Glenn J E Editor (7 results)

Paperback. Condition: Good-. GOOD-. Green illustrated glossy wraps, approx. 12'' x 9'', 176pp., few creases along spine, small creases to spine edges, edges and corners of covers, slightly larger creases to bottom corner of front cover, 3 small creases along front spine hinge, few light creases to back cover, some light rub wear and light scratch marks to covers, small gray stain to top left inside front cover, small creases to corners of few inner pages, inner pages are very clean. Once Read Books, cover scan available - just ask, OnceReadBooks com Orders shipped via USPS.

hardcover. Condition: As New. Looks almost new, tight and solid. Very clean with no markings or writing. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service.

Soft cover. Condition: Very Good. Gene Shortridge; (illustrator). First Edition. 72 pp. Edge and corner wear with a name in pencil on the right side of the front cover and a date stamp on the upper left of the front cover. Rattlesnake cover art by Gene Shortridge. This issue contains: Truly Western; Our Ghost Towns Today by Kenneth Roe; Ghost Camp by J. Michael Jenkinson; Sam's Youngest Boy by Frank X. Tolbert; The White Invader by Tom Bailey; Ornery and Low Down by James E. Harvey; Nana's People by James Kaywaykla as told to Eve Ball; Vacation for Gold by E. V. Reyner; Rainbow Cattle by Glenn R. Vernam; The Long Rio Grande by W. D. Smither; Guns of the Old West: Henry Rifle by Norman B. Wiltsey; Lucky Baldwin by E. C. Barney; Some People I Knew at the Crossroads by John W. DeVine; They Still Remember Jennie by Mike Clifford; Wild Old Days; The Colorful Horse Thief by Emily H. Lewis; I Trailed Black Jack Ketchum by Richard W. Sturges; Treasure Island by William Mahan; and Ambush on the Coquille by Orpha Collins; along with the usual features. Size: 4to. Book.

Hardcover. Condition: As New. xi, 188 pages. U.S. orders are shipped from our Lewiston, New York location.

Soft cover. Condition: Very Good. Wendy Pini; Joan Woods; Amy Harlib; (illustrator). First Editions. 160, 160, 160 pp. Volume 38, 39 - numbers 9, 1, 2. All three issues have light wear with uncreased spines; no interior markings. Covers by: Wendy Pini; Joan Woods; and Amy Harlib. Interiors by: Amy Harlib; Jim Mueller; Joan Hanke-Woods; and Valenza. These three issues feature the complete first printing of Zelazny's Courts of Chaos. NOVEMBER 1977 contains: The Courts of Chaos - Part One of Three by Roger Zelazny; The Holy Temple - a novella by Herbert Gerjuoy; The Long Chance - a novelette by Charles Sheffield; The Timeless Spy - a novelette by Glenn T. Wilson; Jogging Up Main Street by Thomas Wylde; and My Friend's Last Show by Rex Anderson; along with all the usual features including science by J. E. Pournelle. DECEMBER/JANUARY 1977/1978 contains: The Courts of Chaos - Part Two of Three by Roger Zelazny; Memo to the Leader - a novella by William Walling; The Road to God by Timothy P. Lewis; Come Again by Tim Joseph; John Henry and the Ultra-media Experience Machine by Lee Whipple; and With Clean Hands by Jesse Peel; along with the usual features, including science by Pournelle. FEBRUARY1978 contains: The Courts of Chaos - Part Three of Three by Roger Zelazny; The Faded Sun: Kesrith - Part One of Four by C. J. Cherryh; Writer's Block by Simon Hawke writing as Nicholas Yermakov; The Nothing Spot by Dian Girard; and Death's Dimensions by Victor Koman; along with the usual features, including science by Pournelle. Size: 12mo. Book.

Hardcover. Condition: Like New. Dust Jacket Condition: Very Good. First Edition. A small nick to edge of dustjacket, uncommon in hardcover. This catalogue is the first major scholarly publication devoted to an aspect of the Museum's permanent collections. It is particularly oldest collection in the Museum's holdings and was the first oldest collection in the Museum's holdings and was the first important gift to the Museum under its first director." "The collection is also significant as a historical document of Sioux Indian art and culture. Its unique historical value stems from the fact that its collector had an intrinsic interest in documenting the material culture of the Sioux. The artifacts he collected were items of traditional workmanship fashioned by Native Americans who still pursued the way of the life of their ancestors. ".

Hardcover. Condition: Brand New. 316 pages. 9.75x6.25x1.25 inches. In Stock.