Himely (39 results)

Loose Leaf. Condition: New. Reproduction. Original title: Vue du Port de Gravesend German: Vue du Port de Gravesend French: Vue du Port de Gravesend Spanish: Vue du Port de Gravesend High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (ca. 1820). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Rouen, looking up the River German: Rouen, Blick auf den Fluss French: Rouen, regarde la rivière Spanish: Rouen, mirando el río High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Two men in a ruin German: Zwei Männer im Ruin French: Deux hommes en ruine Spanish: Dos hombres en la ruina High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1811). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: View of the mouth of the Fox River in Indiana German: Blick auf die Mündung des Fox River in Indiana French: Vue de l'embouchure de la rivière Fox en Indiana Spanish: Vista de la desembocadura del río Fox en Indiana High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1811). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

No Binding. Condition: Good. Himely (illustrator). Antique Stipple engraving from Journal d'agriculture pratique public sous la directions de Mr. Barral Boeuf Bazadais, au pelage brun, age de 5 and, 1 mois etc peasant 1010 kilogrammes, presented au Concours international de Poissy en 1862 par Mr. Bernede de Meilhan (Lot et caronne) -1st Prix de la section Des races Caronnaise etc Bazadaise pures Published by Sarazin. R. Git le Coeur 8, Paris Engraved by Himely. Overall dimensions approx 7 1/4 x 10 1/4 ins. "some margin wear, marks, light creases, heavy crease a long bottom margin etc".

Demi-cuir. Condition: Bon. Girardet, Marville, Himely, Traviès (illustrator). Ed. originale. Reliure d'époque, demi-chagrin marron à coins, dos orné d'un motif romantique doré décoratif, plat simili, filet doré ; légers défauts d'usage au coins ; LXVI (notices)+1ffnch (description)+472pp ; illustré de 110 grands sujets de mammifères gravés à l'eau-forte dans le texte, 50 grands sujets HT sur papier légèrement teinté, 4 planches gravées sur acier peintes à l'aquarelle HT ; portraits de Buffon et de Cuvier tirés en camaïeu, un plan du jardin des plantes dépliant et 110 culs-de-lampe ; illustré par les meilleurs artistes et présenté ici dans l'édition originale et en premier tirage (Cf Carteret, tome III page 98), il cite l'ouvrage comme étant rare en belle condition. C'est le cas du notre, l'intérieur est assez frais, hormis quelques rousseurs éparses.

Condition: Good. Etching and aquatint. 29.7 x 39 cm. (sheet). Very Good, minor surface wear, a few tears along sheet edges.

Veduta del sotterraneo animata da personaggi.

14.5x20 cm, aquatinte tirée de ?douze chalets suisses de l?Oberland Bernois?, 1 feuille 20.5x26.5 cm. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

17.5 x 27 cm, aquatinte noire et bleue, 1 feuille (20 x 29 cm). Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Stampa, antica ed originale, con veduta dell'Arco di Costantino. Inserita nell'opera "Excursions photographiques. Vues et monuments les plus remarquables de l'univers.". Parigi 1863. Autore: Himely sculp. Luogo: Roma. Anno: 1863. Tecnica: acquatinta. Dimensioni: 270x370 il foglio.

25x19 cm, costume paysanne de Morat, coloriée à la main. 1 feuille Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

19.8x28.2 (image), aquatinte en noir, 1 feuille (one leaf: 28x43,5 cm). Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Mandach, Les Lory, n° 458 (Planche publiée isolément, ex. en couleur). Tiré de l?ouvrage: Ostervald, J.F. de: Voyage pittoresque du Rhône. / Gattlen N° 686 (1825).

20x28 (image), aquatinte en noir, 1 feuille (leaf: 28x43.5). Tiré de l?ouvrage ?Voyage pittoresque dans la vallée de Chamouni et autour du Mt.-Blanc?, avec un texte explicatif par M. Raoul Rochette. Planche 17.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Mandach, deux peintres suisses Les Lory, édition plus grande du n° 254.

