Higgins Rob Farmer Will (61 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. 96pp. Extremities lightly rubbed. Illus.

Condition: New.

Paperback. Condition: New. The Ruskin Pottery operated from around 1898 to 1935. Founded by William Howson Taylor and his father Edward (Superintendent of the Birmingham School of Art) the pottery used simple forms and new glaze technologies in contrast to highly decorated majolica and earthenware that had been popular in the second half of the nineteenth century.The Ruskin Pottery was one of the most important potteries of the Arts and Crafts Movement, and William Howson Taylor was pre-eminent among a group of 'chemist potters' at the start of the twentieth century.The most important glaze effect was the reduction of copper and iron oxides during firing, to produce rich red, blue, lavender and green hues. This technique was also called 'high-fired' ware and the red glaze, 'sang de boeuf'. The Chinese had used reduction firing in previous centuries, but it fell out of use and was re-introduced by several European ceramicists during the late nineteenth century. William Howson Taylor became the greatest exponent of the technique, and won major awards at successive International Exhibitions, the first being at St Louis in 1904. This initiated an important export business to the USA, with stores that retailed his wares including Tiffany's.The pottery closed in 1933 with some pots being fired until final closure in 1935. William Howson Taylor, then ill, burnt all the glaze recipes and died soon after.…

Paperback. Condition: New. This book showcases British decorative tiles from 1945 to 1975. 'Mid-century Modern' had its roots in the 1930s, with influences especially from California and Europe. Pioneers include the architect Frank Lloyd Wright in the USA and, in Europe, the Milan designers Gio Ponti and Piero Fornasetti, who derived inspiration from artists such as Picasso and Miro. British designers hardly had time to embrace the new style before the Second World War, but the decades after 1945 saw it flourish in the UK. Bold, sweeping curves in the manner of sculptures by Barbara Hepworth flowed into interior design, and the graphic style of Graham Sutherland was adopted by ceramic manufacturers.British tile producers developed a Mid-century Modern character of their own, one that was not simply derivative of American and European or even other British designers. Tiles were widely used inside the home, and also as key features of architectural projects. The DIY movement of the 1960s took the choices about interior tiling away from builders and architects, and allowed homeowners to adopt their own style of the day.This book looks at some of the important tile manufacturers, such as Carter and Company in Poole, and shows off the variety of skills and techniques that went into creating these decorated tiles, exploring Britain's rich catalogue of powerful designs.…

Condition: New.

Paperback. Condition: New. The Arts and Crafts Movement was a reaction to the brutality of working life and the sterility of industrial design in Victorian Britain. Although Arts and Crafts was initially a mediaeval revival, the movement was always about the artist craftsman and the appropriate use of materials, rather than any single design tradition.The movement was inspired and led by William Morris, whose company was founded in 1861 and produced a full range of interior furnishings, including tiles. These were designed by Morris himself, and also by leading artists and architects of the day such as Edward Burne Jones and Philip Webb. The term Arts and Crafts was formalised in the late 1880s, and many designers, artists and craftsmen joined Morris in this new movement, and leading designers including Walter Crane and C. F. A. Voysey produced distinctive and now highly collectable ceramic tiles that were used to decorate the bathrooms and the fireplaces of the wealthy and discerning.This book, with its companion on the work of William de Morgan, is the first complete introduction to British Arts and Crafts tiles from 1860 to 1920.…

Paperback. Condition: New. William De Morgan was the principal ceramic designer and maker in the Arts and Crafts Movement. Heavily influenced by the art of the Middle East, he was active for nearly thirty years from the 1870s onwards and was never content with an existing technical process if he thought it could be improved. He is famous for his vases and decorative chargers, but it is arguably his tiles - still to be found in homes and museums around Britain and the world - that have made the greatest impact.His tiles portray iconic images of animals, ships and floral designs, blending style influences to produce designs that featured new, stylized interpretations and a whimsical character. He combined a strong design style with rich glaze colours, making blue and green, and a deep orangey red into visual trademarks. There were important commissions from royalty and industry, and his ceramics were marketed to the growing middle classes by William Morris, the founder and leading light of the Arts and Crafts Movement.The tiles of the Arts and Crafts Movement are now highly collectible, and none more so than those made at William De Morgan's Chelsea, Merton Abbey and Fulham potteries. This highly illustrated book, by acknowledged experts on De Morgan, presents the first study of the tiles to be published in over thirty-five years and features an examination of De Morgan's lustre glazes using high sensitivity X-ray analysis.…

