Inge Reist (78 results)

Trade Paperback. Condition: Used - Very Good.

Soft cover. Condition: New. 1st Edition. New and sealed softcover in publisher's shrink wrap. See photo, ships same day or next day.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardback. Condition: New. This is a fascinating re-examination of the importance and legacy of provenance in the history of art. This book goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research, and draw attention to the transformative power of ownership. The result is a volume of essays that makes a strong case for recuperating provenance - what contributing author Anne Higonnet calls "so many epic tales compressed into such dry lists" - for the history of art. Provenance attends to the social life of art, a work's biography subsequent to the moment of its origin. "Provenance" offers a broad perspective, ranging from ancient archaeology to conceptual art, that encompasses Europe, Asia, and the Americas, and considers a variety of media. The essays demonstrate in myriad ways how an owner's relationship with a work of art or, in varying degrees, with the object's previous owners can change irrevocably the way the work will be perceived and understood by future generations.…

Condition: New. 2013. 1st Edition. Paperback. A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research. Editor(s): Reist, Inge. Num Pages: 224 pages, 60 black & white illustrations. BIC Classification: ABC. Category: (G) General (US: Trade). Dimension: 254 x 181 x 14. Weight in Grams: 692. . . . . .…

Condition: new.

Condition: New. pp. 224 60 Illus.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. This book goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research, and draw attention to the transformative power of ownership. The result is a volume of essays that makes a strong case for recuperating provenancewhat contributing author Anne Higonnet calls so many epic tales compressed into such dry listsfor the history of art. Provenance attends to the social life of art, a work's biography subsequent to the moment of its origin. Provenance: An Alternate History of Art offers a broad perspective that ranges from ancient archaeology to conceptual art, that encompasses Europe, Asia, and the Americas, and considers a variety of media. The essays demonstrate in myriad ways how an owners relationship with a work of art or, in varying degrees, with the objects previous owners, can change irrevocably the way the work will be perceived and understood by future generations. Limiting the scope of provenance to only the highly charged context of international legal custody battles or the painstakingly researched lists of names and dates in archives and catalogs is entirely insufficient to the richness of the subject. By considering provenance in its critical and theoretical dimensions, this volume endeavors to integrate this alternate narrative into art history. A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2013. 1st Edition. Paperback. A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research. Editor(s): Reist, Inge. Num Pages: 224 pages, 60 black & white illustrations. BIC Classification: ABC. Category: (G) General (US: Trade). Dimension: 254 x 181 x 14. Weight in Grams: 692. . . . . . Books ship from the US and Ireland.…

Paperback. Condition: Brand New. 1st edition. 224 pages. 10.00x0.60x7.00 inches. In Stock.

Softbound. BW pictorial wraps, white spine with black lettering. 321-392 pp. Numerous BW and color plates. Text is in Spanish. VG-. Slight edge wear and bowing.

Hardback. Condition: New. This is a fascinating re-examination of the importance and legacy of provenance in the history of art. This book goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research, and draw attention to the transformative power of ownership. The result is a volume of essays that makes a strong case for recuperating provenance - what contributing author Anne Higonnet calls "so many epic tales compressed into such dry lists" - for the history of art. Provenance attends to the social life of art, a work's biography subsequent to the moment of its origin. "Provenance" offers a broad perspective, ranging from ancient archaeology to conceptual art, that encompasses Europe, Asia, and the Americas, and considers a variety of media. The essays demonstrate in myriad ways how an owner's relationship with a work of art or, in varying degrees, with the object's previous owners can change irrevocably the way the work will be perceived and understood by future generations.…

Condition: New.

Condition: New. pp. 224.

paperback. Condition: New.

Condition: New. Brand New.

Condition: New. In English.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 224.

Condition: New.

Condition: New. pp. 282.

Condition: New. pp. 282.

Hardcover. Condition: Brand New. 370 pages. 9.25x6.10x0.87 inches. In Stock.

Tapa blanda. Condition: Nuevo.

Buch. Condition: Neu. Neuware - New book's broad view of provenance offers a distinctive perspective on the history of art This book goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research, and draw attention to the transformative power of ownership. The result is a volume of essays that makes a strong case for recuperating provenance--what contributing author Anne Higonnet calls 'so many epic tales compressed into such dry lists'--for the history of art. Provenance attends to the social life of art, a work's biography subsequent to the moment of its origin.Provenance: An Alternate History of Art offers a broad perspective that ranges from ancient archaeology to conceptual art, that encompasses Europe, Asia, and the Americas, and considers a variety of media. The essays demonstrate in myriad ways how an owner's relationship with a work of art or, in varying degrees, with the object's previous owners, can change irrevocably the way the work will be perceived and understood by future generations.Limiting the scope of provenance to only the highly charged context of international legal custody battles or the painstakingly researched lists of names and dates in archives and catalogs is entirely insufficient to the richness of the subject. By considering provenance in its critical and theoretical dimensions, this volume endeavors to integrate this alternate narrative into art history.'.…