Hevesy Ivan (15 results)

Hardcover. Condition: Very Good. Text in Hungarian. Original hardcover.

Soft cover. Condition: Very Good. 1st Edition. Octavo 22.5x14.5 cm., wrappers, 31 pp. A catalog of the artwork of Béla Kádár, the second in a series of Uj müvészet (New Art) by Iván Hevesy. First and only edition. Kádár (1877-1956) was a major Hungarian modernist. He reached the height of maturity and fame in the late 1920s, exhibiting internationally and lived abroad from 1918. In 1928 he exhibited at the Brooklyn Museum through Katherine Dreier and spent time in the USA. This short monograph by Hevesy was possibly the first. Kádár would exhibit at Der Sturm in 1923 when he became known internationally. It includes 11 tipped on reproductions of paintings. Iván Hevesy (1893-1966) was a literary, art, photography, and film theorist, and a pioneer of chronicling the avant-garde. OCLC locates three holdings worldwide (Columbia, MOMA, Univ Rochester). Very good with professional restoration on wrappers, interior fine.

Budapest. HAFA ( Hadschek es Farkas ) , Kiadasa. 1939 4° 149 + 3 S. mit 25 ganzseitigen s/w Fotos. Ohlwd. Einband - Followed by table of contents, incl. 25 b&w photos. Text in Hungarian. Original hardcover. Half cloth back. Original publisher's wrappers - Originaleinband. Einband berieben. Angestaubt. Gutes Exemplar des seltenen Fotobuches des Inspirators der Ungarischen Avantgarde. Very good copy inside / outside. Sprache: un. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Published by Kiadta Kner Izidor Konyvnyomdaja, Gyoma (1941) Original publisher's wrappers - Originaleinband. Item Description: Kiadta Kner Izidor Konyvnyomdaja, Gyoma, 1941. Hard Cover. Book Condition: Very Good. First Edition. Half cloth over boards. 42 pages + plates at rear. Joint by two vintage gelatin silver print photographs from the 1930's by IVAN HEVESY. Known as an avant-garde art theorist but at the same time he was an excellent New Objectivity photographer. One of the photos (showing Kids) is stamped on the verso, the other one is not stamped but published in the Book "The Hungarian Landscape". 1. Ivan Hevesy: Three kids - On the verso: Studio stamp - Vintage gelatin silver print - Size: 17 x 23 cm / 2. Ivan Hevesy: Tree - Vintage gelatin silver print Size: 17 x 23 cm - Published in: Ivan Hevesy: Magyar tajkepek(Hungarian Landscape) . - Very good copy + fine photographs. Very scarce. Sprache: Ungarisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

8°. 112 S. mit 32 Tafeln in Heliogravure. OHln. mit silberger. Rücken- u. Deckeltitel u. illustr. Orig.-Schutzumschlag. Einzige Ausgabe, selten. - Der bedeutende ungarische Fotograf, Schriftsteller und Film- und Kunst-Kritiker I. Hevesy (1893-1966) war 1917 und 1918 Herausgeber der expressionistischen Zeitschrift "Jelenkor". Hevesy war eng mit L. Moholy-Nagy, Bela Uitz und Sandor Bortnyk befreundet. Auch seine Frau Kata Kálmán (1909-1978) war als Fotografin bekannt. - Vorsätze etwas stockfleckig, sehr gutes Exemplar. - Only edition, rare. - The important Hungarian photographer, writer and film and art critic I. Hevesy (1893-1966) was editor of the expressionist magazine "Jelenkor" in 1917 and 1918. Hevesy was a close friend of L. Moholy-Nagy, Bela Uitz and Sandor Bortnyk. His wife Kata Kálmán (1909-1978) was also known as a photographer. - Endpapers somewhat foxed, very good copy. Sprache: ungarisch.