Paperback. Condition: New. William De Morgan was the principal ceramic designer and maker in the Arts and Crafts Movement. Heavily influenced by the art of the Middle East, he was active for nearly thirty years from the 1870s onwards and was never content with an existing technical process if he thought it could be improved. He is famous for his vases and decorative chargers, but it is arguably his tiles - still to be found in homes and museums around Britain and the world - that have made the greatest impact.His tiles portray iconic images of animals, ships and floral designs, blending style influences to produce designs that featured new, stylized interpretations and a whimsical character. He combined a strong design style with rich glaze colours, making blue and green, and a deep orangey red into visual trademarks. There were important commissions from royalty and industry, and his ceramics were marketed to the growing middle classes by William Morris, the founder and leading light of the Arts and Crafts Movement.The tiles of the Arts and Crafts Movement are now highly collectible, and none more so than those made at William De Morgan's Chelsea, Merton Abbey and Fulham potteries. This highly illustrated book, by acknowledged experts on De Morgan, presents the first study of the tiles to be published in over thirty-five years and features an examination of De Morgan's lustre glazes using high sensitivity X-ray analysis.…

Paperback. Condition: New. The Arts and Crafts Movement was a reaction to the brutality of working life and the sterility of industrial design in Victorian Britain. Although Arts and Crafts was initially a mediaeval revival, the movement was always about the artist craftsman and the appropriate use of materials, rather than any single design tradition.The movement was inspired and led by William Morris, whose company was founded in 1861 and produced a full range of interior furnishings, including tiles. These were designed by Morris himself, and also by leading artists and architects of the day such as Edward Burne Jones and Philip Webb. The term Arts and Crafts was formalised in the late 1880s, and many designers, artists and craftsmen joined Morris in this new movement, and leading designers including Walter Crane and C. F. A. Voysey produced distinctive and now highly collectable ceramic tiles that were used to decorate the bathrooms and the fireplaces of the wealthy and discerning.This book, with its companion on the work of William de Morgan, is the first complete introduction to British Arts and Crafts tiles from 1860 to 1920.…

Paperback. Condition: New. The Ruskin Pottery operated from around 1898 to 1935. Founded by William Howson Taylor and his father Edward (Superintendent of the Birmingham School of Art) the pottery used simple forms and new glaze technologies in contrast to highly decorated majolica and earthenware that had been popular in the second half of the nineteenth century.The Ruskin Pottery was one of the most important potteries of the Arts and Crafts Movement, and William Howson Taylor was pre-eminent among a group of 'chemist potters' at the start of the twentieth century.The most important glaze effect was the reduction of copper and iron oxides during firing, to produce rich red, blue, lavender and green hues. This technique was also called 'high-fired' ware and the red glaze, 'sang de boeuf'. The Chinese had used reduction firing in previous centuries, but it fell out of use and was re-introduced by several European ceramicists during the late nineteenth century. William Howson Taylor became the greatest exponent of the technique, and won major awards at successive International Exhibitions, the first being at St Louis in 1904. This initiated an important export business to the USA, with stores that retailed his wares including Tiffany's.The pottery closed in 1933 with some pots being fired until final closure in 1935. William Howson Taylor, then ill, burnt all the glaze recipes and died soon after.…

Paperback. Condition: Brand New. 56 pages. 8.50x6.25x0.25 inches. In Stock.

Soft cover. Condition: Fine. Fine copy. Particularly well-preserved; tight, bright, clean and strong. Internally the pages are immaculately clean and complete.

Trade Paperback. Condition: New. The Arts and Crafts movement was a reaction to the brutality of working life and the sterility of industrial design in Victorian Britain. Although Arts and Crafts were initially a medieval revival, the movement was always about the artist craftsman and the appropriate use of materials, rather than any single design tradition. The movement was inspired and led by William Morris, whose company was founded in 1861 and produced a full range of interior furnishings, including tiles. These were designed by Morris himself, and also by leading artists and architects of the day such as Edward Burne Jones and Philip Webb. The term Arts and Crafts was formalized in the late 1880s, and many designers artists and craftsmen joined Morris in this new movement, and leading designers including Walter Crane and CFA Voysey produced distinctive and now highly collectable ceramic tiles that were used to decorate the bathrooms and the fireplaces of the wealthy and discerneing. This book, with its companion on the work of William de Morgan, is the first complete introduction to British Arts and Crafts tiles from 1860 to 1920. This is the first book devoted to the tiles of the British Arts and Crafts, including tiles designed by some of the greatest names associated with the movement.…

Condition: New. pp. 96.

Paperback. Condition: Brand New. 96 pages. 9.00x6.50x0.50 inches. In Stock.

Paperback. Condition: Brand New. 96 pages. 9.50x6.50x0.25 inches. In Stock.

Paperback. Condition: Brand New. 96 pages. 9.25x6.50x0.50 inches. In Stock.

paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: New. In English.