Groth Helen (158 results)

Paperback. Condition: As New. Paperback. Never read, pages are clean and unmarked. Book shows light shelfwear.

Soft cover. Condition: Very Good. First Edition. Very good in original wrappers with a short closed tear on the front panel and wear atd the spine extremities.

Paperback. Condition: Very Good. First Edition. Clinton, MS: Mississippi College. Very Good. 1967. First Edition. Softcover. First edition. Magazine. Pictorial [Dac Durham] wrappers [about 6" x 7.5"], saddle-stapled, 32+ pages, illustrated. Owner's note [most likely by poet Percival Roberts III] to page 20 about being a classmate of one of the contributors [Roy Baker] and marginal emphasis to that contributors entry in the Notes on the Contributors; else a Near Fine copy. See photos whb9E.…

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. 236pp. As new, clean, tight & bright condition / published without dust jacket.

Paperback. Condition: new. Paperback. Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key FeaturesAddresses a growing demand for critical studies on the interface between literary history and the 'soundscape' of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of 'voice' peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th centuryThis volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.Key FeaturesAddresses a growing demand for critical studies on the interface between literary history and the 'soundscape' of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of 'voice' peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condition: Brand New. reprint edition. 264 pages. 9.21x6.10x0.59 inches. In Stock.

Condition: new.

Softcover (Stiff Boards). Condition: Very Good. No Dust Jacket. First Edition. Size: Octavo (standard book size). 200 pages. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Sociology & Culture; Art & Design. ISBN: . ISBN/EAN: 9780415606950. All our pictures shown here are of the actual item, not stock photos. Inventory No: 28079. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.…

Paperback. Condition: New.

Hardcover. Condition: As New. 1st Edition. 2013 first edition hardback as new. No marks, clean and bright, tight binding, flawless illustrated boards, like new. No dust jacket, as published. Items are dispatched the same or the following working day. Please note our excellent customer feedback.

Condition: New. 2018. Reprint. Paperback. . . . . .

Condition: As New. Unread book in perfect condition.

Super octavo softcover (VG, large crease to cover); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently, they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Condition: Very Good. Some outer edges have minor scuffs. Cover has light scratches/marks. Book content is in very good readable condition.

Condition: New.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. "History is always written wrong, and so always needs to be rewritten." (George Santayana)Enquiries into the relationship between literature and history continue to stir up intense critical and scholarly debate. Alongside the new hybrid categories that have emerged out of this ferment?life-writing, ficto-criticism, "history from below", and so on?there has been a welter of new literary histories, new ways of tracking the connections between the written word and the historically bound world. This has resulted in renewed discussion about distinguishing the literary from the non-literary, about dialogues taking place between different national literatures, and about ascertaining the relative status of the literary text in relation to other cultural forms.Remaking Literary History seeks to clarify the diversity of issues and positions that have arisen from these debates. Central to the book's approach is a rigorous and constructive questioning of the past, across disciplinary boundaries. This is carried out through four detailed and engrossing sections that explore the relationship between memory and forgetting; what it means to be 'subject' to history; the upsurge of interest in trauma and redemption; and the question of historical reinvention, which demonstrates how the overwriting of history continues to reinvigorate the literary imagination. As well as readers of literature and history, Remaking Literary History will be of interest to students of literary theory, legal studies and cultural and media studies.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New.

Paperback. Condition: New.