Gyoma, Kner Izidor Könyvnyomtató Kiadása, 1922, Edizione originale. Ottimo esemplare, fresco e pulito (minimo segno d'urto in testa e una piccola frattura ricomposta professionalmente al dorso muto). Importante saggio critico dell'intellettuale ungherese, membro del movimento attivista di Laios Kassák che ruotava attorno alla rivista ŤMať. Riprende, rielabora e ampia le riflessioni accennate in rivista e nella plaquette in tiratura limitata ŤFuturista, expresszionista és kubista festészetť (1919 per le edizioni di ŤMať). Belle riproduzioni di opere dei maggiori artisti europei dell'avanguardia storica, tra cui Severini (La danseuse obsédante), Russolo (Ricordi di una notte), Boccioni (Le forze di una strada; La risata), Carrŕ (Funerale dell'anarchico Galli). ŤLe illustrazioni [.] sono le stesse pitture che sono state esposte a Budapest nel 1913 [Mostra itinerante di H. Walden], con un catalogo che contiene lunghe descrizioni di ogni operať (Diz. Fut.). ŤIván Hevesy (1893-1966) [.] analizzava l'apporto del futurismo all'elaborazione delle nuove forme estetiche, ponendolo al vertice delle tendenze moderne [.]ť (Salaris, p. 1161-s). Salaris, Furturismi nel mondo, pp. 1164-5 (con illustrazione); Hulten, Futurismo & futurismi (1986), p. 375 (con illustrazione); Diz. Fut., p. 1194c-1195a (con illustrazione); Handbook of International Futurism (2019), p. 548 in 8°, copertina editoriale rigida in cartonato stampato in nero ai piatti (delicata marca editoriale al posteriore, bel disegno di Imre Szobotka o di Sándor Bortnyik all'anteriore) pp. 115 [1], sguardie; inserto di tavole su carta patinata compreso nella numerazione, e numerosi disegni in bianco e nero inframmezzati ai testi. Edizione originale. Ottimo esemplare, fresco e pulito (minimo segno d'urto in testa e una piccola frattura ricomposta professionalmente al dorso muto). copertina editoriale rigida in cartonato stampato in nero ai piatti (delicata marca editoriale al posteriore, bel disegno di Imre Szobotka o di Sándor Bortnyik all'anteriore).

Soft cover. Condition: Very Good. Octavo 24.3 x 16 cm, wrappers, 32pp, 40 plates. Published in the momentous year of 1919 which saw the Hungarian Soviet Republic eruption and demise in less than five months, this is one of the more significant Ma publications under Lajos Kassák at the time and was released shortly before he and most of the Hungarian artists appearing in this book were forced into exile. In addition to surveying the noted movements in the title, Hevesy also includes works of the the Hungarian Activists operating under the banner of Kassák's Ma. Aktivizmus was strongly influenced and drew freely from the three movements under discussion. The activist artists whose works appear here include Janos Mattis-Teutsch (one woodcut), a linocut cover by Sándor Bortnyik and with photo-illustrated works by Bornyik as well. There is also a linocut by Czech Cubist Vincenc Benes which appeared in an early Ma issue, together with reproductions of works by numerous artists of the movements under discussion. Important document, very good.

125 (3) S. 4°, Orig.-Halbleinenbd. Der international bekannte ungarische Kunsthistoriker Ivan Hevesy (1893 - 1966) gehörte zum Kreis um Lajos Kassak und war mit Bortnyik und Moholy-Nagy befreundet. Während die MA-Künstler nach der Niederschlagung der ungarischen Räterepublik ins Exil gingen, blieb Hevesy in Ungarn und veröffentliche zahlreiche Bücher über moderne Kunst und betrachtete auch die neuen Medien Fotografie und Film. Gleichzeitig war er selber als Fotograf tätig. Seit 1929 war er mit der sozialkritischen Fotografin Kálmán Kata (1909 - 1978) verheiratet, die 1937 zusammen mit dem Schriftsteller Boldizsár die bedeutende Fotodokumentation über die Not der ungarischen Bauern unter dem Titel ?Tiborc? herausgab (sie enthielt auch das Foto des vierjährigen Laci Varga, der in ein trockenes Stück Brot beißt. John Heartfield nutzte eben dieses Bild für ein Wahlplakat der KPD). Das Wirken von Hevesy im Sinne der künstlerischen Avantgarde war zahlreichen politischen Problemen ausgesetzt, sowohl während des Horthy-Regimes als auch nach 1945. Vorliegend eine erste seltene Dokumentation des fotografischen Schaffens von Hevesy. - Einband etwas gebräunt und gering berieben, guter Zustand. 600 gr.

