Hammond Harmony (39 results)

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Softcover, staple-bound; 20 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft cover. Condition: Very Good. No marks in text. No inscriptions etc. Not a library book. Ships today in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, providing good books at reasonable prices on the same spot since 1991. (H's section).

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Hardcover. Condition: new. Hardcover. An activist and a curator as well as a trailblazing artist, feminist and lesbian scholar, New Mexico based Harmony Hammond (born 1944) has enjoyed a career spanning nearly fifty years and many mediums, all of which are brought together for the first time in Material Witness, which accompanies the artist's museum survey of the same name at the Aldrich Contemporary Art Museum.Hammond's groundbreaking painting and installation practice unites minimalist and postminimalist concerns with feminist art strategies, employing marginalized craft traditions in the service of abstraction, and working through a wide cast of materials: fabric, rope, pine needles, hair, blood, bone and wood, mixed with traditional sculptural and painting materials.Harmony Hammond: Material Witness restages the most significant installations of Hammond's career and presents them alongside her major paintings, sculptures, works on paper and ephemera. Fully illustrated, and with an essay by exhibition curator Amy Smith-Stewart, this is the first and definitive monograph on Harmony Hammond and her revolutionary practice. An activist and a curator as well as a trailblazing artist, feminist, and lesbian scholar, New Mexico-based Hammond has enjoyed a career spanning nearly 50 years and many mediums, all of which are brought together for the first time in this work which accompanies the artist's museum survey of the same name at the Aldrich Contemporary Art Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover, staple-bound; 32 pages, very good condition, small stress indents to pages; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 136 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Bright, crisp pictorial dust jacket. Tight binding, solid black boards with tiny bump upper front, bright green lettering to spine strip, clean, unmarked pages throughout.

Hardcover. Black casebound book with green lettering along spine. 208 pp, illustrations and portraits (some in color). "The first history of lesbian art in the United States, this volume documents works since 1970 within the context of gay culture and political activism. Authoritative and engaging, this is a "from the trenches" story of which women made what, when, and where . Hammond moves from the mainstream art world to alternative venues, weaving a compelling narrative complete with critical and theoretical discourse. Profiles of 18 prominent lesbian artists, from Kate Millett and Joan Snyder to Deborah Kass and Catherine Opie, complete this groundbreaking contribution to contemporary art history." VG: Exlibrary book. Missing the dust jacket. Stamp and sticker on front free end page. Stamp, sticker, and due date card on back pasted end page. Stamp on top text block. Sunstaining to covers.

Soft cover. Condition: Fine. 1st Edition. Fine softcover exhibition catalog, no writing or marks. Exhibition August 2 - September 28, 2014. Essays by Hammond and Latimer, paintings in the exhibition, checklist, exhibitions. 48 pages. M05625.

Trade Paperback. Condition: Near Fine. Exhibition catalogue. 36 pages. illustrated in color. 6 7/8"w x 9"h.

Exhibition invite, 7 x 7 inches; very good condition; except light horizontal crease near center; a mailed copy with address and postal marks on reverse.

Softcover. Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. 43pp.

Softcover, 44 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. A fine clean tight unmarked copy in fine unclipped dust jacket with minor edgewear. Illustrated throughout. Includes features on Zoe Leonard, Nicole Eisenman, Catherine Opie and others. Uncommon.

Hardcover. Condition: new. Hardcover. An activist and a curator as well as a trailblazing artist, feminist and lesbian scholar, New Mexico based Harmony Hammond (born 1944) has enjoyed a career spanning nearly fifty years and many mediums, all of which are brought together for the first time in Material Witness, which accompanies the artist's museum survey of the same name at the Aldrich Contemporary Art Museum.Hammond's groundbreaking painting and installation practice unites minimalist and postminimalist concerns with feminist art strategies, employing marginalized craft traditions in the service of abstraction, and working through a wide cast of materials: fabric, rope, pine needles, hair, blood, bone and wood, mixed with traditional sculptural and painting materials.Harmony Hammond: Material Witness restages the most significant installations of Hammond's career and presents them alongside her major paintings, sculptures, works on paper and ephemera. Fully illustrated, and with an essay by exhibition curator Amy Smith-Stewart, this is the first and definitive monograph on Harmony Hammond and her revolutionary practice. An activist and a curator as well as a trailblazing artist, feminist, and lesbian scholar, New Mexico-based Hammond has enjoyed a career spanning nearly 50 years and many mediums, all of which are brought together for the first time in this work which accompanies the artist's museum survey of the same name at the Aldrich Contemporary Art Museum. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First Published in U.S. stated. Book and dust jacket solid VG condition. DJ now in Brodart.

Condition: Good. 4to. Exhibition Catalogue. 43pp. Soft Cover. Very Good. Black and White and Color Plates.

