Hendrik Andersen (38 results)

Condition: Good. Ill. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. pictorial boards. the illustrated fairy tales of Hans Christian Andersen.

Teils farbige Abbildungen.Tadelloser Zustand. Hardcover / Original Papppband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Hardcover. Condition: Very Good. 1. Auflage. Unread, some shelfwear. Immediately dispatched from Germany.

Condition: New. In.

Condition: New.

Condition: New.

Condition: New. 1st ed. 2021 edition NO-PA16APR2015-KAP.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This book, which has only one very distant forerunner authored by David A. Hills with David Nowell, represents a very big step that is the quantification of these problems and represents the twenty-five years¿ worth of work which have gone on at Oxford since the first book on the subject. Fatigue (popularly ¿metal fatigue¿) is the primary failure mode of all machines, engines, transmissions and indeed almost all mechanical devices. The propagation of cracks is well understood and is treated in the subject Fracture Mechanics. By contrast, the nucleation of cracks is very hard to quantify and this remains the case with so-called ¿free initiation¿ and, to a lesser extent, at cracks nucleated from stress raising features. But the third form of nucleation, where cracks start from the edges of rubbing components, that is, at joints, is potentially a very much better-defined environment, and therefore, the problem is amendable to attack by applied mechanics and experiment. The contents are of value both to those embarking on research on the subject and to practitioner in industry.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book, which has only one very distant forerunner authored by David A. Hillswith David Nowell, represents a very big step that is the quantification of these problemsand represents the twenty-five years' worth of work which have gone on at Oxford since the first book on the subject.Fatigue (popularly 'metal fatigue') is the primary failure mode of all machines, engines, transmissions and indeed almost all mechanical devices. The propagation of cracks is well understood and is treated in the subject Fracture Mechanics. By contrast, the nucleation of cracks is very hard to quantify and this remains the case withso-called 'free initiation' and, to a lesser extent, at cracks nucleated from stress raising features. But the third form of nucleation, where cracks start from the edges of rubbing components, that is, at joints, is potentially a very much better-defined environment, and therefore, the problem is amendable to attack by applied mechanics and experiment.The contentsare of value both to those embarking on research on the subject and to practitioner in industry.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book, which has only one very distant forerunner authored by David A. Hillswith David Nowell, represents a very big step that is the quantification of these problemsand represents the twenty-five years' worth of work which have gone on at Oxford since the first book on the subject.Fatigue (popularly 'metal fatigue') is the primary failure mode of all machines, engines, transmissions and indeed almost all mechanical devices. The propagation of cracks is well understood and is treated in the subject Fracture Mechanics. By contrast, the nucleation of cracks is very hard to quantify and this remains the case withso-called 'free initiation' and, to a lesser extent, at cracks nucleated from stress raising features. But the third form of nucleation, where cracks start from the edges of rubbing components, that is, at joints, is potentially a very much better-defined environment, and therefore, the problem is amendable to attack by applied mechanics and experiment.The contentsare of value both to those embarking on research on the subject and to practitioner in industry.

Hardcover. Condition: Brand New. 237 pages. 9.25x6.10x9.21 inches. In Stock.

Large folio. Contemporary half calf, raised bands, spine simply gilt. T. e. g, else uncut. xv, 128, 102 pp. Illustrated throughout with large plates, of which many doublepage. "Édition anglaise". No. 188 of 275 copies on "Vélin à la Cuve". Some staining, some wear to upper joint. A monumental work !

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Inscribed by author's sister Lucia from the family home in Rome (now a museum for the Andersen collection) to a member of the Cabot Lodge family of Boston, Adelaide on half title page. Many large photos, 24 plates many double sided w/tissue guards, much foxing but due to the paper rag content and ink composition some of the designs are truly aesthetic almost an art in themselves, elephant folio, very heavy as 3/4 leather binding with five compartments and full marble paper on both pastedowns and eps, a gorgeous production of limited printing, 3 1/2" to 4" text margins, 218/275cc. Bump to lower front tip and slight stains to front marble paper and minor rubbing and wear along edges else NF. Inscribed/ Signed by VIP othe.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 160. A perfect gift for your loved ones. Reprinted from 1916 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 160.

