Hebert Marcel Talar (16 results)

hardcover. Condition: Good. Good condition hardback. Pages are clean and unmarked. Dust jacket has very minor rubbing marks. Very nice shape. Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.

Hardcover. Condition: Brand New. 272 pages. 8.70x5.80x0.90 inches. In Stock.

Condition: New.

Hardback. Condition: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siècle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of his work, were a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnérienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hébert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hébert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hébert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hébert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge.

Hardcover. Condition: new. Hardcover. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of his work, were a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnerienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hebert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hebert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hebert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hebert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hebert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 192 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner. Editor(s): Talar, J. T. Translator(s): Talar, Charles J. T.; Emery, Elizabeth. Num Pages: 192 pages. BIC Classification: HRAB; HRCM. Category: (G) General (US: Trade). Dimension: 216 x 147 x 20. Weight in Grams: 363. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Gebunden. Condition: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work .

Hardcover. Condition: new. Hardcover. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of his work, were a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnerienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hebert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hebert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hebert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hebert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hebert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siècle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of his work, were a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnérienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hébert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hébert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hébert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hébert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge.