Hooper Michael S D (37 results)

Condition: New.

hardcover. Condition: As New. Hardback. New book with dust jacket and light shelf-wear. Never been read, pages are clean and unmarked.

Original Cloth. Condition: Very Good. Dust Jacket Condition: Good. First Edition. 'Damaged' stamp to publication details page with some ink traces on the facing page but the book has no other faults. Jacket has slight surface wear and a quarter inch long closed tear in the bottom edge of the front panel but is otherwise undamaged. First printing.…

Condition: New.

Paperback or Softback. Condition: New. Sexual Politics in the Work of Tennessee Williams. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Michael S. D. Hooper reverses the recent trend of regarding Tennessee Williams as fundamentally a social writer following the discovery, publication and/or performance of plays from both ends of his career - the 'proletarian' apprentice years of Candles to the Sun and Not About Nightingales and the once overlooked final period of, amongst many other plays, The Red Devil Battery Sign. Hooper contends that recent criticism has exaggerated the political engagement and egalitarian credentials of a writer whose characters and situations revert to a reactionary politics of the individual dominated by the negotiation of sexual power. Directly, or more often indirectly, Williams' writing expresses social disaffection before glamorising the outcast and shelving thoughts of political change. Through detailed analysis of canonical texts the book sheds new light on Williams' work, as well as on the cultural and social life of mid-twentieth-century America.…

Condition: Good. First edition (hardback). 8vo (23cm by 16cm), vii, 251pp. Text illustrations. Original black cloth, dustwrapper. Stamped "damaged" on the copyright page, but the book is nonetheless in very good condition; the dustwrapper is in good to very good condition (2cm tear to the rear panel). ISBN 9781107015364.…

Condition: New. Is Tennessee Williams a social writer at heart? Hooper questions this view, presenting a new interpretation of the dramatist. Num Pages: 260 pages, 5 b/w illus. BIC Classification: 2AB; DSG. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 14. Weight in Grams: 35. . 2015. Illustrated. paperback. . . . . …

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 260.

Condition: New. Is Tennessee Williams a social writer at heart? Hooper questions this view, presenting a new interpretation of the dramatist. Num Pages: 260 pages, 5 b/w illus. BIC Classification: 2AB; DSG. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 14. Weight in Grams: 35. . 2015. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condition: Brand New. reprint edition. 251 pages. 8.75x5.75x0.50 inches. In Stock.

Condition: New. In English.

Condition: New. Is Tennessee Williams a social writer at heart? Hooper questions this view, presenting a new interpretation of the dramatist. Num Pages: 260 pages, 5 b/w illus. BIC Classification: 2AB; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 229 x 160 x 18. Weight in Grams: 55. . 2012. Illustrated. hardcover. . . . . …

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Michael S. D. Hooper reverses the recent trend of regarding Tennessee Williams as fundamentally a social writer following the discovery, publication and/or performance of plays from both ends of his career - the 'proletarian' apprentice years of Candles to the Sun and Not About Nightingales and the once overlooked final period of, amongst many other plays, The Red Devil Battery Sign. Hooper contends that recent criticism has exaggerated the political engagement and egalitarian credentials of a writer whose characters and situations revert to a reactionary politics of the individual dominated by the negotiation of sexual power. Directly, or more often indirectly, Williams' writing expresses social disaffection before glamorising the outcast and shelving thoughts of political change. Through detailed analysis of canonical texts the book sheds new light on Williams' work, as well as on the cultural and social life of mid-twentieth-century America.…

Condition: New. Is Tennessee Williams a social writer at heart? Hooper questions this view, presenting a new interpretation of the dramatist. Num Pages: 260 pages, 5 b/w illus. BIC Classification: 2AB; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 229 x 160 x 18. Weight in Grams: 55. . 2012. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Condition: New. pp. 272 1st Edition.

Hardcover. Condition: Brand New. 1st edition. 260 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Condition: New. Michael S. D. Hooper reverses the recent trend of regarding Tennessee Williams as fundamentally a social writer following the discovery, publication and/or performance of plays from both ends of his career - the 'proletarian' apprentice years of Candles to the Sun and Not About Nightingales and the once overlooked final period of, amongst many other plays, The Red Devil Battery Sign. Hooper contends that recent criticism has exaggerated the political engagement and egalitarian credentials of a writer whose characters and situations revert to a reactionary politics of the individual dominated by the negotiation of sexual power. Directly, or more often indirectly, Williams' writing expresses social disaffection before glamorising the outcast and shelving thoughts of political change. Through detailed analysis of canonical texts the book sheds new light on Williams' work, as well as on the cultural and social life of mid-twentieth-century America.…

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Michael S. D. Hooper reverses the recent trend of regarding Tennessee Williams as fundamentally a social writer following the discovery, publication and/or performance of plays from both ends of his career - the 'proletarian' apprentice years of Candles to the Sun and Not About Nightingales and the once overlooked final period of, amongst many other plays, The Red Devil Battery Sign. Hooper contends that recent criticism has exaggerated the political engagement and egalitarian credentials of a writer whose characters and situations revert to a reactionary politics of the individual dominated by the negotiation of sexual power. Directly, or more often indirectly, Williams' writing expresses social disaffection before glamorising the outcast and shelving thoughts of political change. Through detailed analysis of canonical texts the book sheds new light on Williams' work, as well as on the cultural and social life of mid-twentieth-century America. …

Paperback. Condition: new. Paperback. Michael S. D. Hooper reverses the recent trend of regarding Tennessee Williams as fundamentally a social writer following the discovery, publication and/or performance of plays from both ends of his career - the 'proletarian' apprentice years of Candles to the Sun and Not About Nightingales and the once overlooked final period of, amongst many other plays, The Red Devil Battery Sign. Hooper contends that recent criticism has exaggerated the political engagement and egalitarian credentials of a writer whose characters and situations revert to a reactionary politics of the individual dominated by the negotiation of sexual power. Directly, or more often indirectly, Williams' writing expresses social disaffection before glamorising the outcast and shelving thoughts of political change. Through detailed analysis of canonical texts the book sheds new light on Williams' work, as well as on the cultural and social life of mid-twentieth-century America. Hooper questions the now fashionable view that Williams was fundamentally a social writer passionately concerned about the state of twentieth-century America. Through detailed analysis of both canonical and recently discovered texts, this book indicates instead how Williams' work prioritises sexual power and the experience of the individual over party politics. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. 260.

Condition: New. PRINT ON DEMAND pp. 260.

Paperback. Condition: new. Paperback. Michael S. D. Hooper reverses the recent trend of regarding Tennessee Williams as fundamentally a social writer following the discovery, publication and/or performance of plays from both ends of his career - the 'proletarian' apprentice years of Candles to the Sun and Not About Nightingales and the once overlooked final period of, amongst many other plays, The Red Devil Battery Sign. Hooper contends that recent criticism has exaggerated the political engagement and egalitarian credentials of a writer whose characters and situations revert to a reactionary politics of the individual dominated by the negotiation of sexual power. Directly, or more often indirectly, Williams' writing expresses social disaffection before glamorising the outcast and shelving thoughts of political change. Through detailed analysis of canonical texts the book sheds new light on Williams' work, as well as on the cultural and social life of mid-twentieth-century America. Hooper questions the now fashionable view that Williams was fundamentally a social writer passionately concerned about the state of twentieth-century America. Through detailed analysis of both canonical and recently discovered texts, this book indicates instead how Williams' work prioritises sexual power and the experience of the individual over party politics. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.