J Maberly (41 results)

Hardcover. Condition: Good. No Jacket. 336 Pages. Tips Of Spine Worn, Bookplate Inside Front Cover, Name & Date On Front Blank, About 10 Leaves Carelessly Seperated. Stitching Weak.

Hardcover. Condition: Good. No Dust Jacket. Early edition, dated 1880 on the title page. Ornate gold imagery, gold titles with deckled text block on green cloth binding. Full title: "An Introduction to the Knowledge Necessary for Forming A Collection of Ancient Prints by J. Maberly". Front and rear inner hinges are split and the book is shaken, all prints and pages remain intact. This copy is from a 19th Century private lending institution, the Mercantile Library of New York City. There is a handwritten number and Mercantile Library stamp on the title page and some of the internal pages. There are no other indications of the library's ownership. International shipping may require added postage charges.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. Inner hinges are cracked. Covers have slight wear to the outer corners and spine ends. ; "An introduction to the knowledge necessary for forming a collection of ancient prints.".

Card Covers. Condition: Near Fine (NEAR NEW). No Jacket. This book is part of a large purchase from a Public Sector Library and except where mentioned are for the most part LIKE NEW! MOSTLY the ONLY flaws are the blacked out (they insisted) Library stamps which show many of them to be UNUSED! FEEL FREE TO E-MAIL FOR PHOTOGRAPHS AND FURTHER DETAILS. FROM A DEALER WHO TELLS YOU WHO THEY ARE AND WHAT THEIR TELEPHONE AND ADDRESS CONTACT DETAILS ARE! Size: 8vo - over 7¾" - 9¾". Colour Photographs and Graphs (illustrator). EX PUBLIC SECTOR LIBRARY BLACK.…

Condition: New. In English.

Hardcover. Condition: Fair. 9.5" x 7.5", 336pp + 8 plates as called for. The binding is split between 196/197 but there are no loose pages, stain on the lower corner of about 250pp, front hinge is cracked.

Condition: Good. Good condition. Later printing, 1885. (etching, engraving, collecting, bibliographies).

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Condition: New. Print on Demand. This book provides Victorian era insights into the fascinating world of prints, a form of art beyond mere utility. The author presents print collecting as a rewarding pursuit, comparable to other more prevalent collecting domains, and establishes a case for print collecting as a worthy and enjoyable pursuit. The book acknowledges the inherent value of prints, from their rich array of subject matter to their historical significance. It discusses various print production techniques, showcasing the diversity within the art form. The book also includes practical advice, helping readers navigate the nuances of this specialized world. Furthermore, the book emphasizes the significance of print collecting as a historical practice, offering a glimpse into the past and the evolution of artistic expression. The author underscores the value of prints as objects of beauty and historical importance, worthy of preservation and appreciation. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Gebunden. Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly .

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

viii + 322pp. + frontispiece & 5 plates out-of-text, with notes and a bibliography of engraving (by Robert Hoe), 23cm., hardcover (cloth boards, spine in leather - with some traces of use, esp. at ends), upper edges gilt, very few foxing, good, S81884.

Hardcover. Condition: Very Good+. No Jacket. First American Edition. Offers all that is described in the wonderful title, along with "Notes, an Account of Contemporary Etching and Etchers, and a Bibliography of Engraving" by Editor Robert Hoe, Jr. Orig. published in 1879, this is the First American Edition from 1880, with a new Introduction to the same by the Editor. In 336 pages, lavishly illustrated throughout with small steel engravings opening each chapter, + a frontispiece + 7 internal plates, this small quarto (7.0" x 9.5") is bound in deep green cloth over boards with bright gilt design to front/gilt lettering to spine. Condition is VG+: extremely clean, sewn binding strong & secure, hinges intact, pages creamy white with age-appropriate tanning, a bit heavier around edges, but completely unmarked. Modest rubbing to extremities, slight pushing to lower spine, mild bumping to all corners. No DJ, as issued. Our photos depict the Exact book you will receive, never "stock" images of books we don't actually have! Same Day Shipping on all orders received by 2 pm Weekdays (Pacific time); later orders, weekends & holidays ship very next business day.…

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 372 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: Good. Quarto. viii, 356pp. In a library blue cloth binding. Illustrated with 8 engravings.

