Godfrey Kneller (79 results)

Hardcover. Condition: Good. No Jacket. with eight portraits after Sir Godfrey Kneller and other artists (illustrator). Decorated embossed green cloth boards. Inner hinges are cracked. Faded spine. Foxing marks on title page and on the closed page edges. No jacket.

hard cover. Condition: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood, hard cover book with wrinkled dust jacket, sunned, 223 pages, sm4to.

Hardcover. Condition: Fair. with a portrait from a painting by Godfrey Kneller (illustrator). 3rd Edition. Firmly bound, red cloth boards with the remains of a small, old paper label on the spine, foxing on a few pages at the front and back, back free end paper torn out, no jacket.

Hardcover. Condition: Near Fine condition. Dust Jacket Condition: No Dust Jacket. Kneller, Sir Godfrey, & Leon Lambert, Ricardo de los Rios, Hugh W. Ditzler (illustrator). Philadelphia: George Barrie & Sons, 1898. Bright, clean, square, tight, unmarked copy. No owner's name or bookplate. Pages are fresh and crisp, probably never read. Bound in the original red cloth, gilt-decorated. Top edge gilt. Volume III of the Historical Romances of William Harrison Ainsworth. "Printed for Subscribers Only." No date of publication is mentioned in the book, but the Library of Congress online catalogue says "[1898?]" Complete in one volume, with portrait by Sir Godfrey Kneller and 3 etchings by Leon Lambert and Ricardo de los Rios, after paintings by Hugh W. Ditzler. Hard Cover. Near Fine condition./No Dust Jacket. Illus. by Kneller, Sir Godfrey, & Leon Lambert, Ricardo de los Rios, Hugh W. Ditzler. 8vo. 517pp. .

No Binding. Condition: Very Good. Engraved By Rothwell (illustrator). PORTRAIT & BIOGRAPHY. Fine copper engraved portrait with a valuable 500 word biography of the eminent personage. Each plate is 8.5 x 5 ins, 22 x 12 cms. and will be mounted (matted) and ready to frame. The portrait is in an oval with biography underneath.Sir Godfrey Kneller, 1st Baronet (8 August, 1646 - 19 October, 1723) was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to British monarchs from Charles II to George I.

Soft cover. Condition: Very Good. 19 pages. Illustrated. (SL#116).

Maße: ca. 37 x 22 cm. -- Kupferstich-Portrait. -- knapprandig, sonst gut erhalten. || Copper engraved portrait from the 18th century. -- with narrow margins, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch Gewicht in Gramm: 15.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Jacket after Sir Godfrey Kneller (illustrator). 1st Edition. First edition, first impression with full number line. SIGNED BY THE AUTHOR, WITHOUT DEDICATION, IN BLACK PEN, ON TITLE PAGE. Some slight edge wear to top and bottom of jacket and spine, some damp staining (tea?) and grubby marks to page fore edges, rear endpapers and back of front jacket, not price clipped (£20.00), no other inscriptions, internally clean tight and square, overall a vg copy. 360pp. A portrait of Sarah Churchill, first Dutchess of Malborough (1660-1744). Castigated for traits which might have been applauded in a man, Sarah was described by Dr Johnson as a 'good hater'. She was instrumental in the Glorious Revolution of 1688 and became a strident advocate of Whig principles. She supervised the building of Blenheim Palace and Marlborough House, as well as managing some 27 other estates. Sarah was a compulsive and compelling writer, narrating the major events of her day herself often at centre stage. This biography brings her voice back to life and casts a critical eye over images of the Duchess in art, history and literature. One of the sources for the film 'The Favourite' 2018 film, starring Olivia Colman, Emma Stone and Rachel Weisz, which won numerous awards and was a critical and box office success. Scarce signed. Signed by Author(s).

No Binding. Condition: Very Good. Engraved By Corner (illustrator). A fine original engraving, 18th century, mounted and ready to frame. This is an excellent opportunity to purchase an impressive sized portrait of this eminent personage, with medallion of one of his best works. Became successively state painter to Charles II, James II, WillIiam III, Queen Anne and George I.

