Gerard John, Signed (23 results)

Condition: Good. Signed Copy . Very Good dust jacket. Signed by author on title page.

Paper Back. Condition: Very Good. Enscription by Lewis John Eron dated 1/18/91. No other interior markings. Signed By Author.

Paper Back. Condition: Very Good. gift inscription on pre title page by author, Lewis John Eron; otherwise unmarked. Signed By Author.

No Binding. Condition: Very Good. ORIGINAL 1970 Article, disbound from journal; no covers; in very good condition. Signed by Author(s). Journal.

Hardcover. First Edition. Baltimore: CD / Cemtery Dance Publications. Near Fine in Very Good dust jacket. 2007. First Edition. Hardcover. 9781587671463 . First edition. Limited to 1500 copies signed by the editor: Tom Piccirilli. 363 pages collecting 18 stories plus the editor's introduction. Near Fine copy [minor spine head bump] in scratched [rear panel heaviest] clphE Near Fine in Very Good dust jacket.

Paperback. Condition: Very Good. Series: Essays in Social and Demographic History. 135p paperback, beige covers, very good condition, light wear to spine, binding a little stiff, pages clean and bright, text and tables very clear and sharp, personal note from one of the authors on endpaper, very good copy = Essays in Social and Demographic History, Number 9. Language: English.

Soft Cover. Condition: Very Good. First Paperback. xiv, 305pp, index, endnotes, family tree, sources, ills. Or card. Near new. SIGNED by both author/editors opposite contents page. A story of Queensland's colonial frontier. Size: 8vo. Signed by Author & Editor.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. John Sherlock - Photography (illustrator). 1st Edition. **Bundle Up & Save On Postage** Dust jacket has very light edgewear, decorated hard cover text is without flaw, 10.25 X 11.25" 234 pages Weight Over 1.5 Kg, published 2007. Cioppino's Mediterranean Grill opened its doors in 1999 and, with its companion restaurant Cioppino's Enoteca, became one of Vancouver's most sought restaurant destinations. Known for its award-winning wine list and its creative take on classic Mediterranean dishes, Cioppino's was a regular stop for visiting celebrities and won an exceptional international reputation. Sadly Cioppino's closed its doors December 2024. But this collection of more than 100 favourite recipes highlights the breadth of the restaurant's menu with Italian classics and New World-inspired fish and seafood dishes as well as updated versions of the much-loved desserts. Written with the home cook in mind, the recipes are easy to follow yet sophisticated. This is a special book, beautifully designed for those who love food, wine and the company of friends. Each recipe has a full-page colour presentation photograph. " To C-- Buon appetito! Happy Cooking Pino Posteranro". Inscribed by Author(s).

Loose leaves. Condition: Fine. Limited Edition. Loose sheets, heavy wove cream-colored paper printed letterpress primarily.1. "Inversaid" by Gerard Manley Hopkins with a woodcut illustration printed in brown. Two copies, hand numbered 55 and 91 of an edition limited to 179. 11 x 8-1/2 inches. 2. "The Legend of Paper Plates" by John Haines with a two color woodcut illustration hand numbered 58 of an edition limited to 165. 8-1/2 x 11. inches.3. "Song of the Dishwasher" by Tom Parson, signed, edition limited to 415 copies. 12-3/4 x 6-1/2 inches. 4. "I've Got a Secret" printed in colors, signed and numbered 26 of 48 by Richard Tardif. 8-1/2 x 11 inches. Now housed in a clear archival sleeve with acid-free backing.

First Edition. Inscribed and Signed by contributor, Dafne C. Reymen to fellow economist, Ronald McKinnon. First Edition. Very Good to Near Fine condition.

Gerard Hoffnung (illustrator). Inscribed 'via Gerard Hoffnung' to Charlotte, from Molly. First edition, lacking dust wrapper. Bound in the publisher's cloth. The spine and the edges are age-toned and discoloured, the spine ends and extremities bumped and bruised, with a few odd marks to the boards. Inscribed to the half title. The binding is firm; there is some spotting particularly to the prelims but throughout. An inscribed first edition of this charming work for children.

Hardcover. Condition: New. 1st Edition. NEW BLACK LEATHER BOUND HARDBACK in RED, Felt-Lined TRAYCASE. SIGNED by ALL 23 CONTRIBUTORS [No Inscription]. LIMITED Ed. #R/26. Gold Foil embossed Front Board, Spine & Traycase, NO DJ, as Published. NO remainder mark. | SHIPS AIRMAIL INTERNATIONALLY! [Extra postage for Priority & International delivery]. Signed by Author(s).