Paperback. White and color-illustrated wraps with black lettering. 47 pp. Color illustrations. Catalog of an exhibition held at the Museum of Fine Arts, Museum of New Mexico, Santa Fe, N.M., May 15 to August 24, 1998. VG- light wear and minor soiling to wraps.

Softcover, 48 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Condition: New. Satisfaction Guaranteed or your money back.

Hard Cover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. This is a near fine hardcover copy with a very good dust jacket. Some wear to jacket edge. SIGNED by the author, Harmony Hammond, in ink and dated August 2000, on the title-page. Not inscribed to anyone just signed and dated. Harmony Hammond was 'a member of the first generation of post-Stonewall gay and lesbian artists.and was a founder of the pioneering feminist gallery A.I.R. in 1972 and a co-founder of Heresies magazine in 1976'. Illustrated mostly in color. Scarce signed. 11" high X 9" wide, 208 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Author.

Printed wrappers. Condition: Very Good+. First Edition. 4to. Pp. 128. Illustrated throughout with black & white photography. Bibliography. Bound in stiff printed wraps. Slight wear to edges; light age-toning to cover. In sum, a well preserved copy. Heresies was a feminist journal published in 27 issues between 1977-1992 by the Heresies Collective of New York. Compiled and edited by volunteers, each issue centered on a particular theme relevant to feminist theory, lesbian arts and artists, women's arts and crafts, violence against women, etc.Each issue was edited by a different editor; accordingly, each issue was imprinted with respective idiosyncrasies, thus providing variant themes, tones and impulses. Among the founders and editors were Joan Braderman, Lucy Lippard, Harmony Hammond, Miriam Shapiro, Mary Beth Edelson, Elizabeth Hess, Mary Stevens, Arlene Ladden, et al.This issue is now housed in a removable clear archival sleeve with an acid-free backing.

Softcover. Small quarto, Softcover. Maroon wraps with white titles/illustration. 110 pages, 1 unnumbered leaf of plates : illustrations ; 26 cm. VG. Inscribed by Hammond with an announcement card laid in front.

paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Softcover. Condition: gut. 1998. Agnes Martin: Works on Paper. Museum of Fine Arts, Museum of New Mexico, Santa Fe, New Mexico. In deutscher Sprache. pages.

60 pp.; 20.3 x 22.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 16 - December 30, 1982. Text by Daniel J. Cameron. Artists include Charley Brown, Scott Burton, Craig Carver, Arch Connelly, Janet Cooling, Betsy Damon, Nancy Fried, Jedd Garet, Gilbert & George, Lee Gordon, Harmony Hammond, John Henninger, Jerry Janosco, Lili Lakich, Les Petites Bonbons, Ross Paxton, Jody Pinto, Carla Tardi, and Fran Winant. Includes artists' statements and biographies. Good. Labels on recto. Light rubbing of covers. Contents clean and unmarked.

Printed wrappers. Condition: Very Good. First Edition. Tall 8vo. Pp. 96. Illustrated throughout with black & white photography. Bound in stiff printed wrappers. Just a trifle wear to head and tail of spine, else a notably bright, well-preserved copy. "Heresies" was a feminist journal published in 27 issues between 1977-1992 by the Heresies Collective of New York. Compiled and edited by volunteers, each issue centered on a particular theme relevant to feminist theory, lesbian arts and artists, women's arts and crafts, violence against women, etc.Each issue was edited by a different editor; accordingly, each issue was imprinted with respective idiosyncrasies, thus providing variant themes, tones and impulses. Among the founders and editors were Joan Braderman, Lucy Lippard, Harmony Hammond, Miriam Shapiro, Mary Beth Edelson, Elizabeth Hess, Mary Stevens, Arlene Ladden, et al.This issue is now housed in a removable clear archival sleeve with an acid-free backing.

Printed wrappers. Condition: Very Good. First Edition. Tall 8vo. Pp. 96/31. Illustrated throughout with black & white photography. Bound in stiff printed wrappers. Spine sunned; slight edge-wear. In sum, a well preserved copy. Two volumes bound as one. Issue 18 features a tribute to Ana Mendieta, who was recently killed after falling from (or being pushed from) a window of the apartment she shared with Carl Andre. Mendieta contributed to "Heresies" issues 5 ("The Great Goddess"), 8 ("Third World Women"), and 13 ("Feminism and Ecology"). "Heresies" was a feminist journal published in 27 issues between 1977-1992 by the Heresies Collective of New York. Compiled and edited by volunteers, each issue centered on a particular theme relevant to feminist theory, lesbian arts and artists, women's arts and crafts, violence against women, etc.Each issue was edited by a different editor; accordingly, each issue was imprinted with respective idiosyncrasies, thus providing variant themes, tones and impulses. Among the founders and editors were Joan Braderman, Lucy Lippard, Harmony Hammond, Miriam Shapiro, Mary Beth Edelson, Elizabeth Hess, Mary Stevens, Arlene Ladden, et al.This issue is now housed in a removable clear archival sleeve with an acid-free backing.