German Expressionist (18 results)

Soft cover. Condition: Fine. B00K: Fine/. I; 1989 (illustrator). B00K: Fine/ $119.87, Reduced from. 3791309749 German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies: Volume 1 * Los Angeles County Museum of Art, Staff Los Angeles County Museum of Art / Prestel Los Angeles / Munich, Germany 1989 Black Spine With Title In Orange, Tall And Wide Soft Cover BooK: Fine/Very Good, 211 Numbered Pages, That Appear To Be Lightly Read Or Not Read At All And Are Clean And Tight To The Spine, Slightest Shelf, And Edge Ware, One Small Nick In The Outside Edge Of The Rear Cover. Might Require Extra Shipping And Handling To Your Destination, Due To Large Size And Weight. This BooK Is Hard To Find, Will Make An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = World Wide Shipping = AVAILABLE =.

Soft cover. Condition: Very Good. 50 pages. Illustrated. Rigby Graham "German Expressionist Woodcuts" / Jim Burns "This Quarter" / Claude A Prance "More Association Books" / Eric E White "The Poetry Book Society".

Soft cover. Condition: Very Good. 88 pages. Illustrated. Helen Boorman "Rethinking the Expressionist Era: Wilhelmine Cultural Debates and Prussian Elements in German Expressionism" / Christine Fischer-Defoy "Artists and Art Institutions in Germany 1933-1945" / Andrew Benjamin "The Decline of Art: Benjamin's aura" / John Barrell "Sir Joshua Reynolds and the Political Theory of Painting" / David H Solkin "Great Pictures or Great Men?" (BT#42).

Soft cover. Condition: Very Good. 123 pages. Illustrated. (K3/1).

Hardcover. Condition: Good. No Jacket. G K Hall, 1990. Hardcover, bound in black cloth; spine titles stamped in gilt. 11.5 inches tall. No dust jacket, as issued. xv, 272 pages. Kathe Kollwitz frontispiece. Binding is square and straight.

Softcover. Condition: g+ to vg. First edition. Large Quarto. 211 (3)pp. Original color pictorial folded wrappers. Brown endpapers. Some 10+ essays, profusely illustrated with hundreds of color and b/w photographic reproductions. Includes Rifkind's wonderful interview with Kokoschka, illustrated with many of his works. Wrappers with minor shelf wear. Block is lightly sunned to margins, not affecting images. In overall good+ to very good condition.

hardcover. Condition: Fine.

Unpaginiert Etwa A4 großer Broschur, Kunstdruckpapier, viele Gemäldewiedergaben, kpl mit den lose beiliegenden zwei Blatt/Liste der nicht im Katalog aufgeführten, aber in der Ausstellung gezeigten Werken. Cover etwas Lagerspuren, sonst und innen gut.

Gebundene Ausgabe, 4°. Condition: Sehr gut. 1110 S. Beide Bände in sehr gutem, sauberen Zustand. Gebundene Bücher mit Original-Schutzumschlag. Diese mit minimalen Randläsuren. Sonst saubere und wohlerhaltene Exemplare. Beide Bände im Original, etwas lädierten Schuber. -----Inhalt:. Das zweibändige Standardwerk dokumentiert die Sammlung des Robert Gore Rifkind Center for German Expressionist Studies am Los Angeles County Museum of Art eine der bedeutendsten Kollektionen expressionistischer Druckgrafik und Zeichnung weltweit. Band 1 versammelt neun wissenschaftliche Essays von Stephanie Barron, Wolf-Dieter Dube, Alexander Dückers, Peter Guenther, Rose-Carol Washton Long, Paul Raabe und Ida Katherine Rigby, die den deutschen Expressionismus in seinem historischen und kunstgeschichtlichen Kontext verorten. Ergänzt wird der Band durch ein Interview Robert Gore Rifkinds mit Oskar Kokoschka sowie 252 Farb- und Schwarzweißabbildungen. Band 2, von Bruce Davis erarbeitet, ist der umfangreichste je publizierte Katalog expressionistischer Druckgrafik: Über 5.000 Werke werden einzeln abgebildet und präzise erfasst, erschlossen durch sechs Register nach Büchern, Zeitschriften, Portfolios, Autoren, Verlagen und Porträtdargestellten. Erschienen 1989 im Prestel Verlag, München, im Großformat (32 × 26 cm). ISBN: 9783791309590 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 6713.