Hardcover. Condition: Very Good+. 1st Edition. First Deluxe Edition, hardcover in tray case, signed by all 23 contributors and marked no. PC/26 on the limitation pages. The book has a tiny lean to the binding, and some mild wear to the spine ends and cover corners. Otherwise, this is a solid, tight Very Good+ copy in a like tray case, which has very slight wear to the spine ends and corners, and a touch of wear along the edges. Additional images are available upon request.

Paperback Decorative. Condition: Very Good. 2nd Edition with Unique Extras. 86 pages + numerous illustrated pages. Original black, silver & red paperback binding in very good condition. Contents very good, clean & tight. Owners name/address rear of title page. Contains A General Survey to the Fifteenth Century, The Sixteenth and Seventeenth Century, The Survey to the Eighteenth and Nineteenth Centuries, The Survey Continued 1900-1949, Country Houses, The Forrest etc., etc. The extra items are (I) a signed note from author with a 4 single sided printed item "Brentwood school and the Dagenham Great Tithe" by John Gerard O'Leary, (II) a signed letter from author (as Borough Librarian), (III) a signed letter from author re some details of book owners home, (IV) 2 page letter signed by Lee ? who seems to be co-writing a history book relating to Dagenham, (V) 2 minor items. Size: 18.5 x 24.5cm. Approx. With 3 Signed Letters.

Großfoto (4°), eigenhändig signiert mit persönlicher. Widmung (dito : ohne pers. Widmung für Euro 50,-).

Hardcover. Gr.-Oktav. III. Typomania. 4 Bll. von S. Anderson und John Gerard im Druckvermerk signiert, eins von 20 Exemplaren. Signatur des Verfassers.

Gerard, John (illustrator). small 4to. Gray paper covered boards opening from either end with pages accordian style. 10 leaves printed on both sides. Limited to 20 numbered copies signed by Gerard and Best. Text and Images by Fritz Best. A double-sided accordion fold book with pulp paper images and text by Fritz Best, produced in collaboration with John Gerard on handmade papers of cotton. Images and text for Tag on one side of the book, and images and text for Nacht on the other. Grey endboards with title. "Day and Night was the result of an invitation to Fritz Best to make a book in the paper medium in my Berlin workshop. He had been in and out of the workshop for months, seen how many of the techniques function, but still had many questions. The theme he chose was the departure from Berlin, as he was to leave that year back to London and I was to move to the Rhineland. The book reflects all of the chaotic conditions in Berlin: traffic, dogs, the remains of the wall, office work and ends with a relaxing bottle of beer. All of the images are done in paper pulp using stencil techniques; the text was printed in silver, using nylon cliches. This is Fritz Best's first book." - Gerard. Gray paper covered boards opening from either end with pages accordian style.

Softcover. Condition: Very Good. First Edition. Number 1. Quarto. Stapled covers, illustrated by George Schneeman. Wraps lightly toned and with a bit of faint foxing, corners and spine ends bumped, very good or better. Laid in is a typed Signed letter from Alan Davies to Clark Coolidge, who contributes two collaborative poems with Larry Fagin. The inaugural issue of this poetry journal, with contributions by Clark Coolidge, Larry Fagin, John Wieners, Lewis McAdams, Richard Dillon, Lewis Warsh, Aram Saroyan, Alan Davies, Gerard Malanga, Jonathan Cott, and Bill Corbett. Signed.

Cloth. Condition: Fine with no dust jacket. color; Folio 11.5 x 16"; Die Kunst der Gesellschaft. Handmade paper and decorations by John Gerard. 16 leaves. Folio, black-lettered cloth-backed boards, cloth clamshell case; no visible wear. ONE OF 25 NUMBERED COPIES SIGNED in pencil BY GRUNBEIN & GERARD on colophon. Number 9/25 . It appears that different versions in normal book form may have been published in 2003 and perhaps 1875. But this is the only Deluxe Artist's book published. ; Signed by Author & Illustrator.

