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  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

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    Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

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    hardcover. Condition: Fine.

  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

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  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

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    hardcover. Condition: Good. No dust jacket. Clean, unmarked copy.

  • Language: English

    Published by Film & Video Umbrella and Dundee Contemporary Arts, 2004

    1904270123 / 9781904270126

    • Hardcover

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    Hardcover without dustjacket as issued, 80 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

  • Language: English

    Published by JRP Ringier, 2009

    3037640790 / 9783037640791

    • Softcover

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    Softcover with dustjacket, 158 pages; in English, Italian and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

  • Condition: Used - Fine

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    Softcover. Condition: Très bon. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations.

  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

    • Hardcover

    Seller: Sixes Book & Tackle, Port Orford, OR, U.S.A.Sixes Book & Tackle

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    Hardcover. Condition: As New. Hardcover in dust jacket. A clean, fine copy.

  • Language: French

    Published by PAROLE SILENCE, 2016

    2889185702 / 9782889185702

    • Softcover

    Seller: Ammareal, Morangis, FranceAmmareal

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    Softcover. Condition: Très bon. Légères traces d'usure sur la couverture. Edition 2016. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 2016. Ammareal gives back up to 15% of this item's net price to charity organizations.

  • Language: English

    Published by Philadelphia Museum of Art, 2008

    3865883931 / 9783865883933

    • Softcover

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    Softcover with plastic dustjacket, 136 pages; in English, Italian and German; as new condition; clean and crisp; no internal marks.

  • Language: English

    Published by Mosby, 1970

    080162312X / 9780801623127

    • Hardcover

    Seller: HPB-Red, Dallas, TX, U.S.A.HPB-Red

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    hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Film and Video Umbrella, Dundee Contemporary Arts, London, England; Dundee Scotland, 2004

    1904270123 / 9781904270126

    • Hardcover

    Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA

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    Hardbound. Condition: VG. White boards with red and black printing, 80 pp, profuse color and some bw images. From the introduction: this publication is the first significant survey of the work of the artist Marine Hugonnier and acts as a companion publication to her solo exhibition at Dundee Contemporary Arts in Summer 2004.

  • Language: English

    Published by Jrp Ringier, 2010

    3037640790 / 9783037640791

    • Softcover

    Seller: FIRENZELIBRI SRL, Reggello, FI, ItalyFIRENZELIBRI SRL

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    Condition: COME NUOVO. Jrp Ringier cm.24x29, pp.160, Paperback. Operating at the border between documentary and fiction, French artist and filmmaker Marine Hugonnier explores philosophical, anthropological and ethical issues in her work. Well known on the festival circuit, her films are often presented as installations that evolve according to exhibition venue.

  • Language: English

    Published by Princeton University Press, 2025. 9780691236285, 2025

    0691236283 / 9780691236285

    • Hardcover
    • First Edition

    Seller: Rothwell & Dunworth (ABA, ILAB), Dulverton, United KingdomRothwell & Dunworth (ABA, ILAB)

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    1st edn 1st printing. 8vo. Original gilt lettered black cloth (Fine), dustwrapper (Fine). Pp. xxiv + 376, illus with b&w figures (no inscriptions).

  • Language: French

    Published by Les éditions du Net, 2013

    2312019191 / 9782312019192

    • Softcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Paperback. Condition: Brand New. 112 pages. French language. 7.48x4.72x0.29 inches. In Stock.

  • Language: English

    Published by JRP RINGIER, Zurich, 2009

    3037640790 / 9783037640791

    • Softcover

    Seller: Colin Martin Books, Near Hull, EY, United KingdomColin Martin Books

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    Condition: Used - Fine

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    Paperback. Condition: Fine. Dust Jacket Condition: Fine. 159 pages, colour illustrated. Unused, a Fine copy in a Fine dustjacket.

  • Language: English

    Published by Max Wigram Gallery, london, 2008

    0955971306 / 9780955971303

    • Softcover

    Seller: Colin Martin Books, Near Hull, EY, United KingdomColin Martin Books

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    Paperback. Condition: Fine. Qto., unpaginated, approx 34 pages, illustrated in colour. A Fine clean copy. Book.