4°. XVI, 211 Seiten mit 266 (67 farb.) Abbildungen; IX, 842 Seiten mit 5134 s/w. Abbildungen. Orig.-Leinen mit Orig.-UMschlag im Orig.-Schuber. Tadellose Erhaltung. ISBN 3791309595 *Durch mehrere Register erschlossenes Standardwerk zum Thema. Sprache: Deutsch 6500 gr.

Condition: Good. Drypoint. 53 x 65 cm. Foxing and hole in margin. Signed in pencil but not legible.

Large 4to. 2¾ pp. on bifolium. Comprehensive letter in German, to the artist Irmgard Hasenbach-Tavolato (née Seeling, 1899-1978) in Merano, about his financial worries: "Now, after my return to Berlin, I have learned of many things which also concern myself and which make it necessary for me to decide how I shall plan my further life so as to take care of myself and my family, for this I can no longer do by working as a painter [.] Is it possible that I exhibit in Italy, and may I sell my works, should someone wish to buy them? My savings would last for a little while, as I would be staying at a cheap fishing village. Here, my very existence consumes everything! and I can see when I will have reached the end [.]".

Large 4to. 3¼ pp. on bifolium. Stamped letterhead, ruled paper. Fine letter to Hugo Ball (1886-1927), who was working then as a dramaturg at the Munich Kammerspiele. Marc refuses to realize a theatre project under their current circumstances: "I would rather wait until we can really create something new, with our own ensemble and with perfect freedom of movement. Otherwise, nothing solid comes to pass. Then we would have to engage Kokoschka, Kandinsky, Klee, and Macke, and as musicians we must get the Schoenberg circle (Schoenberg, Webern, Berg and others) [.]". - Furthermore, Marc mentions the Russian painter Vladimir Georgievitsch Bechteev (1878-1971), a member of the Neue Künstlervereinigung München ("Munich New Artist's Association"), who was friendly with the "Blaue Reiter" ("Blue Rider"). Bechteev was involved in the theatre project discussed by Hugo Ball, which fell apart, as did other plans with members of the "Blue Rider". In 1914, he went back to Russia, and was called up to the army. After WWII, he worked as a set designer and illustrator. - Franz Marc. Briefe, Schriften, Aufzeichnungen (Leipzig 1989), p. 95.

Large 4to. Altogether 3 pp. on 2 ff. In German. Comprehensive letters to the German artist Irmgard Hasenbach-Tavolato (née Seeling, 1899-1978), on the loss of his work (1948) and an exhibition (1952): "At least life is saved, although everything else is lost. What hurts me most, is the loss of my work, whole periods from 1905 onwards were smashed, a vast number of drawings irretrievably lost [.]" (Berlin, 31 March 1948; transl.). - "Luckily all this fuss is now behind me. It proved very difficult to assemble all the necessary pictures for the exhibition, for most of my work has been lost. During the three weeks of the exhibition there were more than 6000 visitors, but nothing sold, not a single sheet - the people need their money for the bare necessities of life [.]" (15 March 1952; transl.). - Some tears to edges.

8vo. Altogether 6 pp. on 5 ff. With one enclosure (s. b.) and an autogr. envelope. To art historian Franz Stadler in Munich, on preparing an art exhibition ("Erster Deutscher Herbstsalon") (Berlin, 15. IX. 1912), sending congratulations on Stadler's betrothal (Sindelsdorf, 1. VI. 1913, a postcard from the press of "Der Sturm", showing Franz Marc's "Affenfries"), on plans for travelling to Berlin (Gendrin, undated), and, finally on Stadler's wedding (n. p., 23. VII. 1913). - Accompanied by an autogr. register in which Marc has put down the address of some galleries and artists in Paris such as Robert Delaunay, Wilhelm Uhde ("has got fine paintings of Rousseau, and cubists", transl. from the German original), and Le Fauconnier.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1989 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 245 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 245 Volume 1.

Kleine Autogrammkarte, in Tinte eigenhändig signiert - mit s/w-Reproporträtfoto unter dunkelgrünes Passepartout (4 to) gerahmt (dito wie vor, zum gleichen Preis, Autogrammkarte mit eigenhändiger Unterschrift, Ort und Datum in Tinte Gießen, 23.Nov. 20 signiert, mit Porträt (nach einer Zeichnung) unter dunkel-grünes Passepartout (4 to) gerahmt) (dito wie vor zum gleichen Preis, Autogrammkarte mit Datum 3.II.28, Unterschrift in Tinte signiert, mit Porträtfoto unter Passepartout gerahmt, 1 S. 4°).

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1989 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 869 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 869 Volume 2.