1 vol in-plano (475 x 363 mm) de: [7] ff dont 3 planches en couleur numérotées et signées par l'artiste, exemplaire sur Velin d'Arche n° 190 sur 280. (trace de transfert face aux illustrations). Couverture imprimée en noir de papier japon gauffré épais de couleur grise, non cousu. Rare exemplaire de ce recueil de poèmes composés par le sculpteur Gérard Voisin et illustrés par le peintre John Christoforou. L'auteur des poèmes, Gérard Voisin est un artiste sculpteur et poète français né en 1934 à Nantes qui fut l'ami du photographe Robert Doisneau, du chanteur Claude Nougaro et du peintre Corneille. À l'âge de 14 ans, Gérard Voisin se fait embaucher aux fonderies de la ville et se lance en parallèle dans le militantisme syndical et l'écriture poétique. Au début des années 1960, l'artiste ouvrier squatte une maison abandonnée. Il commence à sculpter des morceaux de bois, avec un couteau, et en fait des visages. Dans les années 1970, Gérard Voisin gagne la capitale et fréquente des artistes proches du « mouvement CoBrA ». Tout en poursuivant l'écriture de ses poèmes, il se passionne pour l'art africain. En sculptant le bois et le bronze, les corps, le désir, il s'en sent proche. Il milite pour le travail de mémoire sur l'esclavage, les colonies, il collabore avec des artistes du continent africain. En 2002, il réalise un monument commémorant l'abolition de l'Esclavage, intitulée « Tendresse, Égalité, Fraternitéà (2002) à Saint-Herblain (Loire-Atlantique). Il a été nommé Artiste pour la paix de l'UNESCO en 2005. Collectionneur, Gérard Voisin a accumulé des milliers de livres et revues dont une bibliothèque réservée à la traite négrière, 30 000 papiers coupés, 7 000 cartes postales sur l'Afrique subsaharienne. L'auteur des trois lithographies illustrant notre ouvrage est le peintre français d'origine grecque, né à Londres John Christoforou (1921-2014). Il est marqué ses deux années d'affectation dans la Royal Air Force ,pendant la seconde guerre mondiale, aux missions de sauvetage en mer de victimes de la guerre et des cyclones sévissant sur l'océan indien. En 1949 : première exposition personnelle à Twenty brook Street gallery à Londres. En 1951 : séjour à Paris où il découvre tous les grands musées. En 1953 : retour à Londres où il expose à la Gimpel Fils Gallery. En1957 : il s'installe à Paris et travaille aussi à Aix-en-Provence chez le sculpteur Marius Bruel. En 1971 : exposition Galerie Vercamer, Paris avec Arman, Enrico Baj, Mandeville, Friedensreich Hundertwasser, Charles Lapicque, Alberto Magnelli, Roberto Matta et Georges Noël. En 1974 : exposition consacrée à l'uvre de Christoforou sur le thème La nuit et le néant au Musée Galliera à Paris. Edition d'une monographie. Exposition rétrospective au Randers Kunstmuseum, Danemark. En 1975 : première participation à la FIAC (galerie Rive Gauche). Christophorou a développé une peinture expressionniste forte, où le noir domine. Les thèmes figuratifs développés par le peintre sont ceux de la guerre, des accouchements, crucifixions et épouvantails, notamment. L'ouvrage comporte de 3 poèmes sur le thème de l'oiseau composés par Gérard Voisin, avec en regard les trois lithographies de John Christoforou, numérotées et signées de sa main. Exemplaire sur Velin d'Arche n° 190 de cette unique édition produit à 280 exemplaires par le lithographe Georges Girard et Imprimerie Clot Bramsen. Bel exemplaire demeuré frais. 1 vol. in-plano (475 x 363 mm) of: [7] ff including 3 color plates numbered and signed by the artist, copy on Velin d'Arche n° 190 of 280. (transfer marks opposite the illustrations). Cover printed in black on thick gray embossed Japanese paper, unbound. Rare copy of this collection of poems composed by sculptor Gérard Voisin and illustrated by painter John Christoforou. The author of the poems, Gérard Voisin, is a French sculptor and poet born in 1934 in Nantes who was a friend of photographer Robert Doisneau, singer Claude Nougaro, and painter Corneille. At the age of 14, Gérard Voisin was hired at the city's foundries and at the same time became involved in union activism and poetic writing. In the early 1960s, the working-class artist squatted in an abandoned house. He began carving pieces of wood with a knife, turning them into faces. In the 1970s, Gérard Voisin moved to the capital and frequented artists close to the "CoBrA movement." While continuing to write his poems, he developed a passion for African art. By sculpting wood and bronze, bodies, and desire, he felt close to it. He campaigned for the preservation of the memory of slavery and the colonies, and collaborated with artists from the African continent. In 2002, he created a monument commemorating the abolition of slavery, entitled "Tendresse, Égalité, Fraternité" (2002) in Saint-Herblain (Loire-Atlantique). He was named UNESCO Artist for Peace in 2005. A collector, Gérard Voisin has amassed thousands of books and magazines, including a library devoted to the slave trade, 30,000 cut papers, and 7,000 postcards on sub-Saharan Africa. The author of the three lithographs illustrating our book is the French painter of Greek origin, born in London, John Christoforou (1921-2014). He was marked by his two years of service in the Royal Air Force during World War II, on rescue missions at sea for victims of war and cyclones raging in the Indian Ocean. In 1949, he had his first solo exhibition at the Twenty Brook Street Gallery in London. In 1951, he stayed in Paris, where he discovered all the major museums. In 1953, he returned to London, where he exhibited at the Gimpel Fils Gallery. In 1957, he moved to Paris and also worked in Aix-en-Provence with the sculptor Marius Bruel. In 1971: exhibition at the Galerie Vercamer, Paris, with Arman, Enrico Baj, Mandeville, Friedensreich Hundertwasser, Charles Lapicque, Alberto Magnelli, Roberto Matta, and Georges Noël. In 1974: exhibition devoted to Christoforou's work on the theme of Night and Nothingness at the Musée Galliera in Paris. P.