20.4x16.2 cm gravure coloriée à la main / handkolorierte Aquatinta-Radierung, 1 feuille. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Stampa, antica ed originale, con veduta del Colosseo originariamente conosciuto come Anfiteatro Flavio. Inserita nell'opera "Excursions photographiques. Vues et monuments les plus remarquables de l'univers.". Parigi 1863. Autore: Himely sculp. Luogo: Roma. Anno: 1863. Tecnica: acquatinta. Dimensioni: 270x370 il foglio.

Stampa, antica ed originale, con veduta del Porto di Ripetta. Inserita nell'opera "Excursions photographiques. Vues et monuments les plus remarquables de l'univers.". Parigi 1863. Autore: Himely sculp. Luogo: Roma. Anno: 1863. Tecnica: acquatinta. Dimensioni: 270x370 il foglio.

20x28 (image), aquatinte en noir, 1 feuille (one plate 29x43.5 cm). Tirée de l?ouvrage: Le Rhone, description historique et pittoresque de son cours.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

20x28 (image), aquatinte en noir, 1 feuille (one plate 29x43.5 cm). Tirée de l?ouvrage: Le Rhone, description historique et pittoresque de son cours.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

20x28 (image), aquatinte en noir, 1 feuille (one leaf: 28x43.5). Tiré de l?ouvrage: Le Rhone, description historique et pittoresque de son cours.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Mandach, deux peintres suisses Les Lory, n° 458. (Planche publiée isolément, existe aussi en couleur).

20x28 (image), aquatinte en noir, marge d?en bas coupée court, 1 feuille (leaf: 28x43.5). Tiré de l?ouvrage ?Voyage pittoresque dans la vallée de Chamouni et autour du Mt.-Blanc?, avec un texte explicatif par M. Raoul Rochette. Planche 2.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Mandach, deux peintres suisses Les Lory, n° ? (édition plus grande du n° 246).

20x28 (image), aquatinte en noir, 1 feuille (one plate 29x43.5 cm). Tirée de l?ouvrage: Le Rhone, description historique et pittoresque de son cours.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

20x28 (image), aquatinte en noir, 1 feuille (one plate 29x43.5 cm). Tirée de l?ouvrage: Le Rhone, description historique et pittoresque de son cours.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Aquatint 27.1 x 36.3 cms; 32 x 47.6cms (sheet trimmed including platemark), margins outside the platemark toned and discoloured, edge tears, one encroaching on the platemark (image unaffected) small bloom of browning at the foot near caption, the image a fine dark impression in very good condition. Tranquil river view by artist and draughtsman Barthelemy Lauvergne (1805-1875) from the official account of the Laplace voyage in the Favorite (1830-32).

Technic: Copper print- Aquatinta, colorit: colored, condition: Very good, size (in cm): 23,5 x 32 cm, View of the city of Banyuwangi, which is located in the east of the island of Java, Indionesia.

Aquatint 27.1 x 36 cms; 31.6 x 47.2 cms (sheet trimmed, including platemark), margins outside the platemark toned and discoloured, edgewear with small chips, mark at the foot of the caption, split without loss at the lower corner of the platemark, the image a fine dark impression in very good condition. Fine view of the market square at Pondicherry showing the well and the prison in the background, from the official account of the Laplace voyage in the Favorite (1830-32) by voyage artist François-Edmond Pâris (1806-1893). The important French expedition encompassed India, Southeast Asia and the Pacific.

Aquatint 27.1 x 36 cm; 32.3 x 47.2 cm (sheet trimmed including platemark), margins outside the platemark toned and discoloured with soft crease and small split (not affecting the image) to an upper corner, the image a fine dark impression in very good condition. Beautifully executed view of the Governor's Palace in the Pondicherry showing soldiers and officials trouping out, from the official account of the Laplace voyage in the Favorite (1830-32) by voyage artist François-Edmond Pâris (1806-1893). The important French expedition encompassed India, Southeast Asia and the Pacific.

