Introduction Peter Bunnell (24 results)

paperback. Condition: Good.

Soft cover. Condition: Near Fine. First Edition. PAGES LIKE NEW.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. Profusely Illustrated (illustrator). Revised, Enlarged Edition (1974). VERY GOOD. Crown lightly bumped, page edges just a bit tanned. Jacket FAIR only (lightly soiled, edgeworn, bumped at crown, with chipping at crown and a couple of closed tears). Unpag., b/w plates. An Aperture Monograph. Size: Small 4to.

paperback. Condition: Good. Pages are crisp and clean, no marking. Cover is good. Binding is tight/good.

Second printing (first published 1975). Unpaged - approximately 150 pages (per LoC catalog). Paperback: H 26.75cm x L 22.75cm. White glossy paper covers lightly rubbed with slight soiling; some scuffing at edges; light toning along spine. Foxing to text block edges as well as to half-title, title, and rear leaf; interior pages are otherwise mostly clean. Binding is firm. ISBN 0871001012.

Paperback. Condition: Very Good. 2nd printing - minor staining to cover and page edge - otherwise binding strong contents clean - enjoy.

Paperback. Condition: VG+. Revised, Enlarged edition. Oversize wraps with light wear, no spine crease; internally bright, clean and unmarked. Note: "An exhibition of the photographic work of Jerry N. Uelsmann is presented by the Alfred Stieglitz Center of the Philadelphia Museum of Art from December 12, 1970 through February 7, 1971. This monograph is published as Aperture, Volume 15, Number 4, as a catalogue for the exhibition, and as a clothbound book for general distribution." -- Title page verso Experienced full-time bookseller since 1994. Images may be added by request. Questions welcome.

Paperback. Condition: Near Fine. 1st. 1 volume (unpaged), illustrations; 25 cm. Aperture 15:4. Catalogue of an exhibition presented by the Alfred Stieglitz Center of the Philadelphia Museum of Art, December 12, 1970 to February 7, 1971. Near fine. Firm binding, clean inside copy. Age toning. Size: 8vo. Collectible.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. Reprint. 572pp, bw ills. Or tan boards in jacket. Some spotting to page edges and toning to endpapers, minro edge wear to jacket, somewhat musty. Reprint of the 1911 edition. Size: 8vo.

Profusely Illustrated (illustrator). 2nd printing. Unpaginated including. Chronology, illustrated. a diagonal crease on the front wrapper (cover) otherwise a clean, unmarked very good+ paperback book in decorative wrappers (soft cover book).

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Small quarto in stiff paper wraps. B&W photographs. Condition: mild wear to covers; else very good+. 185 pages.

Paperback. Condition: Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good -. Waldman, Max (illustrator). Signed presentation copy with a lengthy inscription on flyleaf. Dated year of publication. A nice copy of book. Dust jacket has some normal scuffs and edge wear. SIGNED PRESENTATION COPY. Book.

Soft cover. Condition: Fine. No Jacket. Harry Callahan (illustrator). 1st Edition. First edition / First printing. White printed wrappers. 79 pages. Fine.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. First edition. SIGNED. Quarto [27.5 cm] Dark red spine and boards. Spine ends and corners of the covers lightly rubbed. In a worn dust jacket, with large losses from the edges, and several tape repairs to the reverse. "While Morgan is best known for the vibrancy of her dance photographs, equally characteristic of her diverse work is her ability to capture ephemeral gesture. In the mid-1930s, her choice of abstract photographic styles set her apart from the preponderance of American documentary photographers. Along with Ansel Adams, Beaumont Newhall, Dorothea Lange, and five others, Morgan will be remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art." - International Center of Photography Inscribed by Morgan, in the year of publication, on the half title: "For____ / best wishes / Barbara Morgan / 11-29-72.".

Paperback. Condition: As New.

Hardcover. Condition: Very Good. Profusely Illustrated (illustrator). Hardcover. Small 4to. Published by Aperture, New York, 1970. 92 pgs. Illustrated with 86 photographic reproductions, with a Chronology and Exhibition List at end. An Apeture Monograph. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. An exhibition monograph published to coincide with the show at the Alfred Stieglitz Center of the Philadelphia Museum of Art from December 12th, 1970 through February 7th, 1971. For more than five decades, Jerry Uelsmann has sought to transform photography, de-emphasizing its function as a form of documentation, liberating it as a medium capable of re-imagining the real. Widely known as one of the forefathers of the digitally manipulated image, his work has influenced and inspired a broad range of artists and photographerseven as he maintains his strict adherence to purely analog tools to explore "the alchemy of the darkroom. " Acclaimed as an international master of photomontage, Uelsmann crafts his images using the integration of multiple negatives and processing effectsa fact that members of the digital generation often overlook. Over half a century after he first broke onto the scene, Uelsmann continues to develop his unique, transformational styleone that fascinates and engages artists, students, and general audiences across the worldand to explore ways to merge the subjective and objective in a single image. EB; 8vo 8" - 9" tall.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Broschüre. Condition: Gut. 44 Seiten Umschlag mit minimalen Gebrauchsspuren. Innenteil tadellos! Versand aus München 14-2755 Sprache: Deutsch.

hardcover. Condition: New. Profusely Illustrated (illustrator). In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Profusely Illustrated (illustrator). 1st. Slight toning.

Halbleinen-O. Condition: Gut. -. 57 S., Nr. 145 of 250 (total 275) numbered copies. - Peter C. Bunnell recalls in his introduction the New York art scene of the 70s, Lee Witkin?s inestimable contribution, and his continuing legacy. The centrepiece of the book is a portfolio of twenty-six photographs, a poetic celebration of twenty-five years. The works of such artists as Edward Weston, Manuel Alvarez Bravo, André Kertész, Robert Doisneau, Ruth Orkin and Wright Morris have been reproduced in the lustrous Stonetone process by Rapoport Printing in New York. The history of the gallery is completed with a comprehensive exhibition chronology. - Gr.-8°, with 26 (2 tipped-in) photographs, quarter bound in black Canepetta book cloth, with Canson ?ocean green? paper, printed with a metallic gold pattern, over boards 111927_Fotografie Sprache: Englisch Gewicht in Gramm: 1100.

hardcover. Condition: As New. Pristine cndition. Clean, sturdy copy. No marks on pages or dust jacket. sg.

Hardcover. Condition: Fine. Dust Jacket Included. 1st Edition. First Printing. An exhibition monograph published to coincide with the show at the Alfred Stieglitz Center of the Philadelphia Museum of Art from December 12th, 1970 through February 7th, 1971. 86 photographic reproductions, with a Chronology and Exhibition List at end. Text is accompanied with poems by Russell Edson. A Fine copy in plum purple cloth, in a Near Fine dustwrapper, price-clipped, with two tiny nicks to crown of spine. Q15075.