Hardcover. Condition: Poor. Dust Jacket Condition: No Dust Jacket. Hard cover published by author in Paris in 1913. Folio size (18.3 x 13.3). Spine is missing half of top part and part of the bottom, and there is a library marking at bottom. Covers are bowed, wrinkled and have scuffing and some stains. Corners are bumped and rounded, with fabric split and worn. Covers have edge wear. Inner hinges have only a few strips attaching the covers. Pages have spotting and foxing, and some edges are stained and tanned. Some pages are completely tanned. Half title page has an inscription and signature from the author, but the ink has faded. Book is in poor condition. Folio size, 102 pages plus plates, 9.3 lb.; Folio 13" - 23" tall; 102 pages.

Hardcover. Condition: Very Good-. First Edition. Folio half-leather and marbled boards. Textured marbled endpapers. Spine with four raised bands and in five compartments. Top edge gilt. Limited edition. This is copy #263/275. Illustrated throughout with plans, designs, architectural renderings, and engravings. Several large folding plates. Printed on a very heavy, thick paper. Wear along the spine edges and bands. Rubbing along with some narrow scrapes to a number of areas of the boards. A small, 1/2" light-colored stain toward the upper, front board. There is some splitting to the lower, front edge of the spine. There is a large amount of a type of foxing, the like of which I have not seen before. In another copy of this book, I have seen the same heavy foxing. There must be some unusual content in the paper used for the production of this massive book. It is contained in a period felt-lined wooden shipping or storage box. The box is quite worn. The upper hinged lid is broken at one hinge and is nearly so at the other. There is cracking to the wood but it seems to be quite solid. THIS VERY HEAVY BOOK MAY REQUIRE EXTRA POSTAGE. ; Folio 13" - 23" tall.

Two parts in one vol., folio, pp.[vi], xv, [1 (blank)], 102; title-page printed in red and black, half-titles and part-titles; 25 lithographed plates (14 of which double-page and/or folding), including plate 'A World Centre' to Part I not mentioned in list of illustrations, numerous heliogravure illustrations in the text; foxed as usual, browning to first and final leaves; uncut, bound in the publisher's green gilt cloth; head of spine lightly bumped; presentation inscription to half-title verso 'For S.E.il Ministro di Olanda with high esteem Hendrik Christian Andersen. Rome 1919'. [with:]ANDERSEN, Hendrik Christian; Olivia CUSHING ANDERSEN. Création d'un centre mondial de communication. Rome, [Riccardo Garroni], 1918. Folio, pp.[8], xii, '26' (recte 126); 67, [1 (blank)], [1 (contents)], [3(blank)], 57, [1 (blank)], with dedication plate and a further 7 lithographed plates (of which 2 double-page), pp.31724 present in duplicate; title-page printed in red and black with lithographed vignette; a very good, clean copy; bound in ?publisher's half roan; a few abrasions, peeling in places; presentation inscription 'For S.E.il Ministro di Olanda with the sincere compliments of Hendrik Christian Andersen. Rome 1919'.First French editions of both parts of this ambitious urban planning project envisioning a utopian world capital, in which art and architecture would function as vehicles of world peace. The Norwegian-American painter, sculptor, and urban planner Hendrik Christian Andersen was raised in Rhode Island and worked as Gertrude Vanderbilt Whitney's art teacher before travelling to Europe and settling in Rome, where he developed a network of expatriate patrons. The first part of his plan for a World City, Création d'un centre mondial de communication par Hendrik Christian Andersen, was co-authored by the architect Ernest Hébrard, and sets out Anderson's vision for his utopia, featuring an Olympic stadium, temples of the arts and sciences, an underground transport system, an International Court of Justice (a proto-UN of sorts), a monumental skyscraper known as the Tower of Progress, and seats of government. Andersen's Création was published in a limited number of copies at his own expense, to be sent to heads of state around the world (Mussolini had promised him land to realise his vision before later changing his mind) in the hopes of finding backing for his plan, but was interrupted by the advent of the First World War. After the war, Andersen produced a continuation of his vision, aided by his brother's widow, Olivia Cushing Andersen; it was published in Rome in simultaneous English and French editions available for general sale. Andersen's utopia resulted in ongoing disagreements with Henry James, thought to have been his lover, who wrote of his loathing for 'words like "World" anything they are to me mere monstrous sound without sense'. Provenance: Both the 1913 and 1918 editions were inscribed in Rome in 1919 to 'S[ua] E[ccellenza] il Ministro di Olanda', seemingly as part of Andersen's continued efforts to gain support from world leaders and diplomats; the recipient may have been the Dutch ambassador to Rome at the time, Jan Herman van Roijen. Language: French.

