Introduction James Rorimer (24 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Cloth, 262 pages, illustrations, colour plates, portrait; 32 cm. Firm binding, clean inside copy. Faint dust spotting/top edge, age toning. Dust jacket with light edgewear. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. Size: 4to.

HARDCOVER. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition?. VERY GOOD CONDITION IN VERY GOOD UNCLIPTnopr ice) DUST JACKET.nice dj has several short edge nicks. ; GLOSSY PAINTING BY WS OF SAILOR "THE LOOKOUT-ALL'S WELL".Gold spine & cover titles on dark green cloth hard covers. ; Color Glossy Ilust; 262pg heavy pages; Library of Art Series. AMERICAN Artist . WATERCOLORS.COVERS SEVERAL OTHER ARTISTS OF HIS ERA.

Hardcover. Condition: Near Fine. First American edition. Near fine, inner edge of front pastedown faded, some light brown spotting on page edges, near fine dust jacket lightly worn at edges with some small light stains.

Paperback. Condition: Near Fine condition. Third Edition. New York: The Metropolitan Museum of Art, 1947. 7" wide by 10" tall. Bright, clean, tight, unmarked copy. No creases. No store stamp, owner's name or bookplate. No underlining. No highlighting. No margin notes. Illustrated with 20 full-page plates. Three-page introduction by James J. Rorimer, Curator. Original pictorial wraps. Third Edition. Softcover. Near Fine condition. 24pp.

Paperback. Condition: Near Fine condition. Second printing of the 1947 original. New York: The Metropolitan Museum of Art, 1949. 7.5" wide by 10" tall. Bright, clean, tight, unmarked copy. No creases. No store stamp, owner's name or bookplate. No underlining. No highlighting. No margin notes. Illustrated with 19 full-page plates. Four-page historical introduction by James J. Rorimer, Curator. Original pictorial wraps. Second printing of the 1947 original. Softcover. Near Fine condition. 24pp.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. LIMBOURG, Herman, Paul and Jean (attributed) (illustrator). 1st Edition. Fine condition, octavo in very good solarcase, cream faux vellum, Thames and Hudson Dolphins in gilt on the front, titles in gilt down spine, many plates, 54 pages, unpaginated. [QP].

Hardcover. A very good, clean, tight copy. Glassine wrap over boards has a 1/4" missing chip on the top edge. Otherwise minor wear. Slipcase in very good condition with minor shelf wear. Reproductions of the collection of Jean, Duke of Berry Prince of France at the Cloisters, The Metropolitan Museum of Art, New York. Size: 7 x 10.

Hardcover. Condition: Very Good+. The most impressive treasure of the cloisters. The intoduction is followed by numerous beautiful illuminations in the rear of the book. Including original glassine covers (lightly torn in G+ condition) as well as the slipcase (with a bit tanned label and minor rubbing to extremities, in VG condition). ; 8vo 8" - 9" tall; 32 pages.

24pp., 32 color plates. Sm. 4to. Boards. Slipcase.

Hardbound. Cream boards with gilt design and tiff woodgrain-paper protective case, 56pp, 32 color plates. Thirty-two illuminations from the famous Book of Hours of Jean, Duc de Berry. Here they are beautifully reproduced and include detailed descriptions of each plate by Margaret B. Freeman, curator of the Cloisters. VG/VG-, book is in great shape, so the protective case is doing its job, paper on the case is worn and flaking at top and bottom of hinge.

Hardcover. Condition: Very Good. Rebound in full leather, light wear to the boards, Hatchards of Piccadilly stamp. Shipped from the UK in recyclable card packaging.

First edition. 8vo. 32 pp. Full-page illustrations in color. Gilt stamped vellum binding in labeled slipcase, very good copy. (79985).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. HARDBACK IN JACKET 1961. Clean & tight. No inscriptions. Flat pages. Jacket has a little edge wear & a few short tears. Jacket has been well preserved under clear removable protective covers. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref pj55. Winslow Homer, American Artist: His World and His Work.

THE BELLES HEURES OF JEAN, DUKE OF BERRY PRINCE OF FRANCE WITH INTRODUCTION BY JAMES J. RORIMER. A moody ivory coloured hardback book, with gilt crest and gilt titles on the front board and gilt titles on the spine. Comes with boxed, slipcase. This nice book is in good condition and as its a used book, normal wear, marks and tear apply consistent with use and age. Published in 1958 (MCMLVIII) by The Metropolitan Museum of Art, New York, colour reproductions printed in France by Draeger Feres: text printed in New York by The Spiral Press with ornaments adapted from the manuscript by Fritz Kredel; cover paper printed by the Meriden Gravure Co. binding by Russell-Rutter Company. Introduction by James J. Rorimer. Description of the Plates by Margaret B. Freeman, Curator of the Cloisters. (32 x STUNNING COLOURED ILLUMINATIONS) The Belles Heures, from which the ex-libris and thirty-two illuminations are here reproduced in facsimile, is one of the celebrated Books of Hours created in the second decade of the fifteenth century for Jean, Duke of Berry, prince of France (1340-1416). Like the well-known Tres Riches Heures, also made for the duke and now in the Musee Conde in Chantilly, it is a rich compendium of brilliant small paintings and ranks among the great masterpieces of the Middle Ages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good+. Facsimile. Book is clean and tight. Has glassine dust jacket with tear at the bottom front spine and wear at the top of spine and along length. Cover is a marbleized light beige/grey. The slipcase has slight shelf wear at tips of corners. Thirty-two lovely color illustrations in this Book of Hours.