In original paper. Condition: Mint conditon. Illustrated with pictures (illustrator). First edition. Illustrated with pictures. First edition. In original paper. 22 p. Tibor Boromissza was a modernist Hungarian painter. Iván Hevesy (1893-1966) was a Hungarain photographer, film-critic. From the end of the 1910s he engaged in the artistic disputes of the time, between 1917 and 1918 he was the editor of the periodical entitled "Jelenkor" (Present Age). He became aquinted with Lajos Kassák and his circles, close friends with László Moholy-Nagy, Béla Uitz and Sándor Bortnyik. The majority of his art-critic writings were published in the periodicals entiled Ma (Today) and Vörös Lobogó (Red Flag), later in Nyugat (West). Together with his wife, Kata Kálmán, who became photographer by his inspiration, made numerous photographs over the course of an entire century.

Condition: In original paper. Nice copy. 14 p.

With title label on cover. Illustrated with 22 black and white photographic reproductions of paintings. (illustrator). With title label on cover. Illustrated with 22 black and white photographic reproductions of paintings. In contemporary paper. With title label on cover. (4), 22, (10) p. First monograph on Tibor Boromisza's art. Tibor Boromisza (18801960) was a Hungarian painter, member of the Nagybánya circle. Iván Hevesy (18931966) was one of the most influential art critic at his time, a photographer and film critic. From the end of the 1910's he engaged in the artistic disputes of the time, between 1917 and 1918 he was the editor of the periodical "Jelenkor" (Present Age). He became acquainted with Lajos Kassák and his circles, became close friends with László Moholy-Nagy, Béla Uitz and Sándor Bortnyik. . Cover artistically restored. Otherwise in fine condition. In contemporary paper. With title label on cover.

Condition: Good. *Price HAS BEEN REDUCED by 10% until Monday, June 1 (SALE item)* 115, [1] pp., original illustrated boards, book plates removed from the paste downs, two hand stamps to the title page, spine worn, edges rubbed, else internally clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.

In the rare original photographically illustrated paper. Illustrated with Hevesy's photos. 112 p. (the 16 plates of photographic illustrations are included.). Iván Hevesy (1893-1966) was a Hungarain photographer, film-critic. From the end of the 1910s he engaged in the artistic disputes of the time, between 1917 and 1918 he was the editor of the periodical entitled "Jelenkor" (Present Age). He became aquinted with Lajos Kassák and his circles, close friends with László Moholy-Nagy, Béla Uitz and Sándor Bortnyik. The majority of his art-critic writings were published in the periodicals entiled Ma (Today) and Vörös Lobogó (Red Flag), later in Nyugat (West). Together with his wife, Kata Kálmán, who became photographer by his inspiration, made numerous photographs over the course of an entire century. In the rare original photographically illustrated paper. Illustrated with Hevesy's photos.

Condition: In fine condition. Contains full page illustrations in text by the most eminent avant-garde artists, like Kandinsky, Franz Marc, Derain and Mattis-Teutsch and reproductions on the plates by the Italian futurists like Gino Severini, Luigi Russolo, Ardengo Soffici, Carlo (illustrator). First edition. Contains full page illustrations in text by the most eminent avant-garde artists, like Kandinsky, Franz Marc, Derain and Mattis-Teutsch and reproductions on the plates by the Italian futurists like Gino Severini, Luigi Russolo, Ardengo Soffici, Carlo. First edition. In original illustrated green paper with stunning image by Sándor Bortnyik. With the emblem of "MA" on title. 30, (2) p., 20 plates. An important overview on modern art by Iván Hevesy (18931966) who was one of the most influential art critic at his time, a photographer and film critic. From the end of the 1910's he engaged in the artistic disputes of the time, between 1917 and 1918 he was the editor of the periodical "Jelenkor" (Present Age). He became acquainted with Lajos Kassák and his circles, became close friends with László Moholy-Nagy, Béla Uitz and Sándor Bortnyik. The majority of his art-critical writings were published in the periodicals "MA" (Today) and "Vörös Lobogó" (Red Flag), later in "Nyugat" (West). Together with his wife, Kata Kálmán, who became photographer by his inspiration, made numerous photographs over the course of an entire century. Cover design by Sándor Bortnyik (18931976) Hungarian painter and graphic designer. He was influenced by Cubism, Expressionism, Constructivism and the Bauhaus. In original illustrated green paper with stunning image by Sándor Bortnyik. With the emblem of "MA" on title.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 122. A perfect gift for your loved ones. Reprinted from 1922 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Hungarian Pages: 122.