Hardcover. Condition: Very Good. 1st English Limited Edition. Limited: # 84 of 250 copies printed on vellum paper. The book is in two parts. The first deals with the history of the city and monumental architecture, and seeks inspiration in classical and contemporary notions of city planning - Paris and Washington DC feature prominently. The second part details Andersen's imaginary urban landscape, complete with works of art, for the 'World City'. Olympic stadia, galleries for the arts and sciences, as well as government buildings. Lavishly illustrated in heliogravure with plans, designs, architectural renderings and engravings throughout text and 24 plates including 2 quadruple, 1 triple, 12 double and 9 single. ; Heavy folio (18.5") bound in half leather. Spine has 4 bands with bright gilt decoration and lettering. Top edge gilt. Text tight, clean & intact without foxing. (8pp prelims, xv, 128, 102). Limited: # 84 of 250 copies printed on thickvellum paper. Tissue protected illustrations mostly in heliogravure with plans, designs, architectural renderings and engravings throughout text and 24 plates including 2 quadruple, 1 triple, 12 double and 9 single. The book is in two parts. The first deals with the history of the city and monumental architecture, and seeks inspiration in classical and contemporary notions of city planning - Paris and Washington DC feature prominently. The second part details Andersen's imaginary urban landscape, complete with works of art, for the 'World City'. Olympic stadia, galleries for the arts and sciences, as well as government buildings. The years before the First World War saw several proposals to establish a "World Capital" in one of Europe's smaller nations. Architecture ; Folio 13" - 23" tall; 230 pages.

First Edition. 46 x 33cm. Large folio hardcover in red half-leather, ix + 120pp + 57pp. Top edge gilt. This English 1918 edition is one of 270 numbered copies on hand-made paper, stamped as number 21 (another numbered run of 20 were produced on luxury hand-bound paper). A extraordinarily lavish proposal for a united single international government. A short appendix at the rear comprises an excerpt from John Culbert Faries' 'The Rise of Internationalism'. A rare edition, building upon the original proposals for this monumental imaginary city in a more densely-illustrated 1913 edition. Leather a little scratched, otherwise very good condition.

First Edition. 47 x 34cm. Large folio hardcover in original gilt-decorated green cloth, xv + 102pp. Lavishly illustrated with fold-out engravings and photo-lithographs. An unusually ambitious visionary proposal for a vast imaginary centralised zone for world communication and world peace, containing a grand harbour with sculptures, an Olympic Centre of Physical Culture, a Music Conservatory, a School of Fine Arts and Museum of Casts, a Fountain of Life, etc. The architectural aspect was overseen by urban planner Ernest Hebrard. The project was to be located somewhere on a western Atlantic coast. The author sets out the philosophy thus: "from the beginning of time centralisation began, and it is legitimate to believe that to the end of time it will continue. Despite prejudice and war, suffering and bloodshed, an irresistible force ever draws men to a deeper understanding of a common aim. An invisible guiding hand unites all peoples by fraternal bonds of a grander sympathy. The memory of the lives that in the past courageously and faithfully gave their energy to the divine mission of unification, stimulates the desire of men to move in unison." Sporadic areas of quite heavy foxing, some offsetting between illustrations, otherwise tight and bright, and externally very well preserved.

