Gorowski (23 results)

Condition: Pozycja w ladnym stanie. Projekt katalogu Mieczyslaw Gorowski (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: Projekt katalogu Mieczyslaw Gorowski; @ Blurb / Notka wydawnicza: Krakow: Galeria BWA, 1994; @ Size of the book block / Wymiar bloku: 30 cm; @ Circulation / Naklad: -; @ Comments/ Uwagi: Katalog w jezyku angielskim towarzyszacy wystawie: Krakow, BWA Gallery 20.06.1994 - 21.08.1994 o polskiej scenografii teatralnej od poczatku XX wieku z notami biograficznymi tworcow; @ Weight / Waga: 550; @ Language / Jezyk: angielski; @ Pages / Strony: 94, [1]s.; @ Thematic categories / Kategorie tematyczne: sztuka europejska Polska katalogi wystaw i inne katalogi scenografia teatr wspolczesna (od 1945) XX wieku 1901-1944 / 45, obcojezyczne angielski / art theatre art of the 20th century 1901-1944 / 45, foreign languages English / Kunst Theater Kunst des 20. Jh.s 1901-1944 / 45, fremdsprachig englisch; Oprawa wydawnicza kartonowa lakierowana.

Softcover. Condition: vg to near fine. First edition. Duodecimo. 144pp. Printed grey paper wrappers with black lettering on the covers. This scarce publication is an address book, detailing contact information for various organizations and individuals comprising the B'nai Brith association of Jewish humanitarian organizations throughout Poland. Published only two years before the start of WWII and the German invasion, the book lists 10 individually named organizations each in the cities of Katowice, Poznan, Bielsko, Krakow, Lwow, Chorzow, Warsaw, Przemysl, Lodz, and Stanislawow. There are hundreds of names included and there is a table of contents located at the front. Wrappers with minor age toning, rubbing, and some occasional minor creasing to extremities. Pages throughout with minor age toning along the edges. Book block tight. Wrappers in very good, interior in near fine condition overall.

No Binding. Condition: Very Good. No Jacket. Original print made by offset. Oblong: 38 ½ in. x 26 ½ in Light ruffling along upper edge.

