Henmi Rod (20 results)

Soft cover. Condition: Good. Binding tight and square, Pages are clean and unmarked. Trivial surface wear.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good.

Soft cover. Condition: Good. 1st Edition. Very small dings on the cover edges, and slight bowing on the front edge. Text tight, unmarked. Black and white illustrations and photographs throughout.

Soft cover. Condition: Very Good. 1st Edition. No stamps or labels. No annotations.

Paperback. Condition: Very Good. Light wear to the edges. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Soft Cover. Condition: Good. No Jacket. First Edition. From an academic library with the usual stamps and labels. Paper covers have been laminated with clear adhesive plastic. Binding tight and contents clean. B00003141.

Soft Cover. Condition: Good. No Jacket. First Edition. From an academic library with the usual stamps and labels. Paper covers have been laminated with clear adhesive plastic. Binding tight and contents clean. B00003139.

Soft Cover. Condition: Good. No Jacket. First Edition. From an academic library with the usual stamps and labels. Paper covers have been laminated with clear adhesive plastic. Binding tight and contents clean. B00003140.

Condition: New. Satisfaction Guaranteed or your money back.

Softcover. Condition: Very Good. No Jacket. First edition. 1st 1994. Very good condition. This book explores the fundamental "why" behind architectural drawing rather than just the technical "how". By examining the portfolios of master architects, the book demonstrates how the act of sketching actively shapes a designer's thought process, vision, and creative evolution. Large format. Pictorial cardwraps. B/w illustrations. ix and 194 pages including index. Covers are a little grubby and scuffed, spine is sunned/lightly faded, corners lightly rubbed. Vertical crease to front cover. Text block slightly grubby. Minor damp stain to lower edge of page margins to rear of book. Else contents clean. Packaged with care and promptly dispatched.…

Condition: New. Brand New.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New.

Condition: New.

Condition: New. Brand new! Please provide a physical shipping address.

Paperback. Condition: Very Good. First Edition. Presentation copy: "11.26.73 To. On the day after Thanksgiving - our thanks to good friends and to .' s help in making the project come to fruition. Rod Henni & Iain Fraser." (signed on the title page beneath their names. Illustrated with black-and-white drawings and plans. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation in a heavy cardboard box. The bottom right corner of the front cover is creased and about 1" of the the spine is rubbed at the base. Very good condition. Selling Used and Rare books on line since April 1998 and from our bookstore in the heart of the Bluegrass since 1984. ; Black-and-white illustrations; 4to.; ix, 194 pages; Signed by All Authors.…

Paperback. Condition: Brand New. 1st edition. 208 pages. 11.00x8.75x0.50 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware - Examples of world-renowned masters of architecture are used in this enlightening book that explores the 'why' of architectural drawing, rather than the 'how.' By emphasizing the value of drawing over technique, the authors demonstrate how the drawing itself influences the designer's processes of thought, and exerts its own pull on the evolution of the concept.…