Holtzman Harry (55 results)

Soft Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition; First Printing. Numerous full page plates. With an essay by Harry Holtzman. Published on the occasion of the exhibition at the Pace Gallery, New York, April 11 - May 16, 1970, and at Los Angeles County Museum, July 14 - August 30, 1970. ; Tight and clean. Solid binding. A touch af age-toning to pages, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 64 pages.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. First 4to, stiff pictorial wrappers. 64 pp, 60 illustrations (1 in color) plus portrait. Exhibition April 11 - May 16, 1970. A clean, tightly bound copy with light cover soil.

Paperback. Condition: Very Good. . . . . 8vo, paperback. Vg+ condition. Paper wrapper lightly rubbed/soiled; covers and contents crisp, clean, unworn, no marking or writing. Binding secure. 64 pp., illus. Abstract, Art, History, Modern, Painting,

paperback. Condition: Very Good. Light wear to cover; internally clean; binding tight.

Softcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition; First Printing. Softcover in wraps. First printing of First edition. Book is in Very Good condition. Crisp and clean with tight binding and sharp corners. Unclipped dust jacket is good with some rust to spine, otherwise very good. Photos and illustrations throughout. Oblong 4to. 64 pp Free of any markings, not ex-library. Dust jacket in protective mylar. ; Oblong 4to 11" - 13" tall; 64 pages.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. Book in very good condition; soft diagonal crease front cover; light toning to wraps; slight curling upward front cover; slight foxing outside edges of book and title page; faint to light toning clean interior pages; includes tipped-in color plate; binding sound. Dust jacket in very good condition; slight soiling and foxing and light toning. 64 pages. 9 x 9 in.

Paperback. Condition: Near Fine. 1st. 48 pages, illustrations (some colour), portrait; 23 cm. Cover title: Mondrian: The Process Works. Exhibition held at the Pace Gallery, New York, April 11 to May 16, 1970 and Los Angeles County Museum, Los Angeles, Calif., July 14 to August 30, 1970. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. *** This catalogue is especially notable because it includes an Introduction written by Mondrian's American follower, painter Harry Holtzman. Also important for focusing on "Process" in Mondrian's work, process being a serious issue of interest in the arworld circa 1970. Size: 8vo. Collectible.

Soft cover. First edition. Illustrated. Important reference work. Very scarce in this condition. Fine copy. 64 pps.

Soft cover. Condition: Near Fine. No Jacket. (1993); Near Fine/no dj, very thick large octavo, 414pp., glossy white & yellow large softcover, binding tight, text unmarked, requires extra postage for International shipping. 0306805081.

Stapled. Condition: Very Good. No Jacket. A few slight scratches to covers. Pages 121-176.

Paperback. Condition: Near fine in wraps. First Edition. 21 x 23cm 64pp with an introduction by Harry Holtzman together with two tipped in colour reproductions, the remainder in black and white.

Paperback. Condition: Very Good. 1st. 121-176 pages, illustrations; 22 x 28 cm. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. Size: Oblong. Serial.

Condition: Used - Very Good. 1952. Paperback. Oblong octavo. Pages 121-176. Illustrated. Some wear and scuffing to wraps. Altogether a copy in Very Good condition. Very Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. 414pp hardback, grey cloth white-lettered in wrapper, illustrated, wrapper woth edge creases.

Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condition: Gut. 414 S. Edited and translated by Harry Holtzman and Martin S. James. Mit einigen s/w Abb. Im Text befinden sich stellenweise Anstreichungen mit Bleistift. Das untere Kapital ist leicht bestoßen. Sprache: Englisch Gewicht in Gramm: 1650 4° Quart, Hardcover/Pappeinband.

Softbound. Glossy illustrated color wraps. 96 pp. Illustrated in bw and color. Includes essays by Harry Holtzman, Susan C. Larsen, Necia Gelker. Catalogue lists52 works by 40 artists. Bibliography provided for each artist. Published to accompany an exhibition held at this museum beginning on Sept. 26 to Nov. 7, 1987, three other locations. Contents as follows: Preface / William Salzillo -- The founding of the American Abstract Artists Group : a reminiscence / Harry Holtzman -- The art of collecting as an exacting passion / Susan C. Larsen -- Candor and commitment : a conversation with Dr. Peter B. Fischer / Necia Gelker -- Catalogue of the exhibition -- Illustrations -- Checklist. VG, exlibrary with stamps and labels. Appears unused, slight wear marks from shelf-life.

Softcover journal, staple-bound, 60 pages; good condition; moderate rubbing wear to covers with college library stamp and creases around spine; no internal marks. Foreign shipping may be extra.

Softcover journal, staple-bound, paginated 60 -120; good condition; pages 85-96 loose but present; moderate rubbing wear to covers with creases around spine; crease to lower right corner of most pages; no internal marks. Foreign shipping may be extra.

