Heppner Christopher (19 results)

Condition: Good. Good condition paperback with minimal wear. Contents are clean. Covers have some marks.

Paperback. Condition: New. This book is brand new; never used or opened. With small remainder mark on edge. ; 0.79 x 9.53 x 7.4 Inches; 320 pages.

Condition: As New. 1997. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condition: As New. 1997. paperback. . Not a first edition copy. . . .

Pamphlet. Condition: Very Good. Vol 31, No 3, pp. 281-293, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Paperback. Condition: New. BRAND NEW, Perfect Shape,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

paperback. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Brilliant white cloth covers, with sharp and distinct gilt lettering to spine. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. xvi [5], 4-302 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Paperback. Condition: Very Good. 0521555620. bright clean copy, occasional neat pencil in margins, Professional booksellers since 1981.

Paperback. Condition: Very Good. Please note that this is a heavy item and may require additional postage for international shippping. ; Card cover showing a suggestion of rubbed, minute bumping to bottom corners, prior barcode label at base of rear panel; Pages crisp, very mild age-toning at edges, no ownership marks or annotation, B&W and coloured plates; Binding tight. Christopher Heppner constructs a new assessment of Blake as an illustrator of texts other than his own, figuring interpretations of his work distinct from his own poetry. ; 7.5 x 9.75"; 320 pages.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. A fine hardcover copy in a fine jacket. A very nice, clean and tight copy. No tears, no chips to jacket. No bumped corners. = WE BOX AND SHIP ALL BOOKS WITH DELIVERY CONFIRMATION. = WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 33 YEARS.

Condition: New.

Condition: very good. Cambridge : Cambridge University Press, 1995. xvi, 302 p., [8] p. of plates : ill. (some col.) ; 26 cm. Condition : very good copy. ISBN 9780521555623. Keywords : ART,

Booklet - Unbound Pages. Condition: Very Good. 10 pages, 8 plates. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: 14 x 22 cms. Category: Book Collector; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Frontispiece, xviii, 302 pp; 14 color plates; 72 illus. Original cloth, large 8vo. Very Good+, in very good dust jacket (a bit soiled). 'William Blake's art has traditionally been interpreted in terms of his poetry, and governed by the assumption that his designs are visualisations of his own poetic myth. In this innovative study, Christopher Heppner constructs a new assessment and interpretation of Blake as illustrator of texts other than his own. Such topics as Blake's handling of human figures and the signifying power of their gestures, his relationship to Michelangelo, and his attitude towards perspective and the conventions of pictorial representation are brought to bear on the 1795 colour prints, the illustrations to Edward Young's Night Thoughts, and the illustrations to the Bible. Heppner concludes with an extended reading of The Sea of Time and Space which differs markedly from previous approaches to the work. Many illustrations, including a colour-plate section, accompany this new interpretation of a complex artist' (Cambridge University Press Web site). Contents: Part I. Blake and the Signifying Body: 1. The pathos of formulae; 2. 'Michael Angelo Blake'; 3. Humpty Dumpty Blake; Part II. The syntax of invention: 4. 'What Critics call the Fable'; 5. '12 large prints historical and poetical'; 6. Blake and Young's Night Thoughts; 7. Blake's Bible; 8. A 'Style of Designing': perspectives on perspective; 9. The Sea of Time and Space. '. . . a highly engrossing study of the relationships between Blake's illustrations and his texts' (The British Society of Aesthetics).

xvi, 302 p., ill. "William Blake`s art has traditionally been interpreted in terms of his poetry, and governed by the assumption that his designs are visualizations of his own poetic myth. In this innovative study, Christopher Heppner constructs a new assessment and interpretation of Blake as illustrator of texts other than his own. Such topics as Blake`s handling of human figures and the signifying power of their gestures, his relationship to Michelangelo, and his attitude towards perspective and the conventions of pictorial representation are brought to bear on the 1795 color prints, the illustrations to Young`s Night Thoughts, and the illustrations to the Bible. Heppner concludes with an extended reading of The Sea of Time and Space which differs markedly from previous approaches to the work. A large number of illustrations, including a color-plate section, accompanies this new interpretation of a complex artist." (Publisher`s description) - Einband teils leicht berieben und minimal bestoßen; ansonsten sehr gut erhalten. - Cover slightly rubbed and minimally bumped; otherwise in very good condition. ISBN: 0521473810 Sprache: Englisch Gewicht in Gramm: 1300 Gr.-8°, OPb., ohne Schutzumschlag. - Original hardcover without dust jacket.

Couverture souple. Condition: Bon état. In-4 broché 24,2 cm sur 18,8. Livre en anglais. 320 pages. Bon état d'occasion. in-4°.

Dust Jacket Condition: dj. First Edition. Cambridge: Cambridge University Press, 1995. 8vo, xvi, 302 pp., with 14 color plates and 72 black and white illustrations. Very good in original cloth and illustrated dust-jacket. ? First edition of this substantial study, ?a new assessment and interpretation of Blake as illustrator of texts other than his own.? (Blurb). Bentley, Blake Books Supplement, p.23.

4to. XVI, 302 S. Mit zahlr., tlw. farb. Abb. Illustr. OKtn., berieben. 0,900 gr.