Georgia Mitchell (24 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condition: Fine. Georgia O'Keeffe (illustrator). 1966, Illustrated soft cover wraps, 30 page book with black & white illustrations. Condition : Fine. Size: 4to - over 9¾" - 12" tall. Book.

First Edition. First edition. Softcover. 30 pages. Exhibition catalog for a show that ran March 17 through May 8, 1966. Includes several black and white illustrations, two black and white photographs of the artist, biographical information, and a checklist. A very good copy in wrappers with a small sticker shadow to the front cover and some other very minor wear. Internally a clean copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Eugenia and Bob Riley (illustrator). 1st Edition. First Edition. Signed by Author "Best Wishes". Book cover is in very good condition with minor wear on corners. Paper dust jacket is in somewhat fragile condition with few visible marks and chipping. Pages appear free of any markings or annotation. Signed by Author(s).

Soft Cover. Condition: Very Good+. First Edition; First Printing. 9 full page plates. Edited by Mitchell A. Wilder. Published on the occasion of the exhibition at the Amon Carter Museum of Western Art, March 17 - May 8, 1966. ; Tight and clean. Slight tanning to wraps. Interior is As New. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 30 pages.

Paperback. Condition: Brand New. 99 pages. 8.58x5.43x0.28 inches. In Stock.

Paperback. Condition: Brand New. 288 pages. 8.80x5.90x0.90 inches. In Stock.

Encuadernación de tapa dura. Condition: Bien. Dust Jacket Condition: Muy bien. 999 pp/ R36-6.

Cartoné. Condition: Normal. 1019 pp/ Traducción del inglés por Juan G. de Luaces y J. Gómez de la Serna/ R36-6.

Soft cover. Condition: Very Good. 1st Edition. VG large illustrated wraps exhibition catalog. March - May, 1966. Light to moderate general wear. 4to. 30pp. Illustrated. No names or markings to text. Art mags.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition. A lovely clean, tight hardly opened copy with a similar unclipped dust wrapper. SIGNED by author on half title. ; 8vo; 116. pages.

Glossy pictorial boards. weight: 2.0 lb. Very good, corners bumped, no dust jacket. 28x21.5 cm. 204 pp.

spiral_bound. Condition: New. In shrink wrap. Looks like an interesting title!

Softcover. Condition: Very Good. First Edition. Exhibition catalogs. Two volumes. Part I with a one-page introduction by Sidney Janis. Slim small quartos. 32pp. each. Heavily illustrated in black and white. Wrappers with modest wear, a very good or better set. The shows ran consecutively between January and March, 1984. Artists represented include Georgia O'Keefe, Alice Neel, Joan Mitchell, Agnes Martin, Louise Nevelson, Elaine de Kooning, Jane Freilicher, Louise Bourgeoise, Helen Frankenthaler, Jenny Holzer, Lydia Bengalis, Nancy Graves, along with many others.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 144. A perfect gift for your loved ones. Reprinted from 1955 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 144.

Letter. Condition: Good. Receipt and letter. Approx. 10" x 8" folded paper. 4 pages. Page 3 and 4 has a v shaped chipped on the edge with the chipped section stuck to the wax seal on blank side of page 2 (all content present). A large closed tear to the document on the right side (no loss of content. Small splits at the fold intersections. Top of page 1 heading "Augusta Feb. 14th, 1829". Bot of Wm. Mitchell". Goods purchased include Bushels of Salt, Sacks, Coffee, Small Bag, and Nails. Inside on page 3 is a 14 line written note to Capt. Smith discussing his order and the "Merchants and Planters Bank is now good and I think will remain so at least one year." Page 4 is addressed to "Capt Lewis Smith Gwinnett County Geo.".