No Binding. Condition: Very Good. A splendid antique engraved portrait, printed in 1800. Mounted/matted and ready to frame. Attractive and decorative.

Fine impression. Oval portrait. Minor nick at bottom margin, no affect. Suitable for framing. Citations: ODonoghue 1908-25-6. BM: 1911, 0623.11. From Harrisons edition of Payl de Rapin-Thoyras, The History of England.

Hardcover. Condition: Very Good condition. Dust Jacket Condition: No Dust Jacket. Kneller, Sir Godfrey, & Adrien Nargeot, J. L. Gerome Ferris (illustrator). Philadelphia: George Barrie & Sons, 1898. Clean, square, tight, unmarked copy. No owner's name or bookplate. Pages are fresh and crisp, probably never read. Bound in the original red cloth, gilt-decorated. Top edge gilt. Volume XV of the Historical Romances of William Harrison Ainsworth. "Printed for Subscribers Only." No date of publication is mentioned in the book, but the Library of Congress online catalogue says: "[1898?]" Complete in one volume, with portrait after Sir Godfrey Kneller and 3 etchings by Adrien Nargeot, after paintings by J. L. Gerome Ferris. Hard Cover. Very Good condition./No Dust Jacket. Illus. by Kneller, Sir Godfrey, & Adrien Nargeot, J. L. Gerome Ferris. 8vo. 459pp. .

No Binding. Condition: Very Good. A splendid antique engraved portrait, printed 1821. Mounted/matted and ready to frame. Attractive, impressive and decorative.

No Binding. Condition: Very Good. A fine engraved portrait. Mounted/matted and ready to frame. Attractive, decorative and unusual. C. 1760.

Condition: Good. John Dryden (1631-1700), Dramatist and Poet Laureate. Stipple engraving measuring approx. 6 x 9 inches. Light foxing throughout.

Condition: Good. Engraving, 15 x 10 cm. Good with staining, dry mold, some creasing. Likely from a periodical such as "Universal Magazine.".

Condition: Good. Engraving, 16 x 12 cm. Good with dry mold, some staining, light creasing. Likely from a periodical such as "Universal Magazine.".

No Binding. Condition: Very Good. A fine original engraving. Mounted and ready to frame. An excellent opportunity to purchase this splendid portrait of this famous personage.

No Binding. Condition: Very Good. A fine original copper engraving ca 18th century with decorative border. Mounted and ready to frame, this is a wonderful opportunity to purchase this splendid portrait. Portrait painter.

Hardcover. Tan leather boards. Red title block with gilt lettering on spine. Marbled bookblock, inside fornt/back cover, end pages. xlii, [1], 44-484 p. Frontispiece portrait of Pope. G. Cover has peeling on both back and front. Bookblock abd interior pages have foxing.library sticker from previous owner on inside front cover.

Original Kupferstich Portrait von ca. 1700. -- Blattmasse: ca. 31,5 x 19,5 cm -- im Außenrand leicht fleckig, sonst gut erhalten. -- Original engraved portrait from circa 1700. -- slightly stained in the margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 1550.

Condition: Good. Line engraving on laid paper. 40 x 24.5 cm (sheet). Very Good, black tape at sheet corners, some tears and losses along sheet edges.

Condition: Good. Stipple and line engraving. 26.5 x 17.5 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark.

Condition: Good. Stipple and line engraving. 31 x 19 cm. (sheet). Good. Trimmed within the image.

Condition: Good. Etching. 25 x 17.8 cm. (sheet). Facsimile signature below image. Very Good. Toning along sheet edges.

Condition: Good. Etching and stipple engraving. 24.5 x 18.6 cm. (sheet). Good. Foxing along the margins.

Condition: Good. William van de Velde the Younger (1633-1707), Marine painter. Line etching measuring 9 x 11.5 inches.