First edition hard back binding in publisher's original green cloth covers, gilt lettering to the spine and the upper panel, jade paper end papers. Folio 12½'' x 9¼'' 262, i [pp]. 36 full colour plates and over 196 monochrome illustrations throughout. The name J. L. Sullivan to the front free end paper. Near Fine condition book, in Very Good condition dust wrapper with 12 mm crushing of the paper to the spine tip, minor rubs to the corners. Dust wrapper supplied in archive acetate film protection, this protects and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. ART [American].

fester Einband. . Gebunden, Schuber, Kl4°. * Schuber mit geringen Gebrauchsspuren, Buch in tadellosem Zustand (A-K56).

Hardcover. Condition: vg. 4to. Not paginated. Cream boards with embossed gilt decoration to cover and gilt lettering to spine, within custom wood slip case with gilt lettering to cover. Note about the book slipped in at front end paper: "The BELLES HEURES is one of the celebrated Books of Hours created in the second decade of the fifteenth century for Jean, Duc de Berry, son of King John the Good and brother of Charles V and Philip the Bold of Burgundy. This beautifully illuminated book (.) ranks among the great masterpieces of the Middle Ages." 32 facsimile pages. In fine condition. Note: "In 1954 this priceless Book of Hours was acquired by the Metropolitan Museum of Art, New York. (.) Only the generosity of the Museum enables this beautiful book to be sold at its extremely modest price." On back title page: "not to be imported into the U.S.A.".

[NONE] 1900 edition. (hardcover) Fine in fine dust jacket. NP. 8vo. Cream colored boards, gilt title to spine, gilt decoration to front. A laid in leaf that describes a brief history and the content. Slip case (printed wood grain) with red satin ribbon. The Book of Hours, first commissioned by Jean, Duke of Berry in 1413, is an inventory of his possessions and of which this represents one piece. Includes 32 exquisite illuminations, full colour printed reproductions printed in France. Book is fine, as is the slip case.

Hardcover. Condition: Very Good. 1st Edition. FIRST EDITION. 8vo; [23] pp. and 32 pp. of colour facsimiles. Original cream boards with embossed gilt decoration to cover and gilt lettering to spine; custom wood slip case with gilt lettering to cover; only minor wear to slip case. Extremely well-preserved overall; tight, bright, clean and strong. A wonderful copy.

Editions Flammarion - 1958 - In-8, cartonnage beige avec titre en doré sur le 1er plat et le dos - Pages non numérotées suivies de 32 pages de planches hors-texte en couleurs Bon état - Coins supérieurs tassés - Petit coup porté sur la tranche latérale du 1er plat.

Condition: Gut. Gr.-8°. 24 unpag. Seiten, 34 unpag. Farbseiten. Orig.-Pergamin mit Rücken- und Deckeltitel in OrPp.Schuber. Schr-Fl-re Bei Bestellungen auf Rechnung bleibt Vorkasse vorbehalten. Bestellungen erfolgen ohne Gewähr und gelten erst nach Bestätigung der Verfügbarkeit. Wir bieten günstigere Versandvariante für Bücher bis 1000 gr. Bitte Anfragen. Payment in advance is reserved for orders on account. Orders are made without guarantee and are only valid after availability has been confirmed. The shipping costs to non-EU countries may vary depending on the weight. We also offer cheaper shipping options for books up to 1000g. Sprache: Englisch Gewicht in Gramm: 2000.

Vol. in - 8 (17,5 x 24,5 cm.), legtura editoriale cartonata pesante col. panna con decoro e titotli in oro sul piatto ant. e al dorso, custodia a libro cartonata finto legno, testo in ingles (english text), pp. 24, 32 tav. a colori f.testo a p.pagina. In buone condizioni (good conditions).

Paperback. Condition: Near Fine. 1st. 112, [7] pages, illustrations; 23 x 27 cm. Catalogue of an exhibition held at the Art Institute of Chicago, 8 October to 27 November 1977; and other venues. Near fine. Firm binding, clean inside copy. Age toning. *** A great catalogue with an important contribution by Benjamin Buchloh and lots of Conceptual art. *** CONTENTS: Introduction, by A. James Speyer and Anne Rorimer; Europe in the Seventies: Aspects of Recent Art, by Jean-Christophe Ammann; Some Aspects of British Art Today, by David Brown; A Letter from Rudi Fuchs; Formalism and Historicity - Changing Concepts in European and American Art since 1945, by Benjamin H. D. Buchloh. Scarce. Size: Oblong. Collectible.