Hemsoll David (41 results)

Paperback. Condition: New.

Paperback. Condition: Brand New. 128 pages. 5.75x4.50x4.53 inches. In Stock.

Hardcover. Condition: Good. (Volume Two only). Good condition. COVER (hardcover with dust jacket)- minor stains, generally clean; moderate wear including slight tears on corners; barcode label on back. PAGES- outside edge has minor stains, interior has occasional slight stains, generally clean; no writing; no tears. Not ex-library. Book.…

Paperback. Condition: Brand New. 255 pages. 6.00x4.75x0.75 inches. In Stock.

Soft cover. Condition: Near Fine. None. First Edition. 377 pages, illustrated in black and white and colour. Amongst other significant articles is 'The Hammer-beam Roof of Westminster Hall and the Structural Rationale of Hugh Harland'. Not available as a back issue.

Condition: New. 2019. Hardcover. . . . . .

Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: new.

Hardback. Condition: New. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope-first articulated by Giorgio Vasari in the 16th century-that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.…

Condition: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. Dust jacket is fully intact, only lightly rubbed at edges. Internally, clean and fresh, with unmarked and uncreased pages. Overall, very sound and presentable. Publisher's note: A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope--first articulated by Giorgio Vasari in the 16th century--that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome. Size: 26.3 x 18.9 x 3 cm. 352 pp. Shipped Weight: 1-2 kilos. Category: Architecture; Architecture, Renaissance -- Italy; Classicism in architecture -- Italy -- History -- 15th century; Classicism in architecture -- Italy -- History -- 16th century; Architects -- Italy -- History -- 15th century; Architects -- Italy -- History -- 16th century; ISBN: 0300225768. ISBN/EAN: 9780300225761. Add. Inventory No: 250901RE2746.…

Condition: New.

Condition: New. In English.

Hardcover. Condition: Brand New. 352 pages. 10.00x7.50x1.25 inches. In Stock.

Hardcover. Condition: new. Hardcover. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the periods leading architects from each other and argues for a more nuanced understanding of the widely accepted tropefirst articulated by Giorgio Vasari in the 16th centurythat Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Fine. First Edition. This edition of the annual publication contains articles on Palladio's Architectural Orders, Holkham Hall, Brighton Dome, Balmoral Castle and several other items. 291 pages + v prelims. Many b/w & colour photographs, plans and other illustrations. Every book is sent in a rigid cardboard posting box. Size: 24.5 Cm x 17.5 Cm.…

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Fine copy. No inscriptions. Fine dustwrapper. Extra mailing will requested for dispatch outside the UK.

Hardcover. Condition: new. Hardcover. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the periods leading architects from each other and argues for a more nuanced understanding of the widely accepted tropefirst articulated by Giorgio Vasari in the 16th centurythat Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope-first articulated by Giorgio Vasari in the 16th century-that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.…