Garrity Jane (32 results)

Paperback. Condition: Very Good. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

paperback. Condition: Very Good. Light shelf wear. Else clean and tight.

Paperback. Condition: Very Good.

Paperback. Condition: Very Good.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.…

Paperback. Condition: Very Good. Spine not creased. 235 x 155 mm. x, 349 pp. A study of Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf, and how these four British women modernists used experimental literary techniques to situate themselves as national subjects.

Condition: Good. 2006th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

23.5x16cm. Soft cover. First edition thus. The female experience of nation between the wars in the novels of Dorothy Richardson, Sylvia Townsend Warner, Mary Butts, and Virginia Woolf. ppX,349,(1) with extensive bibliography, and index. Card wrappers, front illustrated in colour. VERY GOOD+ copy.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 349 pages. 9.00x6.25x1.00 inches. In Stock.

Condition: New. "Sapphic Modernities" marks the first attempt to examine the representation of the lesbian in modernity from the multiple perspectives of literary, visual, and cultural studies Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 261 pages, biography. BIC Classification: DSBH; HBTB; JFSJ; MMJ. Category: (G) General (US: Trade). Dimension: 216 x 140 x 14. Weight in Grams: 349. . 2007. Paperback. . . . . …

Condition: New. Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 271 pages, biography. BIC Classification: 1DBKE; HBTB; JFSJ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 145 x 19. Weight in Grams: 458. . 2007. annotated ed. Hardback. . . . . …

Paperback. Condition: New. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.…

Condition: New. "Sapphic Modernities" marks the first attempt to examine the representation of the lesbian in modernity from the multiple perspectives of literary, visual, and cultural studies Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 261 pages, biography. BIC Classification: DSBH; HBTB; JFSJ; MMJ. Category: (G) General (US: Trade). Dimension: 216 x 140 x 14. Weight in Grams: 349. . 2007. Paperback. . . . . Books ship from the US and Ireland. …

Condition: New. Editor(s): Doan, Laura; Garrity, Jane. Num Pages: 271 pages, biography. BIC Classification: 1DBKE; HBTB; JFSJ1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 145 x 19. Weight in Grams: 458. . 2007. annotated ed. Hardback. . . . . Books ship from the US and Ireland. …

Paperback. Condition: New. Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.…

Fine in publishers cloth. 1st edition, 1st issue.Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book attepts to make a major contribution to modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture. ISBN 0719061636.…

Condition: New. Print on Demand pp. 360 449:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Matte Lam.

Condition: New. Print on Demand pp. 360.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 178 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 178 Volume NIR 80-2086 Language: English.…

Condition: New. PRINT ON DEMAND pp. 360.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Jane Garrity shows how four British women modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - used experimental literary techniques in order to situate themselves as national subjects. Reading literary texts through the lens of material culture, this book makes a major contribution to the new modernist studies by arguing that women's imaginative work is inseparable from their ambivalent and complicated relation to Britain's imperial history. Drawing on extensive archival research, Garrity takes as her point of departure the ubiquitous maternal and racial link to national identification during the interwar period. Each chapter foregrounds a different range of cultural developments that coincided with the rise of modernism, such as emerging visual techniques, the revival of British neo-medievalism, ethnographic work on primitive mysticism, and nostalgia for English ruralism. By locating both canonical and non-canonical works of female literary modernism within broader cultural discourses, Garrity demonstrates the intersections among nationalism, imperialism, gender and sexuality in the construction of English national culture.…

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Jane Garrity shows how four British women modernist writers- Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf -used experimental literary techniques in order to situate themselves asnational subjects. -- .Klappentext.…