Condition: Good. 8vo. 6 pp. Very Good. Soft cover. Illustrated paper wraps. Staple binding. Light shelf wear and rubbing on verso. Color plates. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Soft cover. Condition: Very Good. 4to in wraps, inscribed by Harry Holtzman on the half-title page. Holtzman wrote the intro and two of the accompanying pieces. VG+. Light wear to wraps. Interior is pristine. No writing or markings of any kind. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed securely in a box. Signed by Author(s).

Hardback. Condition: Very Good+. Dust Jacket Condition: Very Good. Please note this is a heavy item and may incur extra shipping charges for international orders.; D/jkt covered in plastic, creased on top edge, with some nicks, and small tears, corners of jacket rubbed. Grey cloth boards, corners sharp. Previous owner's signature, otherwise text clean, b&w plates, binding tight. ; Documents Of Twentieth-Century Art; 10.0 X 8.8 X 1.7 inches; 488 pages.

Paperback. Condition: Good+ condition. First Edition. 136 pages of text, followed by 131 illustrations of artworks. Paperback binding with minor shelfwear. Unfortunately about 25 pages are detached. Complete. Text is in French. Limited to 1500 copies printed. First edition. Size: Quarto (4to). Book.

hardcover. Condition: Ottimo (Fine). Opera con copertina rigida e sovraccoperta in custodia. ill. in b/n e a colori ft e nt. S.P.

paperbound, 4to 136 pp. Text, 131 plates outside text RARE study of the working method and the atelier of Mondrian in Paris and New York; 12 essays by different authors.

Hard Cover. Condition: F. Dust Jacket Condition: F. First UK. F/F. 4to. original grey cloth in dustwrapper (a trifle rubbed); pp. xxvi (last blank), 414, with illustrations. Heavy item (1.75kg), additional postage may be required for international delivery. A fine copy.

Rilegato. Condition: in ottime condizioni. Dust Jacket Condition: in ottime condizioni. Ottimo. Copertina rigida e sovraccoperta in custodia. ill. in b/n e a colori ft e nt. pg.414 Prima edizione,1975.

Hardcover. Condition: Very Good. No Jacket. 84 pp. with B/W reproductions of the sketchbooks on each page. Hand-written text transcribed in both Dutch and English. Usual ex-library markings with spine labels removed from cloth binding. Remnants of donation bookplate on first page. ?[In 1940,] Mondrian came to New York where he lived with delight and intense productivity until the end. It was during these last years in New York that Mondrian unpacked his sketchbooks and the very large charcoal drawings, based upon some of the sketches in the books, which he had kept rolled up for decades. The last years in New York, with the new paintings that were a radical synthesis evocative of all his previous experience, were those in which he reviewed again his entire past. This concern led him to extract a number of the drawings from the notebooks, which, together with some others of the ?Chrysanthemum? series, he mounted in a frame under one large glass. It was then that he signed and dated these works; several of the large charcoal drawings, which he mounted and framed; and a few of the early paintings around this period. ? The drawings in the notebooks interested Mondrian most. The writings interspersed bear very little or no direct relationship to them. Whatever correspondence their ideas had to his major development, they were later incorporated more coherently into the 12 chapters of his epochal series of essays in DE STIJL, 1917-18, beginning with its first issue ? Professor Welshs researches necessarily lead him here to some emphasis on Mondiran's Theosophical sympathies. . It seems proper to point out here that Mondrian never offered these notes for publication. Simply because there are no notes preserved between these and the much more complex writings in DE STIJL, it cannot be concluded that their contents formed the sole paths of his philosophical preoccupations of that time. But they are, as Professor Welch points out, the only written evidence of Mondrian thought between the early Cubist phase and the DE STIJL formulations. As a document having extraordinary character in Mondrian?s oeuvre, the drawings above all make most explicit the successive steps in the rapid transition towards his unique contribution.? - Preface. Oversized volume may require additional shipping.

Soft Cover. Condition: Near Fine. First Edition. soft cover, folded card covers, as issued., crease to lower corner of back cover with no internal echoes. no other flaws or wear. in all other regards a fine copy. clean. no writing or markings. no tears or actual bumps. strong sewn binding.; english text.; 127pp., illustrated throughout in color with some b/w period photos, reproductions. seven essays, articles and texts. examines mondrian's studio in new york city, his wartime home. there are photos of his beloved jazz albums. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Condition: Ottimo (Fine). Prefazione di Filiberto Menna. Testo di Harry Holtzman. 16 illustrazioni a colori, oltre 100 in bianco e nero. Biografia e Bibliografia . 8vo (cm 22,5 x 21). pp. 416. . Ottimo (Fine). . Prima edizione italiana (First Italian Edition). . Rilegato, sovracoperta, custodia (hard cover, dust jacket, slip-case). Book.