Herrmann Daniel (295 results)

hardcover. Condition: Very Good. 1st Edition. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condition: Fine. 1st Edition. Exhibition catalog in full color with interesting work and a chronology of his items . etc. Fine condition with no markings and slightest of wear.

Hardback. Condition: Very Good. Eduardo Paolozzi (1924-2005) was one of the most innovative and irreverent British artists of the 20th century. Considered the 'godfather of Pop Art', his powerful collages, sculptures and prints challenged mid-century British modernism by drawing on mass culture, science fiction and industrial design. Accompanying the first major exhibition of Paolozzi's art since 1975, this publication presents a fresh and comprehensive overview of his work from the 1940s to the 1990s, highlighting not only his unique position as one of Britain's most dynamic, versatile and pugilistic artists, but also the relevance of his work today. As well as entries on more than 100 works and a full bibliography, the book presents new approaches to Paolozzi by critics Hal Foster and Jon Wood, and by the contemporary Mexican artist Mariana Castillo Deball; new research and comment by Beth Williamson, Lisa Maddigan Newby and Dawn Ades; a discussion on Paolozzi's public sculpture with Turner Prize winners Assemble; and a reprint of a brilliant 1971 conversation between Paolozzi and the novelist J.G. Ballard. …

Hardcover. Condition: Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condition: Very Good. Eduardo Paolozzi (1924-2005) was one of the most innovative and irreverent British artists of the 20th century. Considered the 'godfather of Pop Art', his powerful collages, sculptures and prints challenged mid-century British modernism by drawing on mass culture, science fiction and industrial design. Accompanying the first major exhibition of Paolozzi's art since 1975, this publication presents a fresh and comprehensive overview of his work from the 1940s to the 1990s, highlighting not only his unique position as one of Britain's most dynamic, versatile and pugilistic artists, but also the relevance of his work today. As well as entries on more than 100 works and a full bibliography, the book presents new approaches to Paolozzi by critics Hal Foster and Jon Wood, and by the contemporary Mexican artist Mariana Castillo Deball; new research and comment by Beth Williamson, Lisa Maddigan Newby and Dawn Ades; a discussion on Paolozzi's public sculpture with Turner Prize winners Assemble; and a reprint of a brilliant 1971 conversation between Paolozzi and the novelist J.G. Ballard. …

Condition: New. Hermann, Claus Daniel (illustrator).

Softcover, 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: good. Book has corner dings.

Condition: As New. Unread book in perfect condition. Hermann, Claus Daniel (illustrator).

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Good. : Este libro de tapa dura, publicado el 14 de agosto de 2018 por National Gallery London, explora la obra de Ed Ruscha, subtitulado 'Course of Empire'. Con 48 páginas, incluye contribuciones de autores como Tom McCarthy, Daniel F. Herrmann y Christopher Riopelle. El libro analiza la obra de Ruscha en el contexto de su serie 'Course of Empire'. EAN: 9781857096323 Tipo: Libros Categoría: Arte y Cultura Título: Ed Ruscha Autor: Tom McCarthy| Daniel F. Herrmann| Christopher Riopelle Idioma: en Páginas: 48 Formato: tapa dura.…

Paperback. Condition: Near Fine. 27 x 24 cm. Quarto. 96pp.

Paperback. Condition: Fine. 1st. 95 pages, colour illustrations; 27 cm. Published on the occasion of an exhibition at the Whitechapel Gallery from September 2010 to July 2012. Firm binding, clean inside copy. Large softcover. Richly illustrated with colour plates. *** "This catalogue documents Josiah McElheny's recent site-specific installation at the Whitechapel Gallery. A sculptor, performance artist, writer and filmmaker, McElheny is best known for his use of glass in combination with other materials. The installation presented here incorporated seven large-scale, mirrored sculptures upon which abstract films were projected." - Publisher. Size: 4to. Collectible.…

Paperback. Condition: new. Paperback. This publication provides a comprehensive document of Josiah McElheny's site-specific Bloomberg Commission exhibiting at the Whitechapel Gallery.Reflection, light and transparency are defining themes of Modernism and provide a leitmotif for the American sculptor Josiah McElheny's 2011 Bloomberg Commission, The Past Was A Mirage I'd Left Far Behind. Seven mirrored, sculptural screens double, triple and refract the projections of reconfigured abstract films, proposing a new history of abstraction as a fragmented, sensory experience.New York-based artist Josiah McElheny is a sculptor, performance artist, writer and filmmaker, best known for his use of glass with other materials. For his Bloomberg Commission he uses light and mirrors to transform the Whitechapel Gallery into a Hall of Mirrors.This book provides an introduction to the artist, a record of his new work, and locates both within the history of art. Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, introduces the work of McElheny as an observer of history. Daniel F. Herrmann, Eisler Curator and Head of Curatorial Studies at the Whitechapel Gallery presents an in-depth account of the commission. Tamara Trodd, Lecturer for Twentieth Century and Contemporary Art at Edinburgh University, joins the artist and the curator for a conversation about the ideas and interests behind this major new commission. This catalogue documents Josiah McElheny's recent site-specific installation at the Whitechapel Gallery. A sculptor, performance artist, writer and filmmaker, McElheny is best known for his use of glass in combination with other materials. The installation presented here incorporated seven large-scale, mirrored sculptures upon which abstract films were projected. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Audio Book on CD Boxed Set. Condition: As New. Still in shrinkwrap. This set is new; never used or opened. No remainder marks. ; 5.03 X 1.07 X 5.81 inches; 15 pages.

Hardcover. First edition. Near Fine hardcover with a hint of shelf wear; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "The brilliant collage artist John Stezaker sets the stage for a new journey into his world of exploring the subversive forces of found images through his masterful creations. Working with a range of imagery from the mid 20th century mass media and contemporary popular culture, Stezaker uses collage, reconfiguration and adjustment to create profoundly unique works. One on One presents a new set of previously unseen collages produced by Stezaker over the past two years." The catalogue for an exhibition of the collages of John Stezaker; held at the Tel Aviv Museum in 2013. Essays by curator Irith Hadar and Dalit Matatyahu; interview with the artist conducted by Christophe Gallois and Daniel F. Herrmann; foreword by Suzanne Landau. 144 pages with 1 gatefold; 63 color illustrations; 8.5 x 10.5 inches. Biography, list of works. Text in English and Hebrew.…

Condition: new.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Hermann, Claus Daniel (illustrator).

Soft cover. Condition: Fine. Unpaginated, approx 48 pages, illustrated with colour plates. Unused, a Fine copy.