Gotlieb Marc (28 results)

Hardcover. Condition: Near Fine. First Edition. Near Fine condition, in shrinkwrap, without dust jacket as issued. Clean, as new copy. 165 pp.

Hardcover. Condition: Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Paperback. Condition: Very Good. September 2004. Volume 86, No. 3; 4to - over 9¾ - 12" tall.

Hardcover. Condition: New. No Jacket. 1st Edition. New Haven: Yale University Press / Santa Barbara Museum of Art, 2013. First edition. First printing. Hardcover. Very Fine, issued without a dust jacket. A pristine unread copy, still in publisher's original shrink-wrap. Publisher's original dark color-illustrated boards with white lettering. Octavo, 165 pages on heavy stock, with 45 color plates. DELACROIX AND THE MATTER OF FINISH accompanied exhibitions of the same title held in Santa Barbara, California, and Birmingham, Alabama, between October 2013 and May 2014. The catalogue presents the discovery of a major painting by Eugène Delacroix an easel-size variation of The Last Words of Marcus Aurelius, authenticated and curated by Eik Kahng. The book also examines the artist's lifelong struggle with the idea of "finish." Critics often charged that Delacroix was incapable of bringing his canvases to full completion, but Kahng's study reconsiders that claim by asking whether smaller versions of known monumental works were preparatory, retrospective, or commemorative. A complex and beautifully illustrated catalogue that redefines the painter's technique and artistic legacy. YALE.

Hardcover. Condition: Like New. Factory sealed. Groundbreaking publication centers on a previously unknown variation of Eugene Delacroix?s (1798?1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius. Covers his contemporaries, a fascinating account of Delacroix?s famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations. Color plates. 168p.

Paperback. Condition: Very Good. Unmarked. Bumped corner. Some rubbing on bottom of front cover. Articles include Sally J. Cornelison on the Saint Philip Reliquary in Renaissance Florence, Sheila Barker on Poussin, Plague and Early Modern Medicine, Peter Benson Miller on Theodore Chasseriau's Cour des Comptes murals and Algeria, Ting Chang on Courbet's The Meeting, Carol Troyen on Photography, Painting and Sheeler's View of NY, Keith Moxley on Durer and Grunewald. Geoffrey Batchen reviews a French Daguerreotype exhibition. Book reviews. pp.642-796. A Quarterly publication of the College Art Association. Measures 9x11.5 inches.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Poor. First edition (hardback). 8vo (24cm by 16cm), xix, 255pp. Frontispiece, 4 colour plates, 73 text figures. Original white cloth, dustwrapper. Please note that this book is in poor condition - there is wrinkling to the upper margin of the text block (principally affecting the preliminary pages, diminishing as you progress through the book). Suitable as a cheap reading, working or reference copy. ISBN 0691043744.

Hardcover. Condition: As New. Dark, color-illus. boards with white lettering. 165 pp. with 45 color plates. Very nice, thick paper. Catalogue which accompanied the exhibitions of the same title in Santa Barbara, California and Birmingham, Alabama, between October 2013 and May 2014. A complex catalogue/exhibition with two purposes: first, the discovery and viewing of a major painting by Delacroix, an easel-size variation of The Last Words of Marcus Aurelius, of which Dr. Kahng was both authenticator and curator. Second, the matter of the finishing of Delacroix's paintings. Critics maintained that he was "incapable of bringing his canvases to a sufficient state of finish. His ideas, while often engaging and original, were therefore just that - ideas that he was technically incapable of realizing through the painter's usual illusionistic meanns.But how are we to to classify smaller-scale versions of known, monumental canvases? How are we to determine if they are preparatory, and, therefore, predate their monumental, finished counterparts? Or are such smaller versions aide-memoires, done, perhaps, to record beloved subjects once they departed the studio. Does the degree of finish enable us to make this determination for an artist who famously eluded normative notions of finish?" A compelling catalogue, beautifully illustrated.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Very Good. From the Library of John Russell Taylor.

Condition: New. Brand New.

Hardcover. Condition: Wie neu. Hardcover. 25x30cm. 165pp. As new.

