Hume Patrick (73 results)

Condition: Bueno. Various (illustrator). : Art for Baby es una colección fascinante de imágenes en blanco y negro de alto contraste, creadas por once de los artistas modernos más destacados del mundo, como Keith Haring, Damien Hirst y Takashi Murakami. Estas obras han sido seleccionadas específicamente para ayudar a los bebés a desarrollar su capacidad visual, permitiéndoles comenzar a reconocer formas y conectar con el mundo que los rodea desde sus primeros meses de vida.Este libro de cartón resistente está diseñado para ser compartido entre padres e hijos, fomentando la estimulación temprana a través del arte contemporáneo. Además de las páginas individuales, incluye un friso desplegable que permite exponer las imágenes en la habitación del bebé, convirtiendo su entorno en una pequeña galería de arte personal. EAN: 9780763644246 Tipo: Libros Categoría: Infantil y Juvenil|Arte y Cultura Título: Art for baby Autor: Paul Morrison| Takashi Murakami| Julian Opie| Bridget Riley| Damien Hirst| Kazimir Malevich| Patrick Caulfield| Josef Albers| Gary Hume| David Shrigley Editorial: Templar Idioma: en Páginas: 12 Formato: tapa dura.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback or Softback. Condition: New. Annotations on Milton's Paradise Lost. Book.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: Superb. No Jacket. 249 pages - letter bound in signed by the author. Signed by Author.

Condition: As New. Unread book in perfect condition.

Condition: Very Good. 2004. Pamphlet. Programme of events, introduction, and 4pp opening address by John Hume MP. 19pp, in original wrappers. Good clean copy. . . . .

Condition: New.

Condition: New. In.

Paperback. Condition: New.

Paperback. Condition: Brand New. 96 pages. 9.50x7.00x0.22 inches. In Stock.

Condition: Very Good. 2004. Pamphlet. Programme of events, introduction, and 4pp opening address by John Hume MP. 19pp, in original wrappers. Good clean copy. . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Hardcover. Condition: Good. 1st Edition. Demy4to, [ii - title leaf with vignette], [i]-xxxvi, [1] -215, [1] (blank), 67, [1] (blank), lxxx, [2 - note on torture and errata] p. Original brown boards as issued. Belfast Society for Promoting Knowledge plate stamped discarded on front pastedown, one faint library stamp on Introduction, lacks any backstrip, clean wear tear in title and first leaf of the Introduction, lower board detached otherwise VG contents, untrimmed and with huge borders. First edition. Ideal candidate for a modern binding.

Condition: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Gebunden. Condition: New.

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Condition: New. Klappentext1695. In these annotations the texts of sacred writ relating to the poem are quoted the parallel places and imitations of the most excellent Homer and Virgil are cited and compared all the obscure parts are rendered into phr.

Paperback. Condition: Like New. Like New. book.

No Binding. Condition: Very Good. A splendid antique engraved portrait. Mounted/matted and ready to frame. Attractive and decorative. Printed circa 1860.

Hard Cover. Condition: Good. Hardback. 29.5cm x 23cm. xxxvi, 67pp, lxxx, [2]. Spine frayed, boards slightly foxed and worn to extremities. Bookplate to front pastedown. Some pages unopened to top edges. Generally clean inside. A rather decent copy. (r6).

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover. Condition: Very Good+. Bound in quarter red cloth over papered boards; gilt title on spine. Occasional marginalia in light pencil, else clean. 4to. pp. xxxvi, 215 [+] 67, lxxx, [2]. A work by George Rose (1744-1818), being his political observation on the historical writings of Charles James Fox (1749-1806), to which he adds a second work by Sir Patrick Hume, 1st Earl of Marchmont (1641-1724): a narrative of Argyll's Rebellion in 1685 (which also includes a 78-page appendix with supporting materials). Sir Patrick Hume had been a participant in Argyll's Protestant rebellion, collaborating with Archibald Campbell, 9th Earl of Argyll. This narrative was amongst the family papers which were given by Hugh Hume-Campbell, 3rd Earl of Marchmont, to George Rose.

Softcover. Condition: Good. Dust Jacket Condition: No DJ. Published: 2003. Facsimile Reprint. Facsimile reprint of original 1695 edition. DESCRIPTION: Yellow wrappers with white block title to front. Language: English. Book Condition: Good: Light wear and creasing to corners. Marks to text block edges. DJ Condition: No DJ. Pages 321. Size: 28cm by 21cm.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Leather bound hard cover with gilt titles on spine and minimal cover wear evident apart from front spine hinge very slight exposure, and roughened spine ends. There is faded inscription on title page dated April 1810, and a book plate inside the front cover - Presented by A W Page in 1923 to Bath Public Reference Library, but none of the usual lending library stamps. Surprisingly clean interior with xxxvi, 215 pages (George Rose) and 67 further pages (Patrick Hume) and lxxx pages of appendices. Published in 1809 this volume is in very good to near fine condition.

Hardcover. Condition: Gut bis sehr gut. Die Kunst der Mosaiken ist ein Fenster in die Vergangenheit, das die Geschichten, Ästhetik und Techniken antiker Kulturen auf faszinierende Weise enthüllt. In diesem Buch nimmt Patrick Hume Sie mit auf eine Reise durch die Jahrtausende und zeigt, wie diese einzigartige Kunstform von Mesopotamien über das antike Griechenland bis hin zum römischen Reich und Byzanz zu einem Meisterwerk der Kreativität und Technik heran-wuchs. Entdecken Sie die faszinierende Entwicklung der Materialien von den ersten Kieseln bis zu präzise gefertigten Tesserae aus Stein, Keramik und Glas. Tauchen Sie ein in die innovativen Techniken, die Künstler nutzten, um komplexe Szenen und mythische Motive zum Leben zu erwecken. Und erfahren Sie, welche Bedeutung und Symbolik Mosaiken für die Menschen der Antike hatten von Prestigeobjekten römischer Villen bis hin zu religiösen Meisterwerken byzantinischer Kirchen. Mit lebendigen Erzählungen, fundierten Analysen und beeindruckenden Beispielen bietet Antike Mosaiken: Kunst und Technik einen einzigartigen Einblick in die Geschichte und den kulturellen Reichtum einer Kunstform, die bis heute begeistert.