Interview by David Sylvester (8 results)

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  • Language: English

    Published by Museum of Contemporary Art; MIT Press, Los Angeles and Cambridge, MA, 2001

    0262062224 / 9780262062220

    • Hardcover
    • First Edition

    Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS

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    Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 183 pages, illustrations (some colour); 31 cm. Exhibition catalogue. Published to accompany an exhibition presented by the Museum of Contemporary Art, Los Angeles, Calif., September 16, 2001 to January 20, 2002. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darling's essay places Gordon's work in the context of the Romantic tradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon's literary sources into a kind of hybridized text. Spector's essay focuses on the autobiographical nature of Gordon's oeuvre, showing how he shifts between revealing details of his personal life--for example, the ongoing List of Names lists all the people he has met in a given period of time--and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today's most exciting young artists. / Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum." - Publisher. *** CONTENTS: Trust Me, by Russell Ferguson; Love Triangulations, by Michael Darling; White Lies, by Francis McKee; a.k.a., by Nancy Spector; Interview with Douglas Gordon, by David Sylvester. Size: 4to. Collectible.

  • Language: English

    Published by Museum of Contemporary Art, Los Angeles / MIT Press, Cambridge, MA, 2001

    0262062224 / 9780262062220

    • Hardcover
    • First Edition

    Seller: Anthology Booksellers, Portland, OR, U.S.A.Anthology Booksellers

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    Condition: Used - Very good

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    Boards. Condition: Very Good. Dust Jacket Condition: Very Good. First edition. 4to, 183 pp., color illus. Bottom edge of front board and front panel of jacket lightly bumped, light edgewear to jacket.

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    Language: English

    Published by Museum of Contemporary Art, Los Angeles, 1998

    3882436239 / 9783882436235

    • Hardcover
    • First Edition

    Seller: Nighttown Books, Powell, WY, U.S.A.Nighttown Books

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    Hard Cover. Condition: Good. Dust Jacket Condition: Good. First Edition. First Printing in silver-stamped full black cloth and illustrated dust jacket, very minimally ex-library (stamp top page block edge & small sticker shadow front endpaper - no other markings, institutional or otherwise), jacket shows only light shelf wear with evidence of moisture to rear panel (contents unaffected), light soil foredge text block, else clean tight still-nice copy; 4to; 240pp fully illus. Book is oversize and heavy and WILL REQUIRE AN ADDITIONAL SHIPPING CHARGE BEYOND OUR DEFAULT RATES.

  • Language: English

    Published by Tate Galkery Publishing, London, 1998

    • Softcover

    Seller: J. R. Young, Birmingham, United KingdomJ. R. Young

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    Condition: Used - Near fine

    US$ 41.39

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    Soft cover. Condition: Near Fine. 29.5x23.5cm. Soft cover. First edition. Published on occasion of exhibition at the Tate Gallery, London. 192pp with numerous illustrations, chronology, bibliography, and index. Colour-illustrated card wrappers with flaps. Near Fine copy.

  • Language: English

    Published by Tate Gallery, London, 1992

    1854371096 / 9781854371096

    • Softcover
    • First Edition

    Seller: David Bunnett Books, London, United KingdomDavid Bunnett Books

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    SOFTCOVER. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. 1st printing. Large Quarto size (4to). in stiff card covers with integral dust jacket, 111pp, plates etc. Dual text in English and German . [CONDITION: A well preserved AS NEW very clean and tight unmarked copy in an almost AS NEW complete Dust Jacket (few spots of slight shelf rub to wrapper edges) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

  • Language: English

    Published by Harry N. Abrams, New York, 1987

    0810918668 / 9780810918665

    • Hardcover
    • First Edition

    Seller: Antiquariat UEBUE, Zürich, SwitzerlandAntiquariat UEBUE

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    Condition: Used - Near fine

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    Hardcover. Condition: Gut bis sehr gut. Dust Jacket Condition: Gut bis sehr gut. 1. Auflage. da : 302 pages, 85 color and 85 bw plates and illustrations - The book featured work from 1936 to 1960, which was when a new generation of abstract artists (strongly aided by formalist criticism and codifications) began to emerge. Auping's intention was to demonstrate how the work of the late '30s and early '40s paved the way for the breakthroughs of the Abstract Expressionists in the decade and a half before 1960thus showing us the "critical developments" in the gestation of our first truly American abstract movement. artistsWilliam Baziotes, Arshile Gorky, Adolph Gottlieb, Philip Guston, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, Robert Motherwell, Barnett Newman, Jackson Pollock, Ad Reinhardt, Mark Rothko, Clyfford Still, Mark Tobey, and Bradley Walker Tomlin.

  • Published by Arts Council of Great Britain, London, 1974

    0728700115 / 9780728700116

    • Softcover

    Seller: David Bunnett Books, London, United KingdomDavid Bunnett Books

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    Condition: Used - Fine

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    SOFTCOVER. Condition: Fine. 2nd Edition. Square Quarto size (4to) in illustrated stiff card covers, 64pp, plates etc . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (covers slightly tanned) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

  • Condition: Used - Near fine

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    Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. A near fine copy of the presumed first hard cover edition (no explicit edition or printing statement) in a like (not clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance, with jacket in mylar protected. Very slight bumps to bottom corners of the boards. Publisher's ISBN label to bottom-left corner of the rear jacket panel. A brilliant copy of this sumptuous book. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. International buyers may especially wish to inquire before ordering. Quotations gladly provided.]. Alex Katz (illustrator).