Geismar Tom (34 results)

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. folio. unpp. NO INTERNATIONAL OR PRIORITY. Has the catalogue at end. No statement. of ptg (predates Abrams doing so). Pub'd at 125.00 ! Fine/Fine in a near fine slipcase.

Hardcover. 43 x 30 cm. Folio. Black cloth in dust jacket and slipcase. 281 photographs including 125 color plates and 156 duotone. Catalogue bound in wrappers laid-in. Gift inscription on half-title page. Some scuffing to slipcase. Near Fine in Near Fine dust jacket.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: USED Good. Former library copy.

Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Hardcover. Condition: Fine. Dust Jacket Included. unpaginated, but incorporating 125 plates in colour and a 16-page catalogue featuring 78 small plates in duotone, another copy of the catalogue being loosely inserted and so ready to be removed and read alongside the larger colour plates, 12"x 17", a Fine (As New) hardback, in a fine dustwrapper and with a VG+ slip-case [0810963655].…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First Printing. Unpag. Elephant Folio. Clean, crisp extravagantly illustrated volume of one person's collection. Laid in is a 16 pp. catalog of black and white images that provides the background information for each of the series of color photographs of the same objects in the book. Slipcase in fine condition, decorated with same photographs that illustrate the dust jacket, front and rear.…

HC in slipcase. First edition. Would be near fine except for previous booksellers price sticker on endpaper.

Soft cover. Condition: Fine. No Jacket. 2nd printing ; 252 p. : col. ill. ; 25 cm.; ISBN: 0811821595; 9780811821599 LCCN: 98-6832 ; LC: SB411; Dewey: 635.9/33734; NAL: SB411 ; OCLC: 38879170 ; Originally published: 1st ed. New York : Harmony Books, c1994 ; color photographic stiff paper wrappers ; "Classic by America's leading rosarian reveals everything a gardener needs to know about this most treasured of garden plants. Ray Reddell has distilled his vast knowledge of the eternally popular rose into one copiously illustrated, indispensable reference, offering expert advice on everything from planting and pruning to training and grafting roses. Encompassing antique and modern roses, original species and recent hybrids, bushes and shrubs, ramblers and climbers, this is the definitive volume on growing splendid roses. ; "Rayford Clayton Reddell owns a nine-acre ranch in Petaluma, California, planted with over 8,000 rose bushes. An expert on roses, he is a garden columnist for the San Francisco Chronicle as well as a regular contributor to Horticulture magazine." ; features roses from Plumpton Place in East SUssex England, Sissinghurst, St. Albans, Mottisfort, Castle Howard, Bois de Bologne, Rosarie de l'Hay, Park Retiro, Generalife Alhambra, Edinburgh Botanical Gardens, Washington Park in Portland, Huntington Gardens in Pasadena, Filoli Gardens in Woodside California ; FINE. Book. …

Hardcover. Condition: Near Fine. 1st Edition. Princeton Architectural Press: 2000. Square quarto. Hardcover lacking a dust jacket, as issued. First edition. Purple and red cloth covered boards with a yellow spine. One small stain on the front board, two tiny stains on the back board. Book is in near fine condition.…

Hardcover. Condition: Fine. Dust Jacket Condition: fine. Introduction by Don Walters. Catalogue by Ralph Sessions. Photography by Dave Hoffman. With 281 photographs including 125 plates in full color. Fine in a fine dust jacket, enclosed in a fine slipcase.

Hardback. Condition: Fine.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New.

Paperback. Condition: Used, like new. Large (9.5"x9.5") red softcover, 53pp. Lots of photos of the exhibit and the attenders, excellent text, no publication date but it is commemorating the 50th anniversay of the exhibition which is 2009. Perfect condition.OVERSIZE - priority and overseas orders may require additional shipping. **We are a small family business with over 30 years experience providing fine new and pre-owned books online. You can expect professional service and individual attention to your order, daily shipments, and sturdy packaging.…

Hardcover without dustjacket as issued, 352 pages, very good condition except light rubbing to covers; previous owner's inscription on first page; no other internal marks. Foreign shipping may be extra.

hardcover. Condition: fine. Dust Jacket Condition: fine. Illustrated with fabulous large color photographs, some folding. Tall folio, black cloth, d.w., glossy pictorial slipcase. New York: Abrams, (1998). First edition. A fine copy in fine dust wrapper and box. 15pp. Catalogue laid in at rear.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Satisfaction Guaranteed or your money back.

Hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Soft Cover. Condition: Near Fine. This is a near fine softcover copy with virtually no wear. Completely clean. This catalog was prepared to accompany the exhibition in New York at SVA Chelsea Gallery from August 25 to October 18, 2014. Statement by Tom Geismar. Illustrated in color. 12" high X 9" wide, 95 pages. This book will be securely packed and shipped with tracking. …

Hardcover. Condition: Good. Good condition. COVER (hardcover without jacket)- moderate wear; minor stains, generally clean. PAGES- occasional slight stains, generally clean; no writing; no tears. Not ex-library. Small format (6" x 6"). Book.

99 pp.; 16.5 x 25.1 cm.; screw bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Deluxe designed book featuring the intersection of Bauhaus design with Knoll products. Design of book attempts to mimic "modern," industrial books with high design elements of fancy papers, various printing methods, and binding using two very large screws and bolts. Text by Peter Blake. Artists and designers include Paul Aferiat, Marc Alessandri, Sergio Asti, Enrico Baleri, Jhane Barnes, Ayse Birsel, Cini Boeri, Vincent Cafiero, Ivan Chermayeff, Niels Diffrient, Dale Fahnstrom, Emanuela Frattini, Gianfranco Frattini, Tom Geismar, Paul Haigh, Bruce Hannah, Robert & Trix Haussmann, Dragomir Ivicevic, Lawrence Laske, Ross Lovegrove, Roberto Lucci, Paolo Orlandini, Carl Magnusson, Michael McCoy, Richard Meier, Stephen Peart, Don Pettit, Charles Pollock, Robert Reuter, Carlos Riart, Joseph Ricchio, John Rizzi, Brooks Rorke, Richard Schultz, Denise Scott Brown, Hazel Siegel, Peter Stamberg, Stanley Tigerman, Timothy Van Campen, Robert Venturi, Vignelli Designs, Marco Zanini, and Otto Zapf. Parallel texts in English, French, Italian, German, and Spanish. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…