Halliwell Michael (126 results)

Hardcover. Condition: Good. Dust Jacket Condition: Very Good. 1st. Light to normal wear, clean copy, solid binding, still in plastic wraps. Michael Halliwell (Cover) (illustrator).

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Barfoot's third novel, probing "the unique and enduring bond that unites mother and daughter." Signed on title page. Maroon cloth w/gilt spine lettering, 252 pages. Gently bumped corners/spine ends, light general wear, in moderately edgeworn dust jacket w/impressions/thin scratches. Size: 8vo - over 7¾ - 9¾" tall. Michael Halliwell (dust jacket illustration) (illustrator). Signed by Author(s). Book.…

Condition: New. 1st edition NO-PA16APR2015-KAP.

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Condition: New. 1st edition NO-PA16APR2015-KAP.

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Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Softcover. Condition: Very Good. No Jacket. 99 pages (complete). A pleasing copy. The covers and spine have some very, very mild user wear. They are otherwise healthy and tidy. The contents are fresh, clean, clear, confident, very certain. fk. Our orders are shipped using tracked courier delivery services.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Near Fine. (2000), First Printing, Near Fine/no dj, thick large octavo, 565pp., green & white large glossy hardcover, b&w ill's., binding tight, text unmarked.

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Paperback. Condition: New. There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera's staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera's ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives. …

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Soft cover. Condition: Very Good. 2011 Rodopi paperback edition. Light reading wear else very good condition. From the cover: The main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the 'performative turn', has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the 'crisis of the work concept' has sharpened our awareness of the need of finding the 'proper' object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations. This volume for the first time offers a set of careful case studies from a wide range of artistic genres (narrative fiction, poetry, opera, instrumental music, songs, jazz) and historical phases (from Elizabethan verse to 21st-century HD opera performances) which give detailed insight into consequences of addressing issues of performativity in the field of word and music studies. Closely examined examples range, in music, from the romantic reception of Bach and the opera singer Maria Malibran through Mahler and Schoenberg to Brigitte Fassbaender, Philip Glass and Charles Mingus, and, in literature, from Sidney through Yeats and Celan to Katherine Mansfield, Alejo Carpentier and Toni Morrison. In addition, the volume contains a smaller section on 'Surveying the Field' of word and music studies which includes an essay of general reflection on interart relationships and an attempt at identifying new features of the 'musicalization of fiction'. This collection of essays will be relevant to students and scholars from a wide variety of fields: performance studies, intermediality studies, art theory, musicology, voice studies, literary criticism, and philosophy. Contents: Performativity in Literature and Music Performativity and the Musical Work of Art by Tobias Janz Text vs. Act: The Bearbeitungsfrage and the 'Romantic Baroque' by David Francis Urrows The Act of Performance as Mahlerian Topic by Robert Samuels Politics, Music and Irony in Alejo Carpentier's Novel La consagracion de la primavera (The Rite of Spring) by Katia Chornik Musical Performativity in the Fiction of Katherine Mansfield by Delia da Sousa Correa Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse by Walter Bernhart 'Music will keep out temporary ideas': W. B. Yeats's Radio Performances by Adrian Paterson 'The Invisible' / 'The Inaudible': Aspects of Performativity in Celan and Leibowitz by Axel Englund Romantic Opera and the Virtuoso by Simon Williams Sexing Song: Brigitte Fassbaender's Winterreise by Lawrence Kramer Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass's Adaptation of J. M. Coetzee's Novel by Michael Halliwell Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality by Bernhard Kuhn Jazz Novels and the Textualization of Musical Performance by Emily Petermann Charles Mingus and Performative Composing by Mario Dunkel Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy by Katrin Eggers Surveying the Field Seeing Words and Music as a Painter Might: The Interart Aesthetic by Peter Dayan Milan Kundera's Polyphonic Novels and the Poetics of Divestment by David Mosley.…