Hatfield Alan (6 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Spiral Bound Stiff Covers. Condition: Fine. A cornucopia of computer-generated/enhanced artwork, each full-page image situated above weekly calendar pages (54+ images). There is a full 1996 calendar and daily planner in the front and a full 1997 calendar and daily planner at the end. (most contributors represented with more than one image) CONDITION: a bright, unmarked, uncreased copy with negligible shelf-wear - now in a clear, protective polypropylene bag with archival backing board.

Softcover. Condition: Near Fine. Magazine. Octavo. 93pp. Printed wrappers. Rubbing with a crease along the rear spine fold, near fine. This issue features Robert Graves, James Kirkup, John Smith, Hardiman Scott, Brian Patten, Stewart Conn, Thomas Blackburn, Clive Sansom, and Ilsley Ingram. Additional contributors include Eddie Eainwright, Robin Lee, Robin Fulton, Bernard Saint, William Hayward, Lucien Stryk, Patience Tuckwell, Martin Booth, David H. W. Grubb, Gerda Mayer, Maureen Duffy, A.E. Dudley, Miriam Waddington, Jeremy Robinson, William Golightly, Steve Marsling, Gordon Symes, Paul Coltman, Eric W. White, John Hatfield, Maurice Carpenter, William Kean Seymour, Jean Overton Fuller, Alan Pearson, Ilsley Ingram, Edward Lucie-Smith, Raymond Durgnat, and John Headlam.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film. From the archive of film historian and author Joel Finler. After angering the Mafia, a stand-up comedian (Warren Beatty) finds himself on the run, taking on an alias and heading to Chicago. The film received spotty reviews upon release, but has since been reconsidered as a cult classic, heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. Grant US. Spicer US.