Holm Bevers (276 results)

Paperback. Condition: Fine.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. 1st Edition. 1991 oversize Yale 1st paperback edition (no additional printings listed) exhibition catalog. Box-cutter type scratch across front cover, some curling and denting, else text clean, binding tight . Oversize book extra shipping charges will apply, especially for international and priority orders as this will not fit into a flat rate envelope.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Minor wear and creasing.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Yale University Press Pub Date: 10/23/1991 Binding: paperback Pages: 288 Reprint edition.

Soft Cover. Condition: Very Good. This is a very good softcover copy, almost fine, but for a bit of shelfwear to the covers. Spine not creased. Completely clean inside and out. This catalog was prepared to accompany the travelling exhibition, which came to the National Gallery in Washington in the spring of 1992. The show originated in Berlin. The three largest collections of Rembrandt etchings are in Berlin, Amsterdam and London. 40 etchings in the show. All illustrated in black & white. Extensive entries. Bibliography. 11" high X 10" wide, 136 pages. A beautiful copy.

hardcover. Condition: New. Brand New.

Paperback. Condition: Good.

Condition: New. Brand new.New.

Condition: Like New. Never used! Light wear to corners/edges from shelving. Wholesale pricing available via Amazon business.Never used! Light wear to corners/edges from shelving.

Condition: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: fine. Dust Jacket Condition: very good+. 288 pages; 10 x 11 3/4" Jacket top edge at rear upper corner has 1/2" tear; jacket in mylar sleeve. Shipping will be extra for this heavy book, please inquire.

Paperback. Condition: Fine. First American edition. 4tp. 136 [ages. black wrappers "In Berlin and Amsterdam the exhibited etchings are from the respective collections ( the Kupferstitchkabinett SMPL and the Rijksprentenkabinet). In London the exhibited etchings are from the collection of th4e British Museum. In the catalogue inventory numbers are given in brackets and * indicates the example which is illustrated - Introduction." With variants of 40 etchings.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. The binding is tight, corners sharp. Text and images unmarked. The dust jacket shows some very light handling, in a mylar cover. The plain cardstock slipcase shows some light handling. 4to. 288pp.

Paperback. Condition: Near Fine. 1st. 136 pages, illustrations, portraits; 29 cm. Exhibition held at the Kupferstichkabinett at the Altes Museum, Berlin, 12 September to 27 October, 1991; Rijksmuseum, Amsterdam, 4 December, 1991 to 19 January, 1992; and the National Gallery, London, 26 March to 24 May, 1992. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. *** "Rembrandt is an artist who has excited exceptional interest since his own lifetime: the remarkable combination of his work, his complex personal relationships, his financial difficulties and the relative lack of documentary evidence has generated a vast body of scholarship. As a result, by the middle of this century, innumerable paintings and drawings were attributed to Rembrandt and a romantic mythology had replaced the facts of his life. The Rembrandt Research Project, comprising the foremost Rembrandt scholars, based in Amsterdam, has undertaken the formidable task of establishing a body of works which can be securely attributed to Rembrandt. This has resulted in the deattribution of many paintings, once unquestioningly accepted as Rembrandts. Others have focused on artists known to have studied in Rembrandt's workshop and the attribution of paintings to these students. This magnificent book unites these two strands of research to present for the first time a clear picture of Rembrandt's relationship with the members of his workshop. The book also serves as a catalogue of the exhibition organised by curators from Berlin, Amsterdam and London--galleries which have three of the finest collections of Rembrandts. It includes essays on Rembrandt's biography and social status, his technique, the organisation of his workshop, and the history of critical response to him. The catalogue contains detailed study of fifty-one paintings by Rembrandt, providing a chronological overview of his entire output from his earliest subjects to the last self-portrait. This is followed by sections for pupils, including Ferdinand Bol, Gerrit Dou and Nicolaes Maes, in which paintings once given to Rembrandt are reattributed to members of his workshop and related to paintings known to be by them. Thus readers may judge these new ideas for themselves on the basis of the evidence provided." - Publisher. Size: 4to. Collectible.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ with minor shelf wear to edges. Plain cardboad slipcase is with light sunning to edges. 288pp.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Condition: As New. Leichte Abnutzungen. The Kupferstichkabinett dedicates its fourth summer exhibition to a richly varied and entertaining theme: music as depicted in drawings and prints. The exhibition presents a selection of the museum's most beautiful and humorous musical images, including prints and drawings by Andrea Mantegna, Rembrandt Harmensz. van Rijn, Adolph Menzel, Wassily Kandinsky, Henri Matisse, Pablo Picasso, Roy Lichtenstein, and Morgan O'Hara. In addition to the list of great artists featured, are the names of the great musicians and composers who are depicted in the various works, such as Wolfgang Amadeus Mozart and Niccolo Paganini. Whole choirs and orchestras complement other soloist works; the repertoire ranges from opera to rock, via cafe music and jazz, with the recurring leitmotif being the special affinity between musical and pictorial expression in the graphic arts.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. xi, 275 pages, illustrations (some colour); 29 x 30 cm. Published to accompany an exhibition held at the J. Paul Getty Museum, Los Angeles, December 8, 2009 to February 28, 2010. Near fine. Firm binding, clean inside copy. Lower right corners lightly bumped. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Rembrandt was the most famous painter of the Dutch Golden Age, and the opportunity to work in his studio attracted young artists for nearly four decades, until the artist's death in 1669. This catalogue explores the workings of Rembrandts studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models. Organized chronologically, Drawings by Rembrandt and His Pupils: Telling the Difference is a groundbreaking study that presents more than forty works by Rembrandt and related works by his pupils. It explores the scholarship of recent decades that has brought new and more systematic criteria to bear on determining the authenticity of Rembrandt drawings, and defines the styles of his pupils and followers with ever-greater precision. This is an essential book for anyone interested in the Dutch Golden Age or the lives and careers of Rembrandt and the artists in his immediate circle." - Publisher.*** CONTENTS: Drawing in Rembrandt's workshop, by Holm Bevers; The history of the attribution of drawings by Rembrandt and his pupils, by Peter Schatborn and William W. Robinson; Catalogue: Rembrandt and his pupils. Checklist of the exhibition. *** Includes: Jan Lievens - Govert Flinck - Ferdinand Bol - Gerbrand van den Eeckhout - Jan Victors - Carel Fabritius - Samuel van Hoogstraten - Abraham Fernerius - Nicolaes Maes - Constantijn Daniel van Renesse - Willem Drost - Rembrandt pupil - Pieter de With - Arent de Gelder - Johannes Raven. Size: Oblong. Collectible.

Soft cover. Condition: Fine. No Jacket. Pbk, 288 pages : illustrations (some colour) ; 30 cm.Sealed in plastic cover - unopened! Fine condition. Contents : Aspects of Rembrandt's draughtmanship / Peter Schatborn -- Drawings Catalogue: 1-40 Rembrandt -- 41-51 Rembrandt's pupils -- Rembrandt as an etcher / Holm Bevers -- Etchings Catalogue: 1-40 Rembrandt -- Bibliography. [Rembrandt Harmenszoon van Rijn 1606-1669 Drawings ; Exhibitions - Rembrandt Harmenszoon van Rijn 1606-1669 Etching ; Exhibitions] s33 / m14537.