Godard Robert (29 results)

Trade Paperback. Condition: Very Good. Radio Times Hulton Picture Library (Cover Engraving/Photo); Keith Godard (Design) (illustrator). Anchor Bks Ed, 1968. 770 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Crease spine and front cover. Small tear along top edge of front cover.

Softcover. Condition: Very Good. 1st. 80 pages, photographs throughout. Robert De Niro in "Once Upon a Time in America" cover article, as well as pieces on Jean-Luc Godard, Martha Coolidge.

Softcover. 296 pp. Softcover. LCC: C910949093 Good condition; on covers: touches of wear on edges, and previous owner's name on cover; occassional pen underlining.

Soft cover. Condition: Fine. 1st Edition. Magazine. Standard Format and Size. First Printing. Color illustrated cover with black/white and color interior art. 96 pages. FINE. All corners pointed. Binding tight, without stress creases and square. No tears, creases, bumps or chips. With slight wear from handling. Not marked in any way and very clean, glossy and bright. All magazines carefully wrapped and sent boxed.

Hardcover. Condition: Very good EX-LIBRARY. Dust Jacket Condition: No jacket. First Edition. New York, London, Sydney:: John Wiley & Sons, Inc., 1967. A solid copy. Clean and reasonably tight. Inner hinges are perfect. WITHDRAWN stamp, and a few other library markings. Pages are fresh and crisp. No underlining. No highlighting. No margin notes. Contains 33 chapters in four major parts: 1) Aluminum; 2) Beryllium; 3) Magnesium; 4) Titanium. Looks at corrosion behavior in various environments and conditions, e.g. in fresh water, salt water, soils, transportation and storage, galvanic corrosion, crevice corrosion, pitting corrosion, stress corrosion, corrosion fatigue, cavitation and impingement, atmospheric corrosion, corrosion by welds, corrosion by specific chemicals and foods, etc. Also examines methods of cleaning and prevention. Illustrated with a few figures, including electron micrograph. Tables. Graphs. Bibliographical references. Author Index. Subject Index. Bound in the original maroon cloth, lettered in shiny gold on the spine. First Edition. Hard Cover. Very good EX-LIBRARY./No jacket. 8vo. xi, 360pp.

Cloth. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st edition. 1st edition. A Near Fine copy in Very Good dust jacket. 8vo., x, 360 pp., illustrated with charts and graphs. Bound in reddish cloth with orange and white dust jacket. The dust jacket has edge wear and light soiling. The dj is now protected in a mylar sleeve.

Soft cover. Condition: Very Good. No Jacket. Montréal, Centre Eucharistique, 1956. Deuxième édition. 190 p., illustrations. Couvertures souples, reliure spirale, cote manuscrite sur la page titre. Très bonne condition.

Couverture souple. Condition: Très bon. In-8. 190 pages. Signature en page de garde. Historique de la municipalité. Nombreuses photographies anciennes.

Soft cover. Condition: Very Good. 1st edition. VG. 8vo, 216pp, printed wrappers. This brilliant issue includes the short story The Father by Raymond Carver, who is listed on the masthead as an associate editor. Also interesting work from many others, including a short piece on Kenneth Anger in the wake of his 1967 magickal implosion. Unmarked copy, a little cover wear. Not Signed.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. French edition. Protected in slipcase. Unmarked pages, tight binding, mylar protection for dust jacket.

Newspaper. 16p., folded tabloid underground newspaper, news, opinion, articles, photos, events, actions, comix, psychedelia, evenly toned, rolled at fold, address label on front wrap, else very good condition. This issue is comprised mainly of the lengthy interviews with Huey Newton and Godard.

Jahr: c1950. Einband: Heft. Beschreibung: c1950 - VN/Pl. no. H.M.V. 89 u. H.M.V. 90. Enthält: Piano-Direction, vl 1 (2x), vl obl. (2x), Basso, Akkordeon. Pianostimme am Rücken verstärkt. Papier gebräunt, teils etwas fleckig. Insgesamt gut erhalten.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Couverture souple. Condition: Neuf. 1ère Édition. Paris 1994. 1 volume/1. -- NEUF -- Broché collé . Format in-8°.------ 396 pages , biblio.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Condition: Neuf.

103; 30.5 x 32.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph / exhibition catalogue published in conjunction with show "Open Ends" held September 28, 2000 - January 30, 2001, the third and final exhibition in MoMA's series of exhibitions MoMA2000 drawing from works from the collection across curatorial departments and historical categories. Edited by Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. Introduction by Kirk Varnedoe. Essays by Kirk Varnedoe, Paola Antonelli, Joshua Siegel, M. Darsie Alexander, Mary Lea Bandy, Fereshteh Daftari, Judith B. Hecker, Susan Kismaric, Roxana Marcoci, Terence Riley, and Lilian Tone. Artists include Cindy Sherman, Vito Acconci, Rainer Werner Fassbinder, Philip Guston, Peter Hujar, Ingmar Bergman, William Wegman, Richard Prince, Francesco Clemente, Frank Stella, Robert Ryman, Robert Frank, Susan Rothenberg, Andy Warhol, David Wojnarowicz, Annette Messager, Louise Bourgeois, Carrie Mae Weems, John Baldessari, Jean-Luc Godard, Matthew Barney, and many, many others. Includes checklist of illustrations and an index of illustrations. Fine. Light yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Couverture souple. Condition: bon. RO40223439: 1991. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 393 pages. Tampons et annotation de bibliothèque en pages de garde et de titre. Tampons sur la tranche. . . . Classification Dewey : 330-Economie.