Ampia veduta della Mer de Glace presa da Montanvert disegnata da Du Bois e tradotta in acquatinta da Himely per gli editori Briquet et Du Bois di Ginevra. All'estrema sinistra si nota porzione delle Aiguilles Rouges, il Beloiseau ed il Dent du Midi. Al centro della raffigurazione si nota il ghiacciaio di Nant-Blanc, l'Aiguille du Dru, alle cui spalle si erge l'Aiguille Verte. Sulla destra in lontananza si notano le Petites Jorasse, la Grande Jorasse, Mont Mallet, le Aiguilles des Charmaux e l'Aiguille de Crepon. Impressione fresca; ottimo lo stato di conservazione generale. Autore: Du Bois J. dis. & Himely sculp. Luogo: Monte Bianco. Anno: 1840 ca. Tecnica: acquatinta. Dimensioni: 258x493 mm.

unbound. Wilhelm Heine, Julius Hermann Kummer, and Karl Emil Dopler. (illustrator). View. Original color lithograph with hand coloring. Measures 27 1/4" x 39 1/4". In archival sliver-leaf frame. This 1851 dramatic bird's-eye view of mid-19th century New York City, created by German/American artists Wilhelm Heine, Julius Hermann Kummer, and Karl Emil Dopler, offers a striking depiction of the city as seen from a balloon above Governor's Island. The detailed illustration captures New York's rapid development up Manhattan Island, with the city's frontier visible in the upper thirties and forties, transitioning to country estates and farmland. The Croton Distributing Reservoir is prominently shown just before the landscape fades to the horizon, providing a comprehensive view of the city's growth and its complex waterways. Modern New Yorkers may not recognize the 19th century variant of this beautiful city without the iconic Brooklyn bridge and the Statue of Liberty, both of which would only appear decades later. In the foreground, Castle Garden is depicted still linked to the Battery by a causeway, a connection that would soon be replaced by landfill in 1857. The southern waterfront of Manhattan, including the Battery, is shown with artful shadowing to emphasize areas from Trinity Church to City Hall. This shadowing effect, as if created by passing clouds, darkens parts of the city south of Beaver and Wall Streets, highlighting the contrast with the brighter areas. Brooklyn Heights and Jersey City are also visible to the right and left, framing the view. The engraving was executed by Sigismund Himely after the original drawings by Heine, Kummer, and Dopler. This view is a particularly striking depiction of 19th-century New York, with Manhattan Island dramatically foreshortened showcasing the bustling harbor and the city's vibrant expansion. In Good condition. Framed in an attractive sliver-leaf frame. Sigismond Himely (1801 - 1872) was a Swiss painter, viewmaker, and aquatint engraver active in Paris during the mid-19th century. Born in La Neuveville, Bern, Switzerland, he moved to Paris to study painting with Copley Fielding and Jean-Victor Bertin. He is known for engraving aquatints for English watercolorists and producing historical views, city bird's-eye panoramas, architectural illustrations, and ethnographic images, including rare illustrations of Asia, Africa, and the Americas. Julius Hermann Kummer (1817 - 1889) was a landscape painter and lithographer active in the 19th century. Originally working in Dresden, he emigrated to America in 1849 following the Revolution of 1848. In the United States, he initially worked in New York City, Brooklyn, and Boston, where his "Bird's-eye view of Harvard College and Old Cambridge" received mixed reviews. After moving to St. Louis around 1860, Kummer painted scenes of the Plains and Rocky Mountains, including his notable "Twelve Views of the Rocky Mountains". Peter Bernhard Wilhelm Heine (1827-2013 1885) was a German-American artist, world traveler, writer, and officer during the American Civil War. After working as a scene designer and painting instructor in Dresden, Heine fled to New York in 1849 following his participation in the May Uprising. In New York, Heine established his artist studio and reputation. Heine met President Millard Fillmore and Commodore Matthew Perry in Washington and was appointed the official artist for Perry's expedition to Japan.