Hardcover. Condition: Very Good. Large hardcover with green cloth boards, gilt border, printing and decoration to cover, gilt printing to spine. Illustrated throughout with plans, designs, architectural renderings, and engravings. Several large folding plates. The book is in two parts. The first deals with the history of the city and monumental architecture, and seeks inspiration in classical and contemporary notions of city planning - Paris and Washington DC feature prominently. The second part details Andersen's imaginary urban landscape, complete with works of art, for the 'World City'. Olympic stadia, galleries for the arts and sciences, as well as government buildings are all outlined, and placed upon a defined grid plan with an emphasis on a grand central avenue acting as the axis of the city. A very fine copy on thick rough-cut paper with tissue guards on all illustrations. Foxing to most pages and boards are bumped at corners and edges are lightly rubbed. A few minor marks to boards. This copy has been well looked after, the pages are all crisp and free of any markings (besides foxing), fold-outs are all excellent and the spine is sound. AD. Used.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1916 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 162 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 162 Language: English.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 289. A perfect gift for your loved ones. Reprinted from 1918 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian Pages: 289.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1916. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 160, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 160 160.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1916. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 162, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 162 162.

Paris, Philippe Renouard, 1913. In-f° max. (47x34) di pp. (8)+XV+102, con grande vignetta al frontespizio e alla dedicatoria, numerosissime illustrazioni nel testo incise in eliografia e XXIV tav. fuori testo (alcune ripiegate su doppio e triplo foglio). Bella legatura tela editoriale verde con grande titolo, e riquadri in oro ai piatti e al dorso. Esemplare con barbe, su carta pesante, ma con fioriture diffuse nel testo. (8371) Edizione inglese di questa rara e lussuosa monografia (ne esiste anche una traduzione francese), impressa a spese degli autori e mai posta in commercio, dedicata ad un progetto di "capitale mondiale" da creare ex-novo in una zona da definirsi; il progetto, ideato dal danese H. C. Andersen, all'epoca domiciliato in Roma, e dagli architetti francesi Ernest e Jean Hébrard, ispirato da ideali di cooperazione internazionale tragicamente naufragati con lo scoppio della Grande Guerra, non ebbe praticamente diffusione alcuna e l'opera ebbe una ristrettissima circolazione tra gli amici dell'autore. Nelle idee di Andersen una delle possibili localizzazioni di questa "capitale mondiale" avrebbe potuto essere la vasta area tra Roma e il litorale di Ostia, come dichiarò Andersen il 5 giugno 1913, dopo aver incontrato il Re: "la città potrebbe anche sorgere ad Ostia, potrebbe congiungere Ostia, il centro della civiltà latina, al mare" (cfr. P. Orlando, Alla conquista del mare di Roma, pp. 339-40). Nel 1918 gli autori ripresero l'idea, riproponendo un "Centro Mondiale di Comunicazione" con nuove edizioni in inglese e in francese dell'opera (stampate a Roma), accentuandone gli aspetti di utopia politica, ispirandosi ai principi internazionalisti del presidente Wilson, ma la loro proposta non ottenne maggiore successo. Questo progetto utopico è concepito nella sua interezza: vi sono definiti i piani urbanistici, disegnate le strade, i palazzi, i parchi, i giardini; vi sono descritte ed illustrate persino le statue ed i monumenti. La parte architettonica è curata da Ernest e Jean Hebrard con la collaborazione di numerosi assistenti, mentre la parte storica è di George Leroux.Di particolare bellezza il panorama generale di questa "città ideale" e le altre grandi tavole fuori testo, impresse lussuosamente in fotoincisione.Hendrik Christian Andersen (Bergen, 1883 - Roma, 1942), sebbene nato in Norvegia, visse quasi tutta la sua vita a Roma, dove morì, a soli 59 anni. Com'è noto non riusci mai a realizzare il progetto di quell'immensa "Città mondiale della Pace", che vive ormai soltanto nei disegni visionari ma dettagliatissimi del grande volume in-f° qui descritto, Creation of a World Center of Communication, scritto assieme agli architetti francesi Ernest e Jean Hebrand, impresso a Parigi nel 1913 a spese degli autori, e mai posto in commercio.

