Hofmann Hans (Over 1,400 results)

Hardcover. Condition: Good. Dust Jacket Condition: Poor. portion of dust jacket missing.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. These men was asked," .From the social sciences and in particular, psychology, what can you propose that will make the Ministry more relevant in our time. The men are: Hans Hofmann, Paul Tillich, Reinbold Niebuhr, Samuel Miller, Kenneth Appel, Seward Hiltner, and Reuel Howe. …

paperback. Condition: Good. Modest wear tp cover, pages clean and binding sound. Some spotting to front panel along edge.

paperback. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Condition: Very Good. Condition: Very Good. Used books may not include companion materials, and may have some shelf wear or limited writing.

mass_market. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Very good+ condition. Minimal wear. Clean and tight. No writing or marking.

Paperback. Condition: Very Good. Softcover. Very Good. Free of any markings and no writings inside. For any additional information or pictures, please inquire.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. PUBLISHER: Ameringer & Yohe Fine Art, New York DATE/EDITION: 2008, no added printings indicated. Published in conjunction with an exhibition. BINDING: Hardbound in blue cloth spine and blue paper covered boards with white lettering on the front cover, 8 1/2" x 11", 52 pages. DUST JACKET: None BOOK CONDITION: Very good with bright lettering and sharp corners on very clean covers, the binding is tight and the interior very clean. DESCRIPTION: Illustrated in color throughout.…

paperback. Condition: As New. U.S. orders are shipped from N.Y. state.

Hardcover. Condition: Very Good. First Edition. Clean and unmarked. Binding strong. Light wear.

Paper. Condition: Good. ExCat. Paper Folder.

Soft cover. Condition: Near fine. No jacket. Near fine condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. very good clean tight hardback with only very light overall wear. pages clean and unmarked. dust jacket is good-has some sunfading and rubbing but no tears or chips - protected by a clear mylar cover which is removeable (not attached to book). nice copy.…

Softcover, 32 pages, very good condition, no internal marks, clean and crisp.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Broschüre, schw-weiß Fotos, guter Zustand.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hard Cover. Condition: Good. Dust Jacket Condition: Good. DJ spine and edges darkening and has edgewear. Boards have very light edgewear at corners and top & bottom of spine. A few pages have text underlined. Binding is tight. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. First Edition. VERY GOOD+ Hardcover with DJ. Pages are clean and unmarked. Covers like new. Binding is tight, hinges strong. Dust jacket shows light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Condition: Very Good. No Dust Jacket. Near Fine. Very light wear and bumps. Otherwise clean and intact throughout. Please see image. 52 pages.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover, 64 pages, good condition, light foxing to outer page edges and edges of a few internal pages; no internal marks. Foreign shipping may be extra.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condition: Good. The writings of the dean of the New York School of Abstract-Expressionist Painting.The creative process lies not in imitating, but in paralleling nature; translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive and every work of art should be alive. Thus Hans Hofmann wrote nearly half a century ago. He left the Old World, Germany, for the New, at the age of 50. In 1948, when the retrospective exhibition was held at the Addison Gallery of American Art, Hofmann was 68; he had been in the United States for 18 years, a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909, he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently, he was to have 33 one-man shows and to be in over 60 group exhibitions, including the 1960 Venice Biennale, in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings, all originally written in German, some pieces translated fluently, others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals, or his own teaching purposes; occasionally they overlapped; there was no sequence of development. In the original volume of Search for the Real, published in 1948, it was felt desirable to edit his writing as little as possible, nevertheless to present the essays in the most lucid English true to his meaning, printed only with his approval. The Search for the Real in the Visual Arts, Sculpture, and Painting and Culture were all printed in full. The section Excerpts from the Teaching of Hans Hofmann was composed of selections from his essays On the Aims of Art and Plastic Creation. The last brief section, Terms, was gleaned from the other essays, lectures, diagrams, notes, and cryptic memoranda written to himself, headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life, recognition was his, nationally and internationally, in proportion to the originality and depth of his thinking, his versatility and comprehensiveness, his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher; the wide range of his influence is to be seen in the list of artists comprising an exhibition Hans Hofmann and His Students, circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler, Larry Rivers, Louise Nevelson, Richard Stankiewicz, and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States, a one-man show of 40 major works initiated by the Museum of Modern Art, New York, is a testimony to the words of the dean of the New York School of Abstract-Expressionist Painting.…