Jacopo Robusti (19 results)

No Binding. Condition: Very Good. A fine original copper engraved portrait. Mounted and ready to frame. A splended opportunity to purchase a portrait of this eminent personage. The greatest of the late venetian painters. Engraved By Cooke (illustrator).

brossura. Condition: Good. 0. Copertina: in brossura con alette, in brossura, sporca lievemente. Pagine testo: ingiallite, brunite ai margini. Interno in ottime condizioni. Buono (Good) . Book.

Brossura. Condition: Molto buono (Very Good). . 16mo. pp. 134. . Molto buono (Very Good). . Prima edizione (First Edition). . Book.

Hardback. Condition: Fine. Dust Jacket Condition: Very Good. First edition. 1st 2000. Nearly fine condition in a nearly fine dustwrapper. Masters of Italian Art. Tintoretto brilliantly synthesized the various artistic influences that came together in the melting pot of Venice in the early modern period - Byzantine spirituality, Venetian sensuality, Northern Alpine realism, and Tuscano-Roman idealism. Large format. Black cloth boards, gilt titles. Colour & b/w illustrations. 140 pages. Pictorial dustwrapper is lightly scuffed, tiny closed tear (no loss) to top front edge, else a lovely copy! Packaged with care and promptly dispatched. Tintoretto, Jacopo Robusti (illustrator).…

Häftad, tr. omslag, det bakre ytterst lätt skrynklat. Gott skick. Ouppskuren. Stockholm, Wahlström & Widstrand, 1940. 8:o. 320 sid. Illustrerad. Med register.

Cloth. Condition: Very Good. First edition. A first and limited edition of this German work on Tintoretto's drawings, illustrated with plates. First Edition. In German. Featuring 72 tissue-guarded plates to the rear. No. 1051 of a limited edition of 1200 copies. Jacopo Robusti, known as Tintoretto (29 April 1519 - 31 May 1594) was an Italian painter, one of the greatest exponents of the Venetian school and probably the last great painter of the Italian Renaissance . The nickname Tintoretto derived from the father's profession; dyer of fabrics. For his phenomenal energy in painting he was nicknamed 'Furious', and his dramatic use of perspective and light means he is considered by many to be a precursor to Baroque art. In a cloth binding. Externally, very smart with just minor shelfwear and a mark to the tail of the spine. Internally, firmly bound. Pages are bright with some minor spotting to the first and last few pages. Very Good. Jacopo Robusti (illustrator). book.…

0. Sprache: Deutschu.

0. Sprache: Deutschu.

0. Sprache: Deutschu.

Condition: buona. Bulino. Dal dipinto del 1576 di Tintoretto, conservato a Palazzo Ducale a Venezia, bella incisione nello stesso verso del dipinto, Carracci rende l'attimo drammatico così come lo concepiva Tintoretto, in calce l'iscrizione. Impressione molto bella ma con margini rifilati alla battuta. Buono stato di conservazione. Formato: 200x255mm.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1815 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 338 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 338 Language: Italian.…

S.l., s.é., s.d. [1808]. Dimensions (marges incluses) : 223 x 218 mm. Rare et belle épreuve - quoique sans doute courte de marge - signée dans la plaque de Jean-Bernard Duvivier et Robert De Launay le Jeune d'après la toile du Tintoret. Quelques légères altérations marginales. Papier légèrement oxydé. Du reste, belle condition.…

'12. ANIMAM DOLORIS GLADIUS PERTRANSIVIT.'(The sword of pain passed through.) The holy virgin offering relief to Jesus after his crucifixion.Made by Jacques Coelemans after Jacopo Robusti, named Tintoretto.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24.5 x 31 cm (9.65 x 12.2 inch). Image size: 16.5 x 24 cm. (6.5 x 9.45 inch).MARY CONSOLING JESUS AFTER CRUCIFIXIONPCO-B6-07BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jacopo Robusti / Tintoretto (1518-1594) was a Italian painter from Venice. He was termed 'Il Furioso' for his energy, speed and bold brushwork and both admired and critisized. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Jacopo Robusti, named Tintoretto (illustrator).…

'13. SANCTA MARIA MAGDALENA.'(Saint Mary Magdalene.) Made by Jacques Coelemans after Jacopo Robusti, named Tintoretto.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 26.5 x 34.5 cm (10.43 x 13.58 inch). Image size: 19 x 25.8 cm. (7.48 x 10.16 inch).SAINT-MARY MAGDELENE-MAGDALENAPCO-B6-07BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jacopo Robusti / Tintoretto (1518-1594) was a Italian painter from Venice. He was termed 'Il Furioso' for his energy, speed and bold brushwork and both admired and critisized. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Jacopo Robusti, named Tintoretto (illustrator).…

No legatura. Condition: Ottimo. Ex Tabula Venetiis in Sacello Eclesiae S. Mariae Salutis, 1772. Incisione in rame all'acquaforte, b/n, cm 31,5 x 36,5 (alla lastra) 34,7 x 40,3 (il foglio), in lastra sulla sn. " Jac. Tintoretto pinxit" e sulla ds. "Joh. Volpato Sculp. Romae 1772", numero della pagina in alto a ds., carta vergata con filigrana al verso. A Cana di Galilea avvennero le nozze. Lì era Gesù con Maria sua madre, e quando il vino finì, Gesù ordinò che le giare fossero riempite d'acqua, che poi si trasformò in vino. Esemplare ben impresso, in margini e in eccellente stato di conservazione.…

Condition: buono. Bulino. In primo piano le tre Grazie che si tengono per mano, dietro Mercurio con l'elmo alato e il caduceo. L'incisione riproduce un dipinto realizzato da Tintoretto per l'atrio quadrato del Palazzo Ducale di Venezia. In calce l'iscrizione. Esemplare rifilato al margine, buono stato di conservazione. Formato: 190x255mm.…

Condition: ottimo. Bulino. La dea in piedi poggia la mano destra sulla spalla dell'Abbondanza mentre con la sinistra è nell'atto di allontanare Marte in armi. L'immagine allegorica sottintende la preservazione della pace e dell'abbondanza di Venezia dalla guerra. L'incisione riproduce un dipinto realizzato da Tintoretto per l'atrio quadrato del Palazzo Ducale di Venezia. In calce l'iscrizione. Ottima prova molto ben impressa. Formato: 191x250mm.…

Condition: ottima. Bella incisione in rame all'acquaforte firmata in lastra, che riproduce un dipinto eseguito dal Tintoretto e aiuti per la Sala del Maggior Consiglio del Palazzo Ducale di Venezia. Rispetto alla tela, di formato quadrato, la stampa ha uno sviluppo longitudinale ed alcune differenze soprattutto nella struttura architettonica. Esemplare in perfetto stato di conservazione, con ampio margine. Formato: 365x510mm.…

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1815. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 334, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 334 334.…