[50] pp.; 10.9 x 6.5 cm.; loose card[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Set of playing cards by Don Celender featuring images of well known artists, writers, and gallery owners, superimposed over images of religious figures. Verso has a quote about or by the art world figure pictured. Art world figures include : Francis Bacon, J. Oliver Mitchell, Ivan C. Karp, Donald Judd, Wayne Thiebaud, Claes Oldenburg, Philip Pearlstein, Ernest Trova, Elaine de Kooning, Alexander Liberman, Richard Estes, Cy Twombly, Lucy Lippard, Alex Katz, Lee Krasner, Norman Rockwell, Marisol, Richard L. Feigen, Jim Dine, Bob Morris, Denise René, Richard Lindner, Robert Motherwell, George Segal, Paul Jenkins, Thomas Hoving, John Coplans, Harry N. Abrams, Clyfford Still, Richard Artschwager, Isamu Noguchi, Andrew Wyeth, Victor Vasarely, Andy Warhol, Louise Nevelson, Josef Albers, Henry Geldzahler, Mark Tobey, Roy Lichtenstein, Lucas Samaras, Jasper Johns, Helen Frankenthaler, Marc Chagall, Henry Moore, Georgia O'Keeffe, and Hilton Kramer. Very Good. 8 mm. of light soiling to bottom left corner of lid. Light yellowing and dusting of bottom of box. Complete set of cards. Contents clean and unmarked.