Couverture souple. Condition: Neuf. IN 8 CARRE-40 PAGES-PORTRAIT PAR POL FERJAC EN COUVERTURE-COUVERTURE REMPLIEE(13B).

830 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Artists include Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, and Marko Peljhan. Original texts by Sandra Alvarez de Toledo, Etienne Balibar, Andrea Branzi, Benjamin Buchloh, Peter Bürger, Jean-Marie Chauvier, Daniel Defert, Werner Durth, Fabrizio Gallanti, Serge Gruzinski, David Harvey, Andreas Huyssen, Benjamin Joly, Philippe Lacoue-Labarthe, Dominique Lecourt, Alain Lipietz, Masao Miyoshi, Peter Noller, Jacques Rancière, Klaus Ronneburger, Hans-Joachim Ruckhaeberle, Saskia Sassen, Gayatri Chakravorty Spivak, Francis Strauven, Paul Sztulman, Max Welch Guerra. Includes author biographies. "For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist's inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times." -- publisher's statement. Fine. Covers, dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

État de NEUF / New condition 404008 9782072882913 19.

Couverture souple. Condition: Comme neuf. Edition originale. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Journal de l'an Passé par Serge Daney - Notes sur le geste par Giorgio Agamben - De la vie des mutants par Jean Louis Schefer - Children, Children : depuis longtemps déjà nous ne naissons plus de pères vivants par Leslie Kaplan - Une lettre par Roberto Rossellini, (postface par Adriano Aprà) - Que Dieu me vienne en aide par João Cesar de Monteiro - La paroisse morte par Jean-Luc Godard - Le mystère et la vie Passionnée par Sylvie Pierre - La mort inassouvie par Raymond Bellour - Going (back) to Vietnam par Robert Kramer - La paroisse morte par Jean-Luc Godard - Vingt et un ans après par Elias Sanbar - Lettres d'un ami américain par Bill Krohn - À pied d'oeuvre par Jean-Claude Biette - La paroisse morte par Jean-Luc Godard - Éloge du titre par Pierre Legendre.

Hardcover. Condition: Fair. Publisher: John Wiley & Sons, 1967, FAIR, HB, 360 pp, EX-LIB with usual markings, mylar protector. Book.

Condition: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782072882913.

rigide. Condition: Satisfaisant. 1 vol. in-8 cartonnage éditeur, Les Presses Artistiques, Paris, 1959 L'exemplaire est enrichi d'envois et de dessins de Robert Bouquillon, Jean-Pierre Capron, Gabriel Ferro, Lucien Fontanarosa, Olivier Foss, Raymond Georgein, Gabriel Godard, Emile Grau-Sala, Pierre Henry, Pierre Le Colas, Georges Oudot, Francis Pasquier, Michel Rodde, Walter Spitzer, Roger Taillandier, Lucien Verdi, Louis Vuillermoz, et d'un envoi par Toffoli. Etat très satisaisant (page 147/148 déchirée avec manque, bon état par ailleurs) Langue: Français. signé par l'illustrateur.

Condition: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.

Tokyo, Shinsen-sha, octobre 1970-septembre 1973, 258x182mm, 120-160pp, couvertures illustrées ainsi que les vignettes par Genpei Akasegawa du n°1 au n°24, puis par Fujio Akatsuka du n°25 au n°36, textes critiques, 6 planches imprimées en photogravures en frontispice du no.1 au no.24Broché, dos carré, couverture illustrée.Revue critique du cinéma d'avant-garde, expérimental. Textes sur : J-L Godard, Buñuel, Pasolini, J-P Sartre, Gillo Pontecorvo, Satyajit Ray, Dziga Vertov, Luchino Visconti, Mikhail Il'ich Romm, Giuliano Montaldo, Robert Enrico, Louis Malle, Pier Paolo Pasolini, Joseph Losey, Kijû Yoshida, Toshio Matsumoto, Kôji Wakamatsu, Kaneto Shindô, Masahiro Shinoda, Akio Jissôji, cinéma russe, cinéma grecque et d'autres, chroniques, articles de fond sur l'Histoire, la Sociologie, ou la Politique du monde entier.Frontispice en photogravure :No.4-no.9, Takuma Nakahira et Masao Matsuda.No.10-no.13, Takuma Nakahira et Genpei Akasegawa.No.14 : Genpei Akasegawa, Kôji Wakamatsu, Masao Adachi.No.15 : Genpei Akasegawa. No.16-no.24, Chronique « Sakura Graph » texte, manga et photos par Genpei Akasegawa.Réf.The 70s in Japan 1968-1982, Museum of Modern Art, Saitama, 2012, p.140-141. (103260).