Gilvin Amanda (47 results)

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Condition: very_good.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: New. Brand New.

Condition: New.

Paperback. Condition: new. Paperback. Collaborative Futures places graduate education at the center of ongoing efforts to legitimize publicly engaged scholarship within the academic profession. It is indispensable reading not only for graduate students seeking inspiration, resources, and usable frameworks for their engaged scholarship, but for the faculty who are called upon to mentor them and for university administrators seeking encouraging answers to questions about the future of graduate education. Given the erosion of the tenure system and the casualization of teaching labor, graduate programs and professional organizations in many fields now recognize the imperative to prepare doctoral students for careers wholly or partially outside academe. This book powerfully indicates both the need and the means to change institutional cultures and forge a publicly active path for graduate education. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Hardback. Condition: New. Renowned for work that layers binary code with handmade craft, Fatimah Tuggar is one of the most original, incisive conceptual artists of the digital age. Tuggar's sculp-tures, photomontages, videos, and interactive works challenge roman-ticized notions of both ancient traditions and recent inventions. Born in Nigeria and based in Kansas City, multimedia artist Fatimah Tuggar (b. 1967) interrogates the systems underlying human interactions with both high-tech gadgets and handmade crafts. She seeks to promote social justice by implicating everyone in these systems, while playfully proposing new ways of seeing and making. Her work destabilizes the attachment to a single city, nation, or continent as a "home" in a world of migrants who may move between different kinds of homes. The essays here address Tuggar's ouvre within the confluence of the histories of conceptual art, tech art, and African art. In an interview with curator Amanda Gilvin, the artist reflects on the resonance of her early works and the goals of her new experiments in Augmented Reality (AR).…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. 1st Edition. New. In shrink wrap.

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 01 edition. 143 pages. French language. 9.25x11.25x0.50 inches. In Stock.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Fine. 1st Edition. Oblong hardcover, issued without a jacket, no remarkable flaws to this clean, attractive copy of the artist's "first monograph, published to accompany her major exhibition at the Davis Museum," illustrated throughout in color, nice gift copy ; ; 143 pages.

Condition: New. In English.

Condition: New. Editor(s): Gilvin, Amanda; Roberts, Georgia M.; Martin, Craig. Num Pages: 442 pages, Illustrations. BIC Classification: JNM. Category: (G) General (US: Trade). Dimension: 229 x 152 x 30. Weight in Grams: 699. . 2012. Paperback. . . . .

Condition: New. 2019. 1st. Hardcover. . . . . .

Hardcover. Condition: new. Hardcover. Renowned for work that layers binary code with handmade craft, Fatimah Tuggar is one of the most original, incisive conceptual artists of the digital age. Tuggar's sculp-tures, photomontages, videos, and interactive works challenge roman-ticized notions of both ancient traditions and recent inventions.Born in Nigeria and based in Kansas City, multimedia artist Fatimah Tuggar (b. 1967) interrogates the systems underlying human interactions with both high-tech gadgets and handmade crafts. She seeks to promote social justice by implicating everyone in these systems, while playfully proposing new ways of seeing and making. Her work destabilizes the attachment to a single city, nation, or continent as a "home" in a world of migrants who may move between different kinds of homes. The essays here address Tuggar's oeuvre within the confluence of the histories of conceptual art, tech art, and African art. In an interview with curator Amanda Gilvin, the artist reflects on the resonance of her early works and the goals of her new experiments in Augmented Reality (AR). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 442 pages. 9.00x6.00x1.25 inches. In Stock.

Condition: New.

Condition: new.

Condition: New. Editor(s): Gilvin, Amanda; Roberts, Georgia M.; Martin, Craig. Num Pages: 442 pages, Illustrations. BIC Classification: JNM. Category: (G) General (US: Trade). Dimension: 229 x 152 x 30. Weight in Grams: 699. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Condition: New. 2019. 1st. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: New.

Condition: New. pp. xxix + 409.

Condition: New. pp. xxix + 409 Illus.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.