Hubert Bath (46 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: G+. First Edition. 8vo. Book.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good condition ex library copy with the usual markings. Piano and Voice. Little wear, well kept. Structurally sound. …

Soft cover. Condition: Good. 115 pages. (M9).

Paperback. Condition: Good. No Jacket. Good condition paperback showing title etc clearly on front cover, no DJ. 7 pages good and clean with clear print and music. Piano Solo. No foxing, no previous names.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. - Quarto [11 inches high by 8-1/2 inches wide], navy blue cloth with a printed paper label on the spine. The binding is rubbed & bumped with a few small stains. The spine is darkened with the head & tail lightly chipped. The label is rubbed, darkened & chipped and is barely legible. 292 pages plus ads. Profusely illustrated with color plates tipped onto gray stock, black-and-white and color plates and illustrations, pictorial ads and music staves. A gift inscription and the recipient's signature are penned on the front endpaper. There is scattered light foxing and staining. The book is partially cracked at page 198. Good. This volume includes the six issues of Volume 1 of The Artists Monthly. These issues were published between October 1925 and March 1926. Performing arts were sometimes covered in addition to visual arts. A musical composition by Hubert Bath and an original color woodcut by C. N. Heath are included. …

Soft cover. Condition: Acceptable. SIGNED BY BATH ON COVER. Chappell & Co. 1908. Acceptable softcover. Tape to spine. Previous owner's name to cover. Signed by Author(s). Sheet music.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Size: Folio. 8pp. Sewn as issued in publisher's printed wrappers.

Size: Folio. 7pp. Folded as issued in publisher's printed wrappers.

Cloth. Condition: Good. Copyright 1909. Ex public library with usual library faults. Music VG. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Size: Folio. [i (title)], 17pp. Sewn as issued in publisher's printed wrappers.

Taschenbuch. Condition: Neu. Neuware - â??The Wedding Of Shon Maclean: A Scottish Rhapsodyâ? is a distinguished musical work by Hubert Bath, with a libretto by Robert Williams Buchanan. This composition, scored for chorus, soprano and baritone soloists, and orchestra, evokes the rugged beauty and dramatic spirit of Scotland. The rhapsody, presented here as Volume 1, paints a vivid picture of a Scottish wedding, likely filled with both joy and poignant undertones reflective of the time period in which it was created. Bath's musical arrangement captures the essence of Scottish melodies, while Buchanan's libretto provides a narrative framework that brings the characters and their stories to life. The combination of these artistic elements creates a rich and immersive experience for both performers and listeners, showcasing a vibrant tapestry of Scottish culture and musical heritage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Condition: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. …

4°. OU. 15 S. Sprache: Englisch Gewicht in Gramm: 300.

Paperback. Condition: New. Print on Demand. This captivating book delves into the seldom-discussed yet fascinating history of clocks and their profound impact on Victorian society. The author meticulously traces the evolution of timekeeping devices from their humble beginnings to the intricate mechanisms that transformed daily life. Throughout the narrative, the author weaves a rich tapestry of historical events, personal anecdotes, and scientific discoveries, shedding light on the intricate relationship between time and human experience during the Victorian era. By exploring the intricate mechanisms of these remarkable inventions, this book not only uncovers the technological advancements of the era but also offers a glimpse into the social, cultural, and economic landscape of Victorian England. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Paperback. Condition: VG-. About 257 x 355 mm. SHEET MUSIC. 18 pages including covers. Unstapled. Book is in very good minus condition with minor but noticeable signs of wear and/or age. Covers a bit dust marked and rubbed / chipped at corners.

Paperback. Condition: Good. Paperback vocal score edition, 1908, in overall good used condition with minor signs of age, handling and storage - illustrated card covers rubbed and a touch soiled. Internally clean. Binding tight and appears little read; no annotations or inscriptions; toning to page-ends but text and music bright and clear throughout. Arranged for voice and piano with words in English. Not an old library book.…

Buch. Condition: Neu. Neuware - 'The Wedding Of Shon Maclean: A Scottish Rhapsody' is a distinguished musical work by Hubert Bath, with a libretto by Robert Williams Buchanan. This composition, scored for chorus, soprano and baritone soloists, and orchestra, evokes the rugged beauty and dramatic spirit of Scotland. The rhapsody, presented here as Volume 1, paints a vivid picture of a Scottish wedding, likely filled with both joy and poignant undertones reflective of the time period in which it was created. Bath's musical arrangement captures the essence of Scottish melodies, while Buchanan's libretto provides a narrative framework that brings the characters and their stories to life. The combination of these artistic elements creates a rich and immersive experience for both performers and listeners, showcasing a vibrant tapestry of Scottish culture and musical heritage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

115pp Vocal Score.Spine repaired, clean & bright VG+.

Hardcover. Condition: Very Good. 178 pages in very good condition. Pages are clean and unmarked. Pages near the covers are lightly foxed. Yellow endpapers. Page edges dyed with red publisher's stain. Bound in black cloth with gilt titles on the spine. Lightly worn around the edges. Creased on the spine. SCARCE. VG Size: 8 1/2 x 11. Book.…

Condition: Poor. The cover has a s,all area torn to its right edge. Some scuffs and signs of wear in places. An aged copy thats been used, still okay to read/reference.

Condition: New. Print on Demand pp. 132.

Softcover. Condition: Very Good. First edition. Cover photo by Dorothy Wilding. Quarto. Two nested bifolia making eight pages. Bumping to the corners, soiling and foxing to exterior, and some light soiling to the interior, still a complete and very good copy. For voice and piano. Plate imprint, "M.E. 20." Contains short samples of two other songs. The writer of the lyrics to this piece, Jean Aylwin, was better known as a singer and actress, particularly for her character roles in Edwardian musical comedies. Aylwin (both her and Burns being Scottish) wrote the lyrics in dialect, "The message I wad gie ye noo/Whatever may be fa/Is never mind the lowrin' cloud/The sun's no far a." A photo of Aylwin appears on the front cover of this obscure piece dedicated to the memory of poet Robert Burns; *OCLC* locates only a single holding and it appears to be equally scarce in the trade. …

Condition: New. Print on Demand.