Gregorio Santos Hernando Dir (2 results)

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #4 May 1979, #5 Aug 1979. Collaborators : Sigfrido Radaelli, Leon Benaros, Ricardo Molinari, Rafael Freda, Alejandro Tarruella, Helen Ferro, Carlos Carlino, Among others. Illustrated by Elsa Bragato, Dora de la Torre, Mario Bertolini, Among others. Rare magazine directed by the poet Hernando, not only is missing from all the bibliographies but also the one that Darío PULFER wrote about Hernando in 2017. C2.

Encuadernación de tapa blanda. Condition: Muy bueno. Oblong In-8. #1 Jun 1943 - #7 May 1950. (complete set). Wrappers in slipcase. Collaborators : María Granata, César Fernández Moreno, Gregorio Santos Hernando, José María Castiñeira de Dios, Osvaldo Héctor Núñez, Alberto Ponce de León, Norah López Candán, Francisco Tomat-Guido, Raúl Amaral, Roberto Di Pasquale, Osvaldo Rossler, Mabel Fernández Chalá, Jorge Bell Ower, José María Fernández Unsain, José Rodríguez Itoiz, Fermín Chávez, David Martínez, Máximo Leiva, Ana María Chouhy Aguirre, Paulina Ponsowy, Luis Centurión, Juan Carlos Clemente, Lindolfo Saúl López, Carlos Alberto Núñez, José Jorge Figueroa Alcorta, Eduardo A. Serón, José María López Vignou, Joaquín O. Giannuzzi, Jorge Giusti, Francisco López Silva, Juan Carlos Pellegrini, Nélida Salvador, Mara Mencló, Osvaldo Ciézar, Horacio Eichelbaum, Máximo Simpson, Among others. In June, poet Gregorio Santos Hernando, a member of the class of 1940, published Angel, Wings of Poetry, a small-format foldout dedicated exclusively to the publication of poems. Its first issue featured names already familiar at the time: María Granata, whose book Umbral de tierra, published by Ediciones Conducta del Teatro del Pueblo, won two awards: the Martín Fierro and the 1942 Municipal Prize; César Fernández Moreno, who, in addition to his individual work, promoted events and conferences that stirred that generation; the director of Angel, Santos Hernando; José María Castiñeira de Dios, one of the founders of Huella; and Osvaldo Héctor Núñez, who had not been published until then. Issue No. 2 appeared almost a year later, in April 1944, and the same young people from Verde Memoria, Canto y Huella published their poems there: Alberto Ponce de León, author of Tiempo de muchachas, one of the signature books of the Generation of '40; Francisco Tomat-Guido, whose "Canción celeste" (Celestial Song) is one of Fontefrida's notebooks, published in 1942; and Raúl Amaral, whose Sonetos del fortín (Sonnets of the Fort) was already well-known. Issue No. 3 of Angel appeared in September 1947, and issue No. 4 also appeared that same year. This small but valuable magazine continued its sporadic appearance until it reached issue No. 7 in May 1950. In this last issue, the publication took the form of a multi-page booklet, and the first page included a commentary on the Generation of '40, whose actual existence remained somewhat controversial at that time. By that time, the anthology Argentine Poetry 1940-1949 by David Martínez had already been published, offering for the first time a more or less complete overview of the generation of poets who began the decade. In September 1956, Angel reappeared, ushering in a second era. New names, emerging during those years, were introduced in its pages: Osvaldo Ciezar, Horacio Eichelbaum, Máximo Simpson, Nélida Salvador, Mara Menclo, Joaquín O. Giannuzzi, the veteran Spanish actor Francisco López Silva, and Jorge Giusti. Three installments of this second era were published, the last in July 1958. Provenzano 214. Washington Pereyra T4p173. MZ2.