Hodes Editor (15 results)

Paperback. Condition: Good. [Interesting provenance: From the private library of renowned historian, Philip D. Morgan.] Softcover. Good binding and cover. Edge wear. Contains Philip Morgan's personal notes. From the professional library of Dr. Philip D. Morgan, a professor of History at Johns Hopkins University. Morgan specializes in the African-American experience, the history of slavery, the early Caribbean, and the study of the early Atlantic world. Morgan is the author of more than 14 books on Colonial America and African American history. He has won both the Bancroft Prize and the Frederick Douglass Prize for his book Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (1998).…

Soft cover. Condition: Near Fine. 1st Edition. Xvi, 542 Pp. First Printing (Softcover Issue). Very Near Fine, Three Tiny Check Marks In Table Of Contents.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good. First Edition. Signed by Art Hodes. 1st printing of 1st edition. Tight and clean with sharp corners and unclipped dust jacket. DJ has minor rubbing, very light age-toning. From a personal collection (not ex-lib). Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges to apply for international shipping. Signed by Editor.…

Hardcover. Condition: Very Good. None. First Edition. History of a Chicago South Side jazz and blues record company. Clean, unmarked and fine but for price clipping to flap and a small marker stain line to the bottom foreedge. Attractive in the Mylar cover.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Price-clipped. Merest sign of wear.

Paperback. Condition: Brand New. 288 pages. 9.00x6.00x0.75 inches. In Stock.

hard cover. Condition: Very Good. Dust Jacket Condition: Good. (Chicago):William and Noma Copley Foundation. nd. 17pp.+plates. Illustrated with 1 color and 6 black/white plates. Hardcover with clear acetate jacket. Book in very good condition. Previous owners name is stamped to bottom half-title page, with a date inked in under the stamp, but otherwise in very good, clean condition. The dust jacket is shelfworn, with several small tears along edges. *The first of a series on contemporary artists to be published by the Foundation.…

Soft cover. Condition: Near Fine. 1st Edition. Light lilac pictorial wraps. Front cover lightly soiled along fore-edge, 3/4" closed tear and crease at top rear binding corner. Contents fine. Inscribed by transcriber/editor Hodes-Wood, full signature, personalized, dated 5 Nov. 2000. Copy no. 14 of an unstated edition. vi,217 pp., illus. w/ b&w photographs, maps. Scarce. Size: 4to - over 9¾" - 12" tall. Inscribed by Author(s). Book.…

Paperback. Condition: Brand New. 256 pages. 9.00x6.25x0.75 inches. In Stock.

Magazine. Condition: Good. First Edition. A fascinating look at postwar jazz culture in this lot of twelve magazines: The Jazz Record (New York), nos. 15, 24, 26, 28, 30, 39, 42, 43, 50, 53, and 54, dating from 1943 to 1947, and a single issue of The Second Line (New Orleans), volume nine, nos. seven and eight (July-August 1959). All in good to very good condition: some general shelfwear, rubbing to wraps, small tears to a few issues; stapled bindings largely remain intact and sturdy, save Jazz Club no. 53, which shows some tearing to the wraps at spine. The Second Line issue has stain to front wraps. None show markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota. …

Hardcover. Condition: Brand New. 256 pages. 9.50x6.50x1.25 inches. In Stock.

Hardcover. Condition: Brand New. 608 pages. 9.50x6.50x1.75 inches. In Stock.

Hardcover. Condition: Brand New. 3rd reprint edition. 698 pages. German language. In Stock.

Paperback. Condition: Brand New. 325 pages. 8.75x5.75x1.00 inches. In Stock. This item is printed on demand.

Paperback. Condition: Brand New. 327 pages. 8.75x6.00x1.00 inches. In Stock. This item is printed on demand.