Introduction Simons (25 results)

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

paperback. Condition: Good. Cover shows significant wear. It's faded in places. The edges are worn. There is some light tanning/foxing to the outer edges of the pages due to age. The spine has minimal creasing. The pages of this book are clean and unmarked. A good solid copy. FAST SHIPPING & FREE TRACKING!

Brochure. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Exhibition Brochure for Picasso : A Selection of his prints in October 20, 1978 to November 26, 1978 at The Union Gallery of Union College. Very Good Condition. No dust jacket. Covers have some very minor soiling (see picture). No marks on the text block. No marks of previous ownership or inscriptions. Includes a little bit about Picasso and the description of his works that were exhibited along with black and white illustrations. ; 4to 11" - 13" tall; 80 pages.

Softcover. Condition: Very good condition. x, 371 pp. Volume Two. Softcover.

Paperback. Condition: Very Good. No Jacket. Quartos. 2 Volumes. 223 pages, indexed. Soft covers in tan wrappers. There is light wear to the binding. Volume 2 shows some smudging and a has several small dents to the real panel. THIS IS A REBOUND PHOTOCOPY OF THE ORIGINAL TEXT. The pages are clean and sound. Illustrated with photographs. Being photocopies, however, the photographs are sometimes quite dark.

Softcover. Condition: Softcover. Softcover. Gently used. Mild age tanning. Previous owner name inside.For any additional information or pictures, please inquire.

Paperback. Condition: Very Good. Ships quickly. Mild shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Paperback. Condition: Good. Softcover. Good binding and cover. Library stamps and marks.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. **Bundle Up & Save On Postage** A very nice hard cover copy in dust jacket, without flaw. 4.5 X 7.75" 175 pages. Here is a garden of irresistible literary delights: a bountiful gathering of essays by twenty-eight renowned writers on the subject of gardens and growing things. The wisdom of classic authorities mixes with discoveries by enthusiastic amateurs in this anthology of the best gardening writing from ancient to contemporary - a collection that is thoughtful and provocative, surprising and exhilarating.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition; First Printing. 8vo 8" - 9" tall; 232 pages; 1st printing. Snugly bound and fresh in original pictorialo dust jacket with publisher's $8.95 issue price intact to unclipped front flap. Tiny chip top edge of ftont jacket panel. Light vertical stress crease to jacket front flap and a short stress crease to the bottom corner of the rear flap. Tight fresh copy. NF/VG++.

Second edition hard back binding in publisher's original grey cloth covers, black title and author lettering to the spine and the upper panel. 8vo. 7½'' x 5ĵ''. Contains [xiv] 140 printed pages of text with monochrome illustrations throughout. Very little wear to the covers, with ownership markings to the front free end paper and in Very Good condition, no dust wrapper. Member of the P.B.F.A. ENGINEER (Invent, Innovate).

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. The softcover book has been rebound as a hardcover, with the original red-on-gray cover (front wrap) laid down. While the side and bottom page edges remain untrimmed, this has prevented the usual wear and tear; current condition "near fine." The "lithographs here reproduced are published with the permission of Mr. Herman Sachs, director of the Dayton Museum of the Arts, and personal representative in America of Mr. Grosz." German expressionism. Reduced from $880.

Soft cover. Condition: Good. 1st Edition. 10 Pp+ 12 Illustrations In Black And White From The Stock Of Herman Sachs, Then Agent In America For Grosz. Covers With Lithographic Illustrations In Red By Georg Grosz. Wear, 1 1/4" Tear At Top Of Front Cover, Faint Dampstaining To Top Of Covers, Endpapers, And Last Illustration. Rare In Original Covers. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910-1920 Period In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924, Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments.

Third edition limited to 1500 copies (per publisher's statements upon copyright page and rear colophon). Lacks slipcase. No dust jacket (i.e. lacking). [2], 244 pages. Hardcover: H 33cm x L 25.5cm. Light brown cloth minimally decorated with black lettering to front board and spine; light soiling and sunning/fading to cloth; bumping to boards' top fore-edge corners. Foxing to text block edges. Two ink signatures presumably of past owners at top of front free endpaper; some foxing to several initial and rear leaves but interior pages overall remain clean. Binding is firm. A very good+ copy. Classic review of notable structures in South Carolina's coastal lowcountry region, the first edition of which was published in 1938. Features b/w photographic plates by Charles Richard Banks, Ben Judah Lubschez (1881-1963), and the remarkable Frances Benjamin Johnston (1864-1952) whose magnificent images complete similar architectural monographs regarding North Carolina and Tidewater Virginia. Please note that this large book has an approximate shipping weight of 4 pounds (1.81 kg) and will require additional postage for any postal class other than domestic Media Mail. {Arch_Shelf#3|CVA-00454}.

in-4, reliure éditeur toilée sous emboitage, 119 pages. Bel exemplaire. Tirage limité à 560 ex. Un des 400 sur Chronomat Arjomari.

2. Brussel, VEV-komitee, in-8°, 27 x 17 cm, 166 pp, indices, b/w ill., bibliography. Softcover, omslag geplastificeerd. Gedrukt op 1075 genummerde exemplaren. With an introduction by Ludo Simons. Describes 147 items. Very good introduction to the 20th century illustrated bibliophile book production of the Dutch speaking part of Belgium. Text in Dutch. Boek in het Nederlands.

Softcover. Condition: Near Fine. George Grosz (illustrator). First edition. George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. 12 Illustrations In Black And White From The Stock Of Herman Sachs, Then Agent In America For Grosz. Covers With Lithographic Illustrations In Red By Georg Grosz. Slight darkening to the edges of the covers. First edition. 6½" - 8½". book.

Cloth. Condition: As New. Dust Jacket Condition: As New. The National Portrait Gallery Collection. Pages 248 Ills. in colour quarto cloth Size: Quarto.

Brussel, VEV-komitee, in-8°, 27 x 17 cm, 166 pp, indices, b/w ill., bibliography. Printed in 1075 numbered copies. With an introduction by Ludo Simons. Describes 147 items. Very good introduction to the 20th century illustrated bibliophile book production of the Dutch speaking part of Belgium ( Flanders ) . Text in Dutch. Boek in het Nederlands.

6. Brussel, VEV-komitee, in-8°, 27 x 17 cm, 166 pp, indices, b/w ill., bibliography. Printed in 1075 numbered copies. With an introduction by Ludo Simons. Describes 147 items. Very good introduction to the 20th century illustrated bibliophile book production of the Dutch speaking part of Belgium. Text in Dutch. Boek in het Nederlands.

2. Brussel, VEV-komitee, in-8°, 27 x 17 cm, 166 pp, indices, b/w ill., bibliography. Printed in 1075 numbered copies. With an introduction by Ludo Simons. Describes 147 items. Very good introduction to the 20th century illustrated bibliophile book production of the Dutch speaking part of Belgium. Text in Dutch. Boek in het Nederlands.