Hauser Judith (18 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780309096522.

First Edition. Good paperback copy; edges and wrappers somewhat dust-dulled and nicked. Remains quite well-preserved overall. Physical description: 69 pages; 22cm; illustrated with fold outs and ports. Notes: Number 5 in Archaeological completion report series. Subjects: Jesuit rings. Michilimackinac archaeological dig. 3 Kg.

Softcover. Condition: Befriedigend. 335 S. m. Abb. Vor, Rück- und Innenseite des Einbandes mit Aufkleber, insgesamt in einem akzeptablen Zustand, Lagerfach B6 B6 //Rechnung mit ausgewiesener MwSt. liegt bei.// Sprache: Englisch Gewicht in Gramm: 588.

First Edition. Good paperback copy; edges and wrappers somewhat dust-dulled and nicked. Remains quite well-preserved overall. Physical description: 69 pages; 22cm; illustrated with fold outs and ports. Notes: Number 5 in Archaeological completion report series. Subjects: Jesuit rings. Michilimackinac archaeological dig. 1 Kg.

4°, paperback. 397 pp Like new. Sprache: Englisch Gewicht in Gramm: 0.

Taschenbuch. Condition: Gut. 2. 336 Seiten Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 290.

Softcover. Condition: Near Fine. First Edition. "This report on Jesuit rings by Judith Hauser combines data from Fort Michilimackinac and other European colonial and Indian contact sites throughout the United States" The largest number of rings recovered was from Fort Michilimackinac. These rings not only had religious significance, but may have been used in trade after 1700. The text is illustrated with b&w photos as well as plans of various of the fort and a folding map of the fort and adjacent area. The covers are the original white printed stiff wrappers. there is a slight, faint crease to the rear cover from reviewing the book, else This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The covers are in nice condtion with no tears or chips. There is a small, old original bookshop barcode sticker on the lower corner of the rear cover. ; Archaeological Completion Report Series Number 5 Series; B&W Illustrations, Plans, Folding Map; 4to 11" - 13" tall; 69 pages.

Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 1991. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1991. Ammareal gives back up to 15% of this item's net price to charity organizations.

paperback. Condition: Gut. 336 Seiten; Artikel stammt aus Nichtraucherhaushalt! AU9535 Sprache: Deutsch Gewicht in Gramm: 500.

Condition: New. Der Kunstbegriff als Verhandlungsgegenstand: Der Band versammelt Analysen zur Autonomie und Funktionalisierung der Kunst, die am Beispiel der Produktion, Transformation und Diskursivierung der Berliner Kunstszene seit 1990 gegenwaertige Neuverhandlungen des .

Kartoniert / Broschiert. Condition: New. Ethnolog*innen erheben ihre Daten im Feld , also in der Lebenswelt der Untersuchten, und nicht wie andere Wissenschaftler*innen im Labor, am heimischen Schreibtisch oder in der Bibliothek. Die Feldforschung ist zentrale Methode des Faches und umfasst versc.

Kartoniert / Broschiert. Condition: New. Die friedliche, gleichberechtigte Begegnung von Menschen unterschiedlicher Kulturen ist die grosse Herausforderung des 21. Jahrhunderts. Sie findet vor dem Hintergrund einer Geschichte kolonialer Herrschaft und europaeischen Machtstrebens statt, die aber glei.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Prints. Condition: Near Fine. Folio [39 cm] Two suites of loose prints (the suites are issued in two states). 13 prints printed on white paper, 12 of which are signed; 13 prints printed on cream-colored paper, 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper, the only difference being the paper. The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. *Does not contain the introduction by Leonard Baskin or the descriptive letterpress text.*. With signed self-portraits by the following artists: -Fred Becker (1913-2004). Born in Oakland, California, and active in St. Louis, Missouri and New England. -Jack Coughlin (b. 1932). Born in Greenwich, Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings, etchings, and lithographs of literary figures and musicians. (Information obtained from Brier Hill Gallery, Boston, MA). -John DePol (1913-2004). A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg (1901-1990). A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. (Westmont Ridley-Tree Museum of Art) -Raymond Gloeckler (1928-2022). Born in Portage, Wisconsin. While still a student, he taught art, via a government program, in rural schools. Later, he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures, and bold, expressive, satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow (b. 1942). An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man, nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations, through which the viewer traverses, to the delicate and contained world of his houseplants, where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger (b. 1941). One of the two female artists represented here. Born in Chicago, Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute, and is linked to her equally long, frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time, printing industry technology had moved on, supplanting woodblock engravings with line drawings and photography. 'A dying art,' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago, hub of an enormous catalog business, there were still a few commercial wood-engraving establishments turning out the precise, detailed images more typical of the previous century. One of them, Sander Wood Engraving, on Dearborn Street, was where Professor Troy, a committed modernist, sent his students to buy the best material: rare, English-grown, boxwood blocks. "'He warned us,' Jaidinger recalls, 'If you go to Sander and buy your wood from them, don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin (1936-1994). Born in Elgin, Illinois, and a graduate of the Art Institute of Chicago. He was also active in Roosevelt, New Jersey. His work is held in private museums and collections throughout the world, including the Metropolitan Museum and the Smithsonian Institution. -Michael McCurdy (1942-2016). American author, illustrator, and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts, at Concord Academy, and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press (1968-1985). (Information obtained from Brier Hill Gallery, Boston, MA). -Barry Moser (b. 1940). The owner and operator of The Pennyroyal Press, and the illustrator of over 250 books, including Moby Dick, The Divine Comedy, and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes -Gillian Tyler (b. 1935). Born in Baltimore, Maryland. She is an illustrator that works primarily in children's books. -Herbert Ogdon Waters (1903-1996). Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia, the Art Institute of Chicago, and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham, and at the Holderness School in Plymouth, New Hampshire. (Information obtained from Brier Hill Gallery, Boston, MA). -**Lynd Ward (1905-1985). **The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. Originally issued in an edition of 250 boxed sets. Limited Edition "Out of Series" Print Set (not numbered, not in linen slipcase/box).