusha"-rather than those reacting at a distance, Decamous puts Eastern and Western art in dialogue, analyzing the aesthetics and the ethics of nuclear representation.…

Hardcover. Condition: As New. Dust Jacket Condition: As New. Text clean and tight; Leonardo; 8vo 8" - 9" tall; 480 pages.

Hardcover. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condition: NEW. Dust Jacket Condition: NEW. Illustrated.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Hardcover in DJ with only minor shelf-wear; book is clean, unmarked. In stock. Ships from MN, USA. Heavy book; orders from outside the United States will require additional shipping charges.

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 400 pages. 9.25x6.25x1.25 inches. In Stock.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: New.

Condition: New.

Condition: New.

Hardcover. Condition: New. ISBN:9780262038546.