J Durix (11 results)

Hardcover. Condition: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Condition: bon. RO20269781: 1986. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 341 PAGES. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Condition: New. In.

Condition: New. In.

Gebunden. Condition: New. Jean-Pierre Durix is Professor of English at the University of Bourgegone at Dijon, France.Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical r.

Buch. Condition: Neu. Neuware - Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and Edouard Glissant, he pleads for the redefinition of 'magic realism' if the term is to retain generic relevance.

Condition: New. Jean-Pierre Durix is Professor of English at the University of Bourgegone at Dijon, France.Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical r.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

First edition of this collection of essays regarding the Nobel Prize-winning author's classic Waiting For the Barbarians. Octavo, original wrappers as issued. Association copy, inscribed by the author, "To J.M. Coetzee with much admiration for his imaginative powers. Jean-Pierre Durix 25 October 1999." In fine condition. From the library of J.M. Coetzee. Waiting for the Barbarians is an allegory of oppressor and oppressed. Not just a man living through a crisis of conscience in an obscure place in remote times, the Magistrate is an analogue of all men living in complicity with regimes that ignore justice and decency. "I have known few authors who can evoke such a wilderness in the heart of a man. Mr. Coetzee knows the elusive terror of Kafka" (Bernard Levin, The Sunday Times).

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and Edouard Glissant, he pleads for the redefinition of 'magic realism' if the term is to retain generic relevance. 206 pp. Englisch.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and Edouard Glissant, he pleads for the redefinition of 'magic realism' if the term is to retain generic relevance.