  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

    • Hardcover

    Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices

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  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

    • Hardcover

    Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US

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    HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

    • Hardcover

    Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK

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    HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

    • Hardcover

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  • Language: English

    Published by Silvana Editoriale, 2022

    8836651313 / 9788836651313

    • Softcover

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  • Language: French

    Published by DE BOECK SUP, 2016

    2807302378 / 9782807302372

    • Softcover

    Seller: Ammareal, Morangis, FranceAmmareal

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    Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2016. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2016. Ammareal gives back up to 15% of this item's net price to charity organizations.

  • Language: English

    Published by Silvana, Milan, 2022

    8836651313 / 9788836651313

    • Softcover

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    Paperback. Condition: new. Paperback. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier. A volume dedicated to Marine Hugonnier, established filmmaker and contemporary artist on the international scene. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Language: English

    Published by Silvana Editoriale, 2022

    8836651313 / 9788836651313

    • Softcover

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  • Language: English

    Published by Berlin. NGBK 2004. Zahlreiche meist farbige Abbildungen. Sprache: deutsch und englisch. Format ca. (24 x 17) cm., 2004

    3926796928 / 9783926796929

    • Softcover

    Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, GermanyAntiquariat Bernd Preßler

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    Ausgeschiedenes Bibliotheksexemplar mit Stempel und Signatur, sonst guter bis sehr guter Zustand. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

  • Language: English

    Published by Princeton University Press, US, 2025

    0691236283 / 9780691236285

    • Hardcover

    Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA

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    Hardback. Condition: New. An essential primer on an important yet understudied type of financial marketMany of the largest financial markets in the world do not organize trade through an exchange but rather operate within a decentralized or over-the-counter (OTC) structure. Understanding how these markets work has become increasingly important in recent years, as illiquidity in certain OTC markets has appeared as the first signs of trouble-if not the cause itself-of the past two financial crises. However, standard models of financial markets are not suitable for studying the causes of illiquidity in OTC markets, nor the optimal policy response. The Economics of Over-the-Counter Markets proposes a unified search-theoretic framework designed to explicitly capture the key features of OTC markets, confront the growing set of stylized facts from these markets, and provide guidance for policies designed to promote liquidity and resiliency. This incisive book covers empirical regularities that are common across OTC markets, develops the methodological tools to analyze the benchmark theoretical models in the academic literature, and extends these models to confront the latest issues facing these markets.Covers a broad range of topics, including asset pricing, liquidity, transaction costs, asymmetric information, financial crises, and market designAn ideal textbook for graduate students in economics and financeAn invaluable resource for policymakers seeking a framework to assess the impact of new developments in fixed-income and short-term funding markets.

  • Language: English

    Published by Silvana, IT, 2022

    8836651313 / 9788836651313

    • Softcover

    Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA

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    Paperback. Condition: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.

  • Language: English

    Published by Princeton University Press, 2025

    0691236283 / 9780691236285

    • Hardcover

    Seller: Chiron Media, Wallingford, United KingdomChiron Media

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    hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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    Language: English

    Published by Philadelphia Museum of Art

    3865883931 / 9783865883933

    • Softcover

    Seller: West Cove UK, Wellington, United KingdomWest Cove UK

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    Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Very slight tan to page edges. Softcover. English. See images for condition. About the book >.>.> My three films - Ariana (2003), The Last Tour (2004), Travelling Amazonia (2006) - form a trilogy shot in Afghanistan, the Swiss Alps and Brazil, respectively. I shot the first film, Ariana, in 2002 and very soon realised it needed a second part. I wanted the second film to be less discursive since Ariana is the story of a failed project that prompts reflection about the 'panorama' as a form of strategic overview, as a cinematic camera movement and the origin of the panorama as a pre-cinematic form of mass entertainment. So in 2004 I made The Last Tour. While I was making it. I decided three points of view make for a better conversation. In 2005 I started gathering ideas for Travelling Amazonia and the trilogy was retrospectively completed in 2006. It wasn't planned as a trilogy from the beginning, but I am finished now and it is interesting to see how each film informs the others in interesting ways. A book I discovered at the London Alpine Club library, entitled The Accelerated Sub.