First Edition. Near fine copy bound in half leather over marble boards with gilt-blocked label to the spine. Remains well-preserved overall; tight, bright, clean and sharp-cornered. Physical description; 3 p. ., 90 p., 1 : col. front., illus., 99 pl. (incl. 93 port., 1 col.) ; 39 x 31 cm. Notes; Limited printing of four hundred copies on fine paper, numbered 1 to 400, this is No. 138. Subjects; Reynolds, Joshua Sir (1723-1792). Hogarth, William (1697-1764). Kneller, Godfrey Sir (1646-1723). Hogarth, William (1697-1764). Kneller, Godfrey Sir (1646-1723). Reynolds, Joshua Sir (1723-1792). (1700-1799). Portrait-painters, British. Engravers, British. Portrait painters Great Britain. Engravers Great Britain. Portrait painters, British 18th century. Engravers, British 18th century. Portrait prints, British ; Catalogues. Engravers. Portrait painters. Great Britain. Genre; Illustrated. 5 Kg.

First Edition. Near fine copy bound in half leather over marble boards with gilt-blocked label to the spine. Remains well-preserved overall; tight, bright, clean and sharp-cornered. Physical description; 3 p. ., 90 p., 1 : col. front., illus., 99 pl. (incl. 93 port., 1 col.) ; 39 x 31 cm. Notes; Limited printing of four hundred copies on fine paper, numbered 1 to 400, this is No. 138. Subjects; Reynolds, Joshua Sir (1723-1792). Hogarth, William (1697-1764). Kneller, Godfrey Sir (1646-1723). Hogarth, William (1697-1764). Kneller, Godfrey Sir (1646-1723). Reynolds, Joshua Sir (1723-1792). (1700-1799). Portrait-painters, British. Engravers, British. Portrait painters Great Britain. Engravers Great Britain. Portrait painters, British 18th century. Engravers, British 18th century. Portrait prints, British ; Catalogues. Engravers. Portrait painters. Great Britain. Genre; Illustrated. 4 Kg.

Couverture rigide. La traduction qui a fait connaître Locke en France | Chez Pierre Mortier | Amsterdam 1735 | 20.5 x 26.5 cm | Relié | Troisième édition, revue, corrigée et augmentée de quelques Additions importantes de l'auteur qui n'ont paru qu'après sa mort, et de quelques Remarques du Traducteur. Exemplaire complet de sonportrait de John Locke par Godfrey Kneller, gravé par François Morellon de La Cave. Reliure d'époque en plein veau brun, dos à cinq nerfs ornés de caissons dorés, pièce de titre en maroquin brun, plats encadrés d'un triple filet à froid, tranches rouges, contreplats et gardes marbrés. Coiffes manquantes, plusieurs épidermures sur les plats et un manque de cuir en partie supérieur gauche du plat inférieur, coins pliés et émoussés, frottements sur les coupes avec un petit manque de cuir en pied du premier plat, ex-dono à l'encre sur un feuillet blanc en tête de volume. À l'intérieur de l'ouvrage : mouillures marginales sans gravité en début de volume, puis aux pp. 53 à 58 et aux pp. 463 à 472. Ouvrage enrichi d'annotations à l'encre : « n°23 =» au dos de la première garde, et une autre inscription sur le recto de la seconde. Quelques corrections à l'encresur les marges et dans le texte aux pp. 3, 125, 127, 148 et 269. | [ENGLISH DESCRIPTION FOLLOWS] Third edition, revised, corrected, and enlarged with several important Additions by the author published posthumously, and with Remarks by the Translator (our own translation), with the portrait of John Locke by Godfrey Kneller, engraved by François Morellon de La Cave. Contemporary full brown calf, spine with five raised bands decorated with gilt compartments, brown morocco lettering-piece, triple fillet border to covers in blind, red edges, marbled pastedowns and endpapers. Headcaps missing, surface losses to covers and one larger loss to upper left corner of back cover, corners bumped and worn, rubbing to edges with a small loss at foot of front cover, ink gift inscription to first blank leaf. In this copy: light marginal dampstaining to early leaves and to pp. 53-58 and pp. 463-472, not affecting text. This volume is enriched with ink annotations: "n°23 =" to verso of front free endpaper, another inscription to recto of second endpaper, and several ink corrections to margins and text at pp. 3, 125, 127, 148, and 269. * [4], XLII, 601 pp., [9].