Paris, Philippe Renouard, 1913. In-f° max. (47x34) di pp. (8)+XV+102, con grande vignetta al frontespizio e alla dedicatoria, numerosissime illustrazioni nel testo incise in eliografia e XXIV tav. fuori testo (alcune ripiegate su doppio e triplo foglio). Bella legatura tela editoriale verde con grande titolo, e riquadri in oro ai piatti e al dorso. Esemplare con barbe, su carta pesante, ma con fioriture diffuse nel testo. (8371) Edizione inglese di questa rara e lussuosa monografia (ne esiste anche una traduzione francese), impressa a spese degli autori e mai posta in commercio, dedicata ad un progetto di "capitale mondiale" da creare ex-novo in una zona da definirsi; il progetto, ideato dal danese H. C. Andersen, all'epoca domiciliato in Roma, e dagli architetti francesi Ernest e Jean Hébrard, ispirato da ideali di cooperazione internazionale tragicamente naufragati con lo scoppio della Grande Guerra, non ebbe praticamente diffusione alcuna e l'opera ebbe una ristrettissima circolazione tra gli amici dell'autore. Nelle idee di Andersen una delle possibili localizzazioni di questa "capitale mondiale" avrebbe potuto essere la vasta area tra Roma e il litorale di Ostia, come dichiarò Andersen il 5 giugno 1913, dopo aver incontrato il Re: "la città potrebbe anche sorgere ad Ostia, potrebbe congiungere Ostia, il centro della civiltà latina, al mare" (cfr. P. Orlando, Alla conquista del mare di Roma, pp. 339-40). Nel 1918 gli autori ripresero l'idea, riproponendo un "Centro Mondiale di Comunicazione" con nuove edizioni in inglese e in francese dell'opera (stampate a Roma), accentuandone gli aspetti di utopia politica, ispirandosi ai principi internazionalisti del presidente Wilson, ma la loro proposta non ottenne maggiore successo. Questo progetto utopico è concepito nella sua interezza: vi sono definiti i piani urbanistici, disegnate le strade, i palazzi, i parchi, i giardini; vi sono descritte ed illustrate persino le statue ed i monumenti. La parte architettonica è curata da Ernest e Jean Hebrard con la collaborazione di numerosi assistenti, mentre la parte storica è di George Leroux.Di particolare bellezza il panorama generale di questa "città ideale" e le altre grandi tavole fuori testo, impresse lussuosamente in fotoincisione.Hendrik Christian Andersen (Bergen, 1883 - Roma, 1942), sebbene nato in Norvegia, visse quasi tutta la sua vita a Roma, dove morì, a soli 59 anni. Com'è noto non riusci mai a realizzare il progetto di quell'immensa "Città mondiale della Pace", che vive ormai soltanto nei disegni visionari ma dettagliatissimi del grande volume in-f° qui descritto, Creation of a World Center of Communication, scritto assieme agli architetti francesi Ernest e Jean Hebrand, impresso a Parigi nel 1913 a spese degli autori, e mai posto in commercio.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Is the&nbsponly book dealing with the quantification of fretting fatigue, the primary source of failure of mechanical artifactsBuilds rigorously&nbspthe subject up from the basics and dovetailsDeveloped&nbspby further experiment a.