Hanhardt John Text (4 results)

Soft cover. Condition: Fine. First Edition. Fine in original wrappers.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 293 pages, illustrations (some colour); 29 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Bill Viola began producing video works in the early 1970s and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. Viola has explored the possibilities of electronic, visual, and sound practices throughout his career and is today one of the most celebrated proponents of video art. This is the first monograph to chart Viola's career in full, covering his education in New York, his earliest major films, his retrospective at the Whitney Museum in 1997, and his recent installations in Venice, New York, Tokyo, London, and Berlin. Renowned curator and specialist in video art John Hanhardt outlines the key visual, literary, and spiritual influences in Viola's work and his changing approach to the medium of film as its technology advances. Woven into the discussion are illustrations of Viola's most significant works, including Information (1973), The Passing (1991), The Greeting (1995), Going Forth by Day (2002), and Martyrs, the 2014 film commissioned for St Paul's Cathedral in London, as well as reproductions of Viola's sketches and notebooks that bring his working process to life." - Publisher. Size: 4to. Collectible.…

Paperback. Condition: Very Good. Paris: ARC - Musee d'Art Moderne de la Ville de Paris, 1983. 44 pp. 29.5 x 21 cm. Red paper wraps with black titling to cover. Small ~10 mm closed tear at head of spine. Bumping to head and tips; some wrinkling to spine and mild creasing near spine. Interior clean and unmarked. Binding firm. Soft Cover. Very Good.…

Softcover. Condition: Sehr gut. 1. Auflage. Z : 148 Seiten/pages, 242 Abb./illustrations - Mit seiner jüngsten Arbeit Global Groove 2004 feiert Nam June Paik die Welt der Medienkunst. Der Titel der spektakulären Installation geht auf sein legendäres Videoband Global Groove von 1973 zurück, das die Zukunft eines globalen Künstler-TVs propagierte. Die Publikation dokumentiert dieses neue Werk und präsentiert zudem eine Mischung aus vom Künstler eigens überarbeiteten Videoexperimente der sechziger Jahre und seinen charakteristischen, von ihm ebenfalls neu bearbeiteten späteren Fernsehprojekten, in denen er seine Zusammenarbeit mit Joseph Beuys, John Cage, Allen Ginsberg, Laurie Anderson und Philip Glass verewigte. Global Groove 2004 stellt ein neues Videobild-Vokabular vor, das Nam June Paik speziell für die Berliner Installation entwickelt hat. Zudem beinhaltet der Band einen Reprint von grundlegenden Essays des Künstlers zum Thema Television aus dem Katalog Nam June Paik. Videa 'n' Videology 1959-1973.…