52 (1) S, mit 13 blattgr. farb. Linolschnitten (einer davon auf dem VDeckel wiederholt). 45. Druck. - Eines von 6 röm. num. Exemplaren (GA 24) mit einer Suite aller Grafiken (13 Doppelblätter), gedruckt zusammen mit dem jeweils dazugehörenden Gedicht auf von John Gerard handgeschöpftem und farbig gestaltetem Papier, jedes Blatt von ihm signiert und von Hanfried Wendland handkoloriert, separat num. und signiert. - Impressum von Hanfried Wendland sign. - Gedruckt von Peter Rensch auf der Andante Handpresse, handgebunden von Christian Klünder. - Zustand tadellos. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6,50 Euro, darüber hinaus 7,50 Euro Porto. - Sprache: Deutsch Gewicht in Gramm: 2550 Fol. (40 x 30,5 cm), Halbleder mit geprägtem Rückentitel und Linolschnitt auf dem Vdeckel, im bedruckten Schuber, Suite in bedruckter Kartonmappe.

No Binding. Condition: As New. 1st Edition. Portfolio contains 6 original prints hand SIGNED by each of the 6 different artists; titled: "Global 1: Artist Books From Germany"; each print is hand SIGNED and numbered by the artists, limited edition to 150 numbered copies; CONTRIBUTING ARTISTS: 1) JOHN GERARD: a color print with text on a thick pulp paper titled "void empty nothing"; 2) HENRY & MARION GUNTHER: a colored illustrated double page fold out; 3)SUSANNE NICKEL: "animal poety. where is lassy" consists of 12 silk-screen images of cats and dogs and a sticker of an angel at the back of gray bookbinder board; 4) FRAUKE OTTO: "Rainer Maria Rilke" a combination of tea stained Abaca paper and a clear plastic sheeting with text"; 5) VERONIKA SCHAPERS : a Japanese letter printed in black on Kozo paper with Japanese character "hon" meaning book; 6) ULRICH WAGNER: an ultra-marine blue image placed in thick layers of black paper pulp; portfolio publication accompanied the exhibition held at Cencebaugh Contemporary on contemporary German artists books in May-June 2000; catalogue and prints housed in a die cut and foil stamped cardboard box, with a 24 pages of text in English by Gunnar A. Kaldewey; each print approximately 8-1/2 x 11-1/4in but the Henry & Marion Gunter print is 17x11-1/4in; text and biographs of artists printed on a thick white card paper; the box, text sheets, and all the prints in EXCELLENT COND. Signed by Author(s).

Mit 7 Doppeltafeln in Siebdruck von John Gerard, 37,7 x 31,8 cm, Schwarzer Originalleinwandband, Leporello in 7 Doppelseiten Eins von nur 20 Exemplaren, vom Verfasser Fritz Best im Druckvermerk signiert. - Das starke Büttenpapier wurde von John Gerard noch während des Schöpfvorgangs eingefärbt und mit Collagen und Bildabklatschen illustriert. Das Werk gehört zu seinen frühesten Künstlerbüchern. - Der Künstler John Gerard wurde 1955 in Michigen USA geboren. Er studierte bildende Kunst in den USA und Kunstgeschichte in Bonn. 1984 übersiedelte er nach Berlin und gründete 1985 seine berühmte experimentelle Werkstatt für handgeschöpfte Papiere. Er möchte zeigen, das Papier nicht allein Träger eines Bildes, sondern das Bild selbst sein kann. Inzwischen sind seine Werke in zahlreichen bedeutenden internationalen Museen vertreten. - Fritz Best, geboren 1964 in London, lebt und arbeitet seit 1985 mit Unterbrechungen in Deutschland.Tadellos erhaltenes, schönes Künstlerbuch.