137 pp.; 21.5 x 14.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. Art, letters, text, and performances by Miriam Schapiro, Lelia Amalfitano, Sherry Brody, Linda Burnham, Sue Camitta, Amy deNeergaard, Ida Foreman, Rikki Frankenstein, Cynthia Genn, Jill Giegerich, Melissa Lettick, Connie Marsh, Robin Mitchell, Victoria Nodiff, Stephanie Robertson, Molly Rhodes, Rena Small, Natasha Shulman, Vicki Yale, Teri Yarbrow, Katya Biesanz, Peggy Burgess, Kathy Ferree, Sally Ann Gutermuth, Jennifer Hubbert, Joy Kellman, Mary Ann Kellogg, Tisha Ladzekpo, Janet Lott, Yoko Matsuda, Carla Minfler, Adrienne Scott Mirvis, Deborah Quinn, Ruth Rainer, Priscilla Regaldo, Liz Rosner, Ann Shannon, Donna Sonnenburg, Jana Steel, Pam Trippel, Helen Whelchel, Arlinda Wicks, Emily Wong, Martha Yoshida, Lisze Bechtold, Joyce Borenstein, Georgia Patterson, Lisa Rose, Kathy Rose, Barbara Stutting, Sherry Wheeler, Diana Krummings, Jane Kirkwood, Arlinda Wicks, Lydia Ayers, Janet Danielson, Nat Dean, Julie Green, Jan Greenwald, Catherine Headly, Linny Kammer, Kathy Knoff, Donna Metz, Alice Maupin, Georgia Mohammar, Sister Agnes Mysenburg, Stephanie Nelson, Marsha Pobanz, Aviva Rahmani, Ruth Rainer, Liz Rosner, Anna Rubin, Jana Steel, Marsha Taylor, Patricia Welsh, Kimball Wheeler, Marcia Williams, Merrilee Walbrun, Emily Wong, Devorah Cutler, Jane Freedan, Roberta Friedman, Jan Oxenberg, Helen Whelchel, Jan Wesley, Kathy Rose, Womansong, Megan Anderson, Liza Braude, Randall Edwards, Debbora Gilyard, Christine Holmes, Franzine Lembi, Karen McLaughlin, Cathy Berne Scott, Ann Shannon, Doree Sitterly, Liza Braude, Jan Greenwald, Carey Lovelace, Lila Garnett, Julie Guibord, Vaughn Rachel Kaprow, Joan Burnham Kayne, Bee Ottinger, Elaine Mason Winkey, Pat Adams, Daisy Aldan, Eleanor Antin, Dore Ashton, Alice Baber, Lynda Benglis, Besmilr Brigham, Joan Brown, Rhys Caparn, Vija Celmins, Judy Chicago, Sheila deBretteville, Madeline Defrees, Carol Duncan, Martha Edelheit, Perle Fine, Siv Cedering Fox, Dextra Frankel, Hermine Freed, Jane Freilicher, Barbara Guest, Carol Haerer, Anne Coffin Hanson, Ann Sutherland Harris, Grace Hartigan, Ida Horowitz, Josine Ianco-Starrels, Colette Inez, Ruth Iskin, Jessica Jacobs, Vaughan Rachel Kaprow, Gere Kavanaugh, Joyce Kozloff, Lee Krasner, Maxine Kumin, Fay Lansner, Joanne Leonard, Bella Lewitzky, Lucy Lippard, Jane Livingston, Sylvia Mangold, Beatrice Manley, Agnes Martin, Deena Metzger, Ursula Meyer, Josephine Miles, Cindy Nemser, Linda Nochlin, Pauline Oliveros, Rochelle Owens, Arlene Raven, Deborah Remington, Jeanne Reynal, Betye Saar, Carolee Schneemann, Jacqueline Skiles, Sylvia Sleigh, Barbara T. Smith, Clare Spark-Loeb, Pat Steir, May Stevens, Marjorie V. Strider, Michelle Stuart, Deborah Sussman, Marcia Tucker, Ellen Van Fleet, Lydia Modi Vitale, June Wayne, Hannah Wilke, and Barbara Zucker. Illustrated in black-and-white. Good / Very Good. 4.3 cm. soiling to verso. 2.4 cm. dog-ear to top right corner of recto. 3.2 cm. crease to top edge of recto. Rubbing of cover edges. Light soiling of text block edge. Contents clean and unmarked.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 16 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Paperback. Condition: new. Paperback. This book is a collection of letters that I have written to my dysfunctional family over a span of five years. During that time, I was beginning to recall repressed memories of sexual abuse by two on my uncles on my mother's side when I was between the ages of three and five.The following are real letters that I wrote to members of my family. Some were delivered, others were not, but all of them are regarding the abuse, my reactions to my recalled memories and their reactions. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Very good. Overall age toning. Minor spotting. Size 14.5 x 12 Inches. This is S. A. Mitchell's 1850 map of Georgia, illustrating the state at its peak as a pillar of the antebellum South. A Closer Look The map depicts the entire state, using color to differentiate individual counties. Portions of adjacent states are included. Canals and roads are illustrated, along with distances between major points. The state's major railroads lines connection the port of Savannah with various points inland, including Atlanta, Augusta, and Chattanooga, Tennessee. Historical Context In 1850, Georgia was dotted by expansive cotton plantations that fueled its economic prosperity. Georgia's burgeoning railroad network began to reshape its internal trade and connectivity, linking rural plantations to growing urban centers like Savannah and Atlanta. This agrarian prosperity, however, was intrinsically tied to slavery, with a significant portion of the population enslaved. Georgia was swept up in the national discourse triggered by the Compromise of 1850, escalating tensions between the North and South. The state's leaders and populace were deeply entwined in these debates, reflecting Georgia's role as a key player in the antebellum South. Publication History and Census This map was prepared by S. A. Mitchell for publication by the Philadelphia firm of Thomas, Cowperthwait, and Co. as plate no. 24 in the 1850 edition of Mitchell's New General Atlas . Dated and copyrighted, 'Entered according to act of Congress in the year 1850 by Thomas Cowperthwait and Co. in the Clerk's office of the Eastern District of Pennsylvania'. References: Rumsey 0545.024 (1849 edition). Phillips (Atlases) 6913.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Stacey M. Mitchell is an Assistant Professor at Georgia State University s Perimeter College, U.S.Rwanda and Burundi are strikingly similar countries that underwent democratization in the early 1990s. In both, resistance t.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Stacey M. Mitchell is an Assistant Professor at Georgia State University s Perimeter College, U.S.Rwanda and Burundi are strikingly similar countries that underwent democratization in the early 1990s. In both, resistance t.