Condition: Nuovo. Ril. in cart., cm 30 X 25, pp 165, molt.tavv a colori + in b/n. - ISBN: 9780300199444.

Hardcover. Condition: Very good. Dust Jacket Condition: very good. First edition. Octavo ( standard sized ). Slight wear to edges and corners of boards and dust jacket. xvii, 255 p. w/illus., endnotes., index.

Hardcover. Condition: new. Hardcover. This is the first book in English on Henri Regnault (184371), a forgotten star of the European fin-de-siecle. A brilliant maverick who once seemed to hold the future of French painting in his hands, Regnault enjoyed a meteoric rise that was cut short when he died at the age of twenty-seven in the Franco-Prussian War. The story of his glamorous career and patriotic death colored French commemorative culture for nearly forty yearsuntil his memory was swept away by the vast losses of World War I. In The Deaths of Henri Regnault, Marc Gotlieb reintroduces this important artist while offering a new perspective on the ultimate decline of nineteenth-century salon painting. Gotlieb traces Regnaults trajectory after he won the prestigious Grand Prix de Rome, a fellowship that provided four years of study in Italy. Arriving in Rome, however, Regnault suffered a profound crisis of originality that led him to flee the city in favor of Spain and Morocco. But the crisis also proved productive: from Rome, Madrid, Tangier, and Paris, Regnault enthralled audiences with a bold suite of strange, seductive, and violent Orientalist paintings inspired by his exotic journeyimages that, Gotlieb argues, arose precisely from the crisis that had overtaken Regnault and that in key respects was shared by his more avant-garde counterparts. Both an in-depth look at Regnaults violent art and a vibrant essay on historical memory, The Deaths of Henri Regnault lays bare a creative legend who helped shape the collective experience of a generation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: New. Dust Jacket Condition: New. xiv, 298 pages : illustrations (some colour), map : 26 cm. Contents: Introduction : January 9, 1871 Escape from the Eternal City The Orientalist sublime Art and desire How to paint blood Buzenval Painter to legend Canonicity.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. an about perfect copy in like jacket. the writer looks again at the french salon painters. some think of meissonier as a painter of napoleon .

hardcover. Condition: New. Special order direct from the distributor.

Condition: New. Num Pages: 320 pages, illustrations. BIC Classification: ACV; AGB. Category: (G) General (US: Trade). Dimension: 242 x 190 x 37. Weight in Grams: 1058. . 2016. 1st Edition. Hardcover. . . . .

Condition: New. Num Pages: 320 pages, illustrations. BIC Classification: ACV; AGB. Category: (G) General (US: Trade). Dimension: 242 x 190 x 37. Weight in Grams: 1058. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 298 pages. 9.25x7.25x1.25 inches. In Stock.

Condition: New.

Hardcover. Condition: new. Hardcover. This is the first book in English on Henri Regnault (184371), a forgotten star of the European fin-de-siecle. A brilliant maverick who once seemed to hold the future of French painting in his hands, Regnault enjoyed a meteoric rise that was cut short when he died at the age of twenty-seven in the Franco-Prussian War. The story of his glamorous career and patriotic death colored French commemorative culture for nearly forty yearsuntil his memory was swept away by the vast losses of World War I. In The Deaths of Henri Regnault, Marc Gotlieb reintroduces this important artist while offering a new perspective on the ultimate decline of nineteenth-century salon painting. Gotlieb traces Regnaults trajectory after he won the prestigious Grand Prix de Rome, a fellowship that provided four years of study in Italy. Arriving in Rome, however, Regnault suffered a profound crisis of originality that led him to flee the city in favor of Spain and Morocco. But the crisis also proved productive: from Rome, Madrid, Tangier, and Paris, Regnault enthralled audiences with a bold suite of strange, seductive, and violent Orientalist paintings inspired by his exotic journeyimages that, Gotlieb argues, arose precisely from the crisis that had overtaken Regnault and that in key respects was shared by his more avant-garde counterparts. Both an in-depth look at Regnaults violent art and a vibrant essay on historical memory, The Deaths of Henri Regnault lays bare a creative legend who helped shape the collective experience of a generation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.