First Ed. with autograph memo by Usui Kojima in japanese(one leaf, 8vo). Edited with notes,an account of contemporary etching and etchers by Robert Hoe,Jr. 336pp. origina green cloth. gilt design on front cover. spine & cover edges sl.wear. inner-joint tender. text sl.browned.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: Very Good. New York, Philadelphia, Boston: Wilson and Co., Burgess & Zieber, E. P. Williams, Redding & Co. From 1843. (2), 142, (2), 255, (2), 64, (1), 29, (2), 30, (1). 530 pp. Half modern leather and marbled board. Binding very good. Contents foxed and lightly toned, occasional roughly opened leaves, edgewear. Some pages uncut. Pages unmarked. The first 9 works in the volume are issues of "Brother Jonathan," a popular Quaker periodical, from 1843. The issue dates included are January 24th, February 18th, March 4th, March 22nd, March 29th, May 1st, May 8th, May 20th and June 3rd. Brother Jonathan was a weekly publication operated by Benjamin Day (founder of the New York Sun and a bit of a sensationalist) from 1842 to 1862, and was the first weekly illustrated publication in the United States. The name of the publication was a reference to Brother Jonathan, a common cultural reference (at the time) to a fictional character personifying the entire United States, similar to Uncle Sam. Includes: Sister Anne; The Last Of The Barons; Adam Brown: The Merchant; Le Mouchoir: An Autobiographical Romance; The Roue: Or the Hazards of Women; Anselmo: The Grand Master of the Secret Order; The Grand Vizier's Daughter: An Historical Romance of the Fifteenth Century; Melanthe: Or The Days of the Medici. A Sequel to "The Grand Vizier's Daughter."; The Fortunes of Caleb Stukely. The final 3 works in the volume are The Child Of The Wreck, A Tale of the Nineteenth Century. by Harry Stevens. Phila: Burgess & Zieber, 1843. Contains title, but any other preliminary leaves are lacking; The Tailor's Apprentice. A Story of Cruelty and Oppression. Lacking title and any other preliminary leaves; and The Gipsy Of The Highlands: Or, The Jew and the Heir. by J. H. Ingraham. Bos: Redding & Co., 1843. Contains title, lacks any other preliminary leaves. …

Leather. Condition: Very Good. Large Paper Edition. viii, 350 pages; with useful index & bibliography. Twelve plates of etchings and engravings and with illustrated chapter-headings and smaller page illustrations throughout. Examples of the fine printing work of Rembrandt, Durer, Cruikshank, Bewick and others. Limitation page noting this as No. 32 of 50 printed on Whatman's hand-made paper and with the circular previous owner blind-stamp of the Dudrea & Sumner Parker Collection, The Cloisters and with their illustrated 'The Cloisters' bookplate at the front endpaper. Front blank endpaper with the binders' stamp of Neumann Bros.; the book was printed at the Press of Francis Hart & Co. Approx. 9 1/2" x 11 1/2" size; bound in full dark brown morocco leather; spine with 5 raised bands, gilt spine titles, top edge gilt; gilt double-lined edges; double-line gilt turn-ins; marbled endpapers. A little edge, tips wear to the binding; occasional finger-soiling and edge-of-plate spotting; in very good condition. Laid-in is an autograph letter signed by Edward P. Mitchell, on his folded letterhead notepaper, dated May 19 '17 Glen Ridge NJ; with the small printed calling-card of Mitchell, adding affectionate regards to Parker and also the original mailing envelope addressed to Parker's address at 913 St. Paul St. Baltimore, MD. The letter discusses the Maberly book and Mitchell's wish for Parker to have it as "remembrance of the two days at Baltimore that were to us so exceptionally pleasant". Mailer with a little wear; in very good condition. Edward Page Mitchell (1852 - 1927) was the long-time editor and a writer for the NY Sun newspaper, as well as a Bowdoin graduate. " At the time that Mitchell joined the NY Sun, the paper had already established a reputation as an innovative publication and was famous for its feature articles and its fiction. Working under the tutelage of Charles A. Dana, Mitchell developed his talents as both writer and editor During the 1870s and 1880s, the Sun printed several of Mitchell's short stories that displayed a bent toward what is now called science fiction; time travel, invisible people created by experimentation, and tree-sized plants with intelligence were but a few of the subjects he introduced to avid readers He continued the policy of promoting vivid writing and unusual feature stories that made the paper one of the most popular dailies in the United States. He frequently was responsible for the editorial page, and his contributions to political debate helped shape U.S. opinion on topics such as the construction of the Panama Canal and the U.S. decision not to join the League of Nations. Though not overtly political himself, Mitchell had monitored the pulse of the nation for decades" (Laurence W. Mazzeno in the ANB) The recipient, Sumner A. Parker (1881-1946) and his wife G. Dudrea Parker (1883-1972) were natives of Baltimore, both graduates of the Johns Hopkins University. They were dedicated collectors of tapestry, rugs, porcelain, paintings, and antique furniture and specifically designed The Cloisters so that portions could be open to the public as a museum. Eventually, Mrs. Parker willed The Cloisters and its contents to the City of Baltimore; Sumner A. Parker was president of the Armstrong and Parker Company, which produced ornamental ironwork such as balconies, gates, and fences, examples of which may still be seen in the city and at The Cloisters. (see the Cloisters Castle website).…

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.