Howard Gallery (121 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: As New.

Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condition: Near Fine. Pages white, unblemished. Minor edgewear.

Stiff Wraps. Condition: Near Fine. 191pgs, ill, beautiful copy.

Condition: Very Good. hardcover 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

Hardcover. Condition: Very Good. Hardcover. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

hardcover. Condition: Very Good. Hardcover. Used - Very Good.

Hardcover. Condition: Very Good. Hardcover. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. 1ST. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1ST. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft Cover Pamphlet. Condition: Fine (Book Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ].

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Crisp, unread, unmarked copy. The binding is tight, corners sharp. Text and images unmarked. Slight foxing on text bock, otherwise in like new condition. The dust jacket shows some light handling, now in a Mylar cover.

Soft cover. Condition: New. A new book with some shelfwear to cover. It provides a history of the Renwick Gallery and with color plates of the Crafts collection in clay, fiber, glass, metal and wood. Includes details and biographical information. 9 x 12.

Trade Paperback. Condition: Used - Very Good. Marking its twenty-fifth anniversary in 1997, the Renwick Gallery has become the nation's premier showcase and study center for objects made of metal, fiber, wood, clay, and glass. As a curatorial department of the National Museum of American Art, the Renwick has grown from a kunsthalle for temporary exhibitions to a museum branch dedicated to collecting, research, publications, exhibitions, and education. The Renwick's efforts have played a major role in heightening public appreciation of crafts and providing encouragement to those who create them. This book serves as an introduction to the world of modern crafts, exploring in both words and pictures the vibrant diversity of objects that have entered the Renwick Gallery's collection. In his essay for the book, curator-in-charge Kenneth R. Trapp traces the Renwick's history, highlighting the contributions of his predecessors and the many other people whose commitment to the gallery has ensured its success, notably the James Renwick Alliance. In his essay Howard Risatti explores our intuitive understanding of the way crafts are related to the human body and their consequent deep meaning for us. Also included are brief biographies of sixty-five artists whose work is represented in the book, among them Anni Albers, Wendell Castle, Dale Chihuly, Harvey Littleton, Peter Voulkos, and Beatrice Wood. The curator of Smithsonian's Renwick Gallery set out in 1972 to establish craft as a form equal to painting and sculpture to heighten public appreciation of objects made of metal, fiber, wood, clay and glass. 'Skilled Work' celebrates the work of modern crafts, highlighting the works of renowned artists in 104 color plates. 20 duotone photos. Very nice clean, tight copy free of any marks.…

Soft cover. Condition: Near Fine. Dust Jacket Condition: No Jacket, As Issued. Softcover. Folio. 8 7/8"x11 5/8." Published, Smithsonian Institution Press, Washington, D. C., 1998. 192pp., Profus. illus. 104 color plates - glass, jewelry, pottery, weaving, crafts. Renwick Gallery. Artist's biographies. Near fine copy.…

Soft Cover. Condition: Fine. As new still in original cellophane wrapping.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. First Edition. [8] pp.; b/w plates; oblong 8vo. Staple mark to front-wrap; light mustiness; sharp corners. Well packaged in a box; ships with tracking.

softcover. Condition: Collectible; Like New. First Edition; First Printing. Full page color plates. Published on the occasion of the exhibition at Ameringer Howard Gallery, 27 April - 10 June, 2000. ; Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. …

112 pages. Large paperback: H 30.5cm x L 21.25cm. Stiff paper covers rubbed, strong bumping/creasing at top fore-edge corners with top corners of interior leaves mildly affected likewise. Pages are bright and clean and binding is firm. A very good copy. Prepared as the accompanying catalogue for an exhibition held at the Queensland Art Gallery. Color map and 95 color plates. Text comprised of the following: Preface by John Mundine; Foreword by Doug Hall; Introduction by Margie West; "Rock art of the Northern Territory" by George Chaloupka; "Contemporary Aboriginal interpretations of western Arnhem Land rock paintings" by Paul Tacon; "New life for the Dreaming: Continuity and change in western Arnhem Land bark paintings" by Luke Taylor; "Art and religion in eastern Arnhem Land" by Howard Morphy; "Women's acrylic paintings from Yuendumu" by Francoise Dussart; "'Make 'im flash, poor bugger:' Talking about men's painting in Papunya" by Ian Green; "The economic basis for cultural reproduction" by Jon Altman; "The Economic Domain;" "The Religious Domain;" "Namatjira and the Hermannsburg School;" Bibliography, and Profile of Contributors. ISBN 0730700216.…

Paperback. Condition: Used: Very Good. VG minus with just a tad of shelfwear.

Soft Cover Pamphlet. Condition: Fine (Book Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ] Size: 8vo. Book.

Soft Cover. Condition: Fine. Washington, DC, U.S.A.: Smithsonian Institution Press, 1998. Soft cover. Like New.