@ Reference / Haslo: plakat imprezowy; @ Dating / Data powstania: 1970; @ Edition / Wydanie: Wydanie 1, jedyne; @ Publishers and printers imprint / Adres wydawniczy: Krakowskie Zaklady Graficzne, Zaklad Nr. 5 - 240 - 5.000; @ Circulation / Naklad: 5000; @ Signature / Sygnatura: -; @ Technique / Technika: offset barwny; @ Size in cm / Wymiary w cm, format: 85x59 cm (A1); @ Condition / Stan: Pozycja w dosc ladnym stanie, nieco uszkodzony gorny margines plakatu i nieznacznie uszkodzone pozostale marginesy z przedarciami, na odwrocie (na stronie verso) fragmentarycznie podklejone tasma konserwatorska.; @ Information about an author / Informacje o autorze: Mieczyslaw Gorowski (5.02.1941 Milkowa powiat Nowy Sacz - 31.08.2011 Krakow) grafik uzytkowy, wybitny plakacista, malarz, pedagog. Srednia szkole plastyczna ukonczyl w Tarnowie i od 1959 studiowal na Akademii Sztuk Pieknych (ASP) w Krakowie, przez rok na Wydziale Architektury Wnetrz, przez 3 lata na Wydziale Malarstwa i przez 3 lata na Wydziale Form Przemyslowych, dyplom z wyroznieniem 30.06.1966 u doc. Andrzeja Pawlowskiego. Po studiach na krotko byl wykladowca na macierzystej uczelni, nastepnie 1969-1978 zatrudniony jako projektant w OB-RPWM "Medom" w Krakowie, od 1974, a na stale od 1978 ponownie wykladowca ASP w Krakowie, od 2001 profesor. Plakaty projektowal od 1968, poczatkowo wspolpracowal z Wydawnictwem Artystyczno-Graficznym (WAG), Krajowa Agencja Wydawnicza (KAW) i z Polfilmem. Mial kilkadziesiat indywidualnych wystaw w kraju i na swiecie, wielokrotnie nagradzany m.in.: I nagroda Miedzynarodowa Wystawa Plakatu (3. CHPE) Fort Collins Colorado 1983; Brazowy Medal Miedzynarodowy Triennale Plakatu (1. ITP) Toyama 1985; nagroda Miedzynarodowa Wystawa (ADC) Nowy Jork 1987, III Miedzynarodowy Salon Plakatu Paryz 1988; wyroznienie honorowe 8. Biennale Plakatu Lahti 1989, Zloty Medal Miedzynarodowe Biennale Plakatu (2. BICM) Meksyk 1992; nagroda za oryginalnosc Miedzynarodowy Konkurs "Revue du siecle" Montivilliers 1999; nagroda Mistrzowskiego Oka (4. TPT) Trnava 2000 oraz Brazowy Medal 14. Biennale Plakatu Polskiego (BPP) Katowice 1995. Wielokrotny uczestnik Miedzynarodowego Biennale Plakatu (MBP) w Warszawie 1970-2004 (13-krotnie) i Biennale Plakatu Polskiego (BPP) w Katowicach 1969-2005 (12-krotnie). Autor ponad 400 plakatow glownie imprezowych, teatralnych, filmowych, muzealnych i nielicznych politycznych.; @ Literature / Literatura: Mieczyslaw Gorowski 2004 poz. 4 ss. 50-51.; Pozycja w dosc ladnym stanie, nieco uszkodzony gorny margines plakatu i nieznacznie uszkodzone pozostale marginesy z przedarciami, na odwrocie (na stronie verso) fragmentarycznie podklejone tasma konserwatorska.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ Ready to frame! This poster measures 39 x 27 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ The poster is in good condition and ready to frame. This poster measures 38 x 26.5 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the play: The play takes place in a mythical country where all opposition to the state has disappeared and the last remaining political prisoner is to be released. Rather than face the prospect of retiring the police force, the chief of police decides to create an enemy of the state by ordering one of his officers to commit political crimes. The absurdity of the play culminates when the characters mutually arrest each other repeatedly, in an attempt to restore order and meaning to their world. (Wikipedia)/ The poster is in good condition and ready to frame! This poster measures 23 x 32.5 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ The poster is in overall good condition and ready to frame! This poster measures 36 x 26 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ The poster is in overall good condition and ready to frame. This poster measures 33 x 23 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the play: Dom Juan ou le Festin de Pierre ("Don Juan or The Feast of Stone") is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell./ The poster is in good condition and ready to frame. This poster measures 26.5 x 38 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ The poster is in overall good condition and ready to frame! This poster measures 38 x 27 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ The poster is in pretty good condition with some minor ruffling on the bottom left. Ready to frame. This poster measures 38 x 27 inches.

No Binding. Condition: Good. This original vintage piece was designed by Polish-Canadian artist Mieczysław Górowski for an exhibition at Galere Malbork in Montreal in 2002. The artist studied at the Cracow Academy of Fine Arts in the 1960s, and started designing posters upon graduating year in 1966. His portfolio boasts over 400 designs - many of which served to promote Montreal exhibitions and events./ This poster is in excellent condition and ready to be framed. This poster is available at l'Affichiste thanks to Marc Choko, Professor Emeritus at the Université de Québec à Montréal (UQAM) School of Design. A long time collector of posters, Choko has curated exhibitions and published on the subject since the 1980s. This poster measures 26.75 x 38.5 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski studied at the Cracow Academy of Fine Arts from 1959 to 1966 where he later served as a professor on the Faculty of Industrial Design.  At the age of 25, he started designing posters and has since created over 400 posters. In addition, he worked in interior design and painting but, as the artist once said: "For many years I have been creating posters - this is the main direction of my artistic and design activity". His art can be found in collections in Europe as well as North America./ About the Poster: This contemporary poster from 2002 was designed to promote the Bain Mathieu and speaks to its former use as a family-friendly pool and bathing space. Built in 1930 and in service until 1990, the Bain Mathieu now offers reception halls and multi-purpose event spaces for the residents of the Centre-Sud area. The original pool and tiling are still intact and are representative of an era where public bathing facilities were commonly found around the city./ This poster is in excellent condition and ready to be framed. This poster measures 33.75 x 24 inches.

