Gartlan (79 results)

Soft cover. Condition: Good. No marks or writings, covers and pages clean, spine sound. Some wear to spine and corners. Interior page has 2" tear.

Paperback. Condition: Good. Sheet music. Tape repair on spine. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed!

. (illustrator). Very Good+: clean, straight, unmarked; bottom corners bumped at 1/4 inch; contents Fine. Hardcover, olive-green backed cloth on dark green boards with black titles, 9.8", 183 pp. @ 150 songs w words & music, some unusual: Who is Sylvia? A Warrior Bold; Private Tommy Atkins; Santa Claus; Santa Lucia; Ship of State; Snow Flakes. I Ain't Going to Die No More; I'll Sing Thee Songs of Araby. . .

Oversized Hardcover. Condition: Good. Binding/hinges solid, pages unmarked. Moderate wear to corners/spine ends; oxidation to spine.

Hardcover. Condition: Good +. No Jacket. Normal age wear - scuffs, soils, rub marks and exposed corners; child pencilling on end papers; a usable copy. 183 pages. Book.

Hardcover. Condition: Good. No Jacket. First Edition. This Vintage Schoolbook from the Washington Street School District in the City of Hartford entered into school service in 1921. This book has numerous pencil notes and normal wear and tear for a 100 year-old school book. Hard cover edition. 250 pages. Dimensions: 7.5" by 10". Published by Hinds, Hayden & Eldredge, Inc., New York. 1st edition, 1920. Cover defect(s): Some fading. Some scratches/scuffing. Slight corner/edge damage. Page defect(s): Some writing. Some dog eared pages. Some damp-staining. 1.5 Pound Shipping Rate. Genre(s): Music / Songs / Sheet Music.

Hardcover. Condition: Poor. No Jacket. First Edition. (vi), 250pp. Ex-library. Binding quite worn and a little shaken. A number of pages admit to short, unobtrusive tears. Just a few pencil marks to interior. A reading copy only Size: 8vo - over 7¾ - 9¾" tall. Book.

Heavy card covers. Condition: Good. Description: From the editor's note to teacher and student: ''Up to the present time there has been a dearth of sight-singing material of easy range and suitable to both children and adults. It is hoped that the publication of this volume will at least partly meet the need for a book of sight-singing material suitable for the use of pupils in the public schools and adults in normal schools and conservatories. The book does not follow any particular method. It is merely a collection of material. It may therefore be used in conjunction with any music series. The important thing is to give those who desire to become efficient sight-singers an opportunity to go through a large amount of material without too much interruption from the teacher.'' BINDING/CONDITION: heavy card-paper covers, covered in thin dark green cloth; printed with black; bears a stamp from a Nevada university; no other signs of ownership; Good condition. 11 inches tall by 8 inches wide. 281 pages.

Brown Hard Cover. Condition: Very Good. First Edition. Minor wear on edges, owner name inside front cover, top & bottom edge of some pages wavy, 334 pages. Size: 4to - over 9¾" - 12" tall.

Paper Covers. Condition: Very Good. Light wear. Slight old book smell. 7 pgs. Book.

Paperback. Condition: Fair. Edge wear and tear, and discoloration, fading, and age wear; 8vo 8" - 9" tall; 100 pages.

Paperback. Condition: As New. 1st Edition. 183 pp., Grn Illus Paperback, Fine As New, 1st ed.

Soft cover. Condition: Fair. No Jacket. 1st Edition. Owner's name and notes inside covers. Text is clean. Cover is worn along edges but binding is good.

sheet_music. Condition: Very Good. Nice older sheet music.

Hardcover. Condition: Good. Good hardcover. Name and address written in orange crayon inside front cover and front endpaper. Spine ends lightly bumped.

Condition: New. Brand New.

Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. A crisp, clean tight (as unread) copy INSCRIBED & SIGNED BY THE AUTHOR on front endpaper. Light shelf wear only. ; Signed by Author.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fair. Acceptable condition. Musty smell. Dampstained. Owner's name on endpage. (Sheet music, singing, music exercises).

Hardcover. Condition: Very Good. First edition. Very good minus hardcover. First Edition. Corners lightly bumped, bottom front corner shows some fraying. Former owner's name on front endpaper.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. This book explores the interplay between 19th-century photography and Europe's vision of the Middle East. The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, 19th-century photographers were able to mass-produce images to incite and satisfy the demands of a burgeoning tourist industry and the appetites of armchair travellers in Europe. In this way, the evolution of modern photography fuelled an interest in visual contact with the rest of the world. Photography's Orientalism offers the first in-depth cultural study of the works of European and non-European photographers active in the Middle East, focusing on the relationship between photographic, literary, and historical representations of this region and beyond.

Condition: As New. Unread book in perfect condition.

Condition: New. The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. This book explores the interplay between 19th-century photography and Europe's vision of the Middle East. Num Pages: 224 pages, 27 colour & 45 b&w illustrations. BIC Classification: 1FB; 3JH; AJ. Category: (G) General (US: Trade). Dimension: 252 x 182 x 16. Weight in Grams: 682. . 2013. 1st Edition. Paperback. . . . .

Condition: Fair. Acceptable condition. (Sight Singing, Music) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Softcover. Condition: VG+. A matte softcover book with pink, brown, and white text on a black spine. Pages: (8), 1-215, (1). Illustated with both black-and-white and color images. "The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region's burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of the world. Photography's Orientalism offers the first in-depth cultural study of the works of European and nonEuropean photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond.".

PF. Condition: New.

Couverture souple. Condition: Neuf. « Photography's Orientalism offers the first in-depth cultural study of the works of European and non- European photographers active in the Middle East and India, focusing on the relationship between photographic, literary, and historical representations of this region and beyond. The essays explore the relationship between art and politics by considering the connection between the European presence there and aesthetic representations produced by traveling and resident photographers, thereby contributing to how the history of photography is understood.».