Harrison Stark (27 results)

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: As New. Unread book in perfect condition.

Soft Cover. Condition: Fine. 1st Edition/1st Printing. Size: 8vo - over 7¾" - 9¾" tall. Signed By Both Authors.

Condition: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Condition: very good. Stark, Allan J. (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Stark, Allan J. (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. 161-341 pp. Volume 6, Number 2 (Summer 1998). Softcover. Very good condition; touches of wear on covers.

Paperback. Condition: Brand New. 1st edition. 92 pages. 8.00x6.50x0.25 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Softcover. 161-341 pp. Volume 6, Number 2 (Summer 1998). Softcover. Very good condition; touches of wear on covers.

Condition: very good. Stark, Allan J. (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condition: New.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Cloth Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. A LITERARY and PHOTOGRAPHIC 150-year chronicle of the Reynolds Garage and Marine Company, Hamburg Cove, Lyme, CT (originally the E. O. Carriageworks). Moderate rubbing (commonly visible on dark-colored dustjackets), elsewise a bright, clean, tight copy sans tears, stains, other marrkings and discoloration with all text and illustrations clean/unmarked. PROLIFICALLY ILLUSTRATED in archival black-and-white and modern era full color photography with accompanying descriptive captions. 99 pages. LBCMC5.

Hb. Condition: Very Good. No Jacket. 142pp.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Buch. Condition: Neu. Stark, Allan J. (illustrator). This item is printed on demand - it takes 3-4 days longer - Neuware -Die Raumflote ist das Rückgrat des Myrthonischen Sternenreiches. Raumakademien bilden den Nachwuchs des Kernweltadels zu Offizieren aus. Die politische Lage erfordert - gegen den Willen der Adelshäuser - die Gründung einer neuen Einrichtung, in der auch die Söhne und Töchter der Randwelten, der Gilden und der Sternenhändler aufgenommen werden: die RAUMAKADEMIE PALURAN.Tranthar, neuer Anwärter auf Paluran, stellt schnell fest, dass er dort nicht willkommen ist. Seine aristokratischen Mitschüler blicken auf seine einfache Herkunft herab. Man verlangt sogar von ihm, dass er mit einer uralten Sternhändlertradition bricht. Durch weitere Provokationen wird er in einen Aufruhr verwickelt, der ihm zum Verhängnis werden könnte. Kann er dem entgehen 704 pp. Deutsch.

Condition: New. Stark, Allan J. (illustrator). Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.

Buch. Condition: Neu. Stark, Allan J. (illustrator). This item is printed on demand - Print on Demand Titel. Neuware -Die Raumflote ist das Rückgrat des Myrthonischen Sternenreiches. Raumakademien bilden den Nachwuchs des Kernweltadels zu Offizieren aus. Die politische Lage erfordert - gegen den Willen der Adelshäuser - die Gründung einer neuen Einrichtung, in der auch die Söhne und Töchter der Randwelten, der Gilden und der Sternenhändler aufgenommen werden: die RAUMAKADEMIE PALURAN.Tranthar, neuer Anwärter auf Paluran, stellt schnell fest, dass er dort nicht willkommen ist. Seine aristokratischen Mitschüler blicken auf seine einfache Herkunft herab. Man verlangt sogar von ihm, dass er mit einer uralten Sternhändlertradition bricht. Durch weitere Provokationen wird er in einen Aufruhr verwickelt, der ihm zum Verhängnis werden könnte. Kann er dem entgehen tredition GmbH, Heinz-Beusen-Stieg 5, 22926 Ahrensburg 704 pp. Deutsch.

Buch. Condition: Neu. Stark, Allan J. (illustrator). nach der Bestellung gedruckt Neuware - Printed after ordering - Die Raumflote ist das Rückgrat des Myrthonischen Sternenreiches. Raumakademien bilden den Nachwuchs des Kernweltadels zu Offizieren aus. Die politische Lage erfordert - gegen den Willen der Adelshäuser - die Gründung einer neuen Einrichtung, in der auch die Söhne und Töchter der Randwelten, der Gilden und der Sternenhändler aufgenommen werden: die RAUMAKADEMIE PALURAN.Tranthar, neuer Anwärter auf Paluran, stellt schnell fest, dass er dort nicht willkommen ist. Seine aristokratischen Mitschüler blicken auf seine einfache Herkunft herab. Man verlangt sogar von ihm, dass er mit einer uralten Sternhändlertradition bricht. Durch weitere Provokationen wird er in einen Aufruhr verwickelt, der ihm zum Verhängnis werden könnte. Kann er dem entgehen.

Buch. Condition: Neu. Stark, Allan J. (illustrator). Raumakademie Paluran | Edition 2023 | Harrison Shepard | Buch | Das Myrthonische Sternenreich | 704 S. | Deutsch | 2024 | tredition GmbH | EAN 9783384240422 | Verantwortliche Person für die EU: tredition GmbH, Heinz-Beusen-Stieg 5, 22926 Ahrensburg, gpsr[at]tredition[dot]com | Anbieter: preigu Print on Demand.