No Binding. Condition: Good. This original vintage poster was created to promote the play 'Claude. Ou les désarroix amoureux I' by Quebec playwright Jean-Yves Lemieux held at Théâtre Jean-Duceppe in Montreal. The play, a modern drama that employs flashback scene as a means by which to connect past and present, explores the complex relationships that exist between family members and the stories that bind and divide generations. The play was followed by 'Suzanne. Ou les désarroix amoureux II' in 1995./ This piece was designed by Polish-Canadian artist Mieczysław Górowski  The artist studied at the Cracow Academy of Fine Arts in the 1960s, and started designing posters upon graduating year in 1966. His portfolio boasts over 400 designs - many of which served to promote Montreal exhibitions and events./ This poster is in excellent condition and ready to be framed. This poster is available at l'Affichiste thanks to Marc Choko, Professor Emeritus at the Université de Québec à Montréal (UQAM) School of Design. A long time collector of posters, Choko has curated exhibitions and published on the subject since the 1980s. This poster measures 27 x 39 inches.

No Binding. Condition: Good. Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ This poster was created by Gorowski for UQAM (L'Universite de Quebec a Montreal) for the return to classes in 1990. Gorowski had been a guest professor at UQAM the year prior. The university made this return to school a proper event, with activities set up for students to inspire an even more positive academic environment than the year before. (See L'UQAM 1990 article here)./ A beautiful union of Montreal content and the trademark Polish poster style.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the Play: The Crucible is a 1953 play by the American playwright Arthur Miller. It is a dramatized and partially fictionalized story of the Salem witch trials that took place in the Province of Massachusetts Bay, from 1692 to 1693. Miller wrote the play as an allegory for McCarthyism, when the United States government persecuted people accused of being communists. Miller was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. (Wikipedia)/ The poster is in good condition and ready to frame. This poster measures 32 x 23 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About The Poster: Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public artform became ground for individual expression. During that period, the cultural institutions (of theatre and cinema especially) flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ The poster is in good condition and ready to frame. This poster measures 29 x 37 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ About the Play: This play, by Futurist poet Bruno Jasienski, is an outstanding example of the joining of left-wing politics and avant-garde interest in human mechanization that characterized the experimental theatre of Poland in the inter-war years./ Stalinism and the purges cut short Jasienski's career and prevented productions of his play for many years - except for a brilliant constructivist staging in Prague in 1933. The Mannequins' Ball can now take its place along with Capek's R.U.R. as one of the major twentieth-century dramas making use of the themes and techniques of human automata./ The poster is in good condition with some ruffles. Ready to Frame. This poster measures 38.5 x 26.5 inches.

No Binding. Condition: Good. About the Artist: Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ Stadttheater Heibronn is a theatre in Heilbronn, Baden-Württemberg, Germany./ The poster is in pretty good condition with some minor ruffling on the bottom right. Ready to frame. This poster measures 29 x 37 inches.

No Binding. Condition: Good. About the artist: Born in 1941, Mieczysław Górowski was a Polish graphic artist who became a professory at Faculty of Industrial Design Academy of Fine Arts in Cracow. He studied at the Cracow Academy of Fine Arts in the '60s, and started designing posters his graduating year in 1966. His artist portfolio boasts over 400 poster prints./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ This contemporary Polish poster is in excellent condition and measures 27.5 x 39.25 inches./.

No Binding. Condition: Good. About the Artist : Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987./ In wonderful condition and ready to frame. This poster measures 38.5 x 26.5 inches.

No Binding. Condition: Good. Mieczyslaw Gorowski (1941 - 2011) is a Polish graphic artist. Although dabbling in interior design and painting as well, the artist claims "For many years I have been creating posters - this is the main direction of my artistic and design activity". Gorowski's academic career revolved around the Cracow Academy of Fine Arts, as he studied there from 1959 - 1966, and later taught as a professor on the Faculty of Interior Design. Starting in 1966, Gorowski created over 400 posters that can now be found in galleries all over Europe and North America. He is the recipient of several major awards, including the International Art Directors Club Exhibition (New York) in 1987, and the International Posters Salon (Paris, France) in both 1986 and 1987. This poster was created by Gorowski for UQAM (L'Universite de Quebec a Montreal) for the return to classes in 1990. Gorowski had been a guest professor at UQAM the year prior. The university made this return to school a proper event, with activities set up for students to inspire an even more positive academic environment than the year before. (See L'UQAM 1990 article here). A beautiful union of Montreal content and the trademark Polish poster style, this piece is unlined ready to be framed. This poster measures 38.25 x 26.75 inches.