Jacques Stroumsa (20 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: Bueno. : Tria la vida. El violinista d'Auschwitz es una conmovedora narración autobiográfica de Jacques Stroumsa, un violinista judío que sobrevivió a los horrores de los campos de concentración nazis. En este libro, Stroumsa relata su experiencia en Auschwitz, Birkenau, Mauthausen y Gusen II, donde su talento musical y habilidades como ingeniero eléctrico le permitieron integrarse a la orquesta del campo y trabajar en el departamento técnico, lo que contribuyó a su supervivencia. La obra es un testimonio de resiliencia y una llamada a la memoria para no olvidar los horrores del Holocausto. EAN: 9788483007976 Tipo: Libros Categoría: Historia Título: Tria la vida. El violinista d'Auschwitz Autor: Jacques Stroumsa Editorial: Columna Idioma: ca Páginas: 192 Formato: tapa dura.

Condition: New. In.

TRIA LA VIDA EL VIOLINISTA D'AUSCHWITZ. JACQUES STROUMSA. EDITORIAL COLUMNA. AÑO: 1999.EXCELENTE ESTADO. IDIOMA: CATALAN.

Encuadernación de tapa blanda. Condition: Bien. Novel·la (illustrator). 1Ş Edición. Todos nuestros libros son de segunda mano.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Couverture souple. Condition: Bon. 148 p. Cote, cachet et code barre de biblio. Code 2040.

Condition: Neuf.

brossura. Condition: Fine. 1998. Opera con copertina morbida in brossura e alette. XLIX, 289 p. : ill. in b/n ft ; 21 cm. N80. Book.

Encuadernación de tapa blanda. Condition: Como Nuevo. TRIA LA VIDA. EL VIOLINISTA D'AUSCHWITZ. Jacques Stroumsa. Columna 1999. Traducció d'Isabel-Clara Simó. Pòrtic de Maria Àngels Anglada.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Couverture souple. Condition: Bon. Edition originale. Dédicacé par l'auteur.

Condition: 0. 1. aufl. Sprache: Deutsch 112 Seiten, Okart / paperback 8° Abbildungen, guter Zustand.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Jacques Stroumsa: Preface to the English editionProfessor Dr. Erhard Roy Wiehn from the University of Konstanz and editor of an important collection of books about the Shoah, has asked me to write a preface for the English edition of my book, Violinist in Auschwitz. The experience acquired in Germany during my lectures at Gymnasia (high schools) in Berlin and neighboring Potsdam in 1993 and 1994 gave me a number of important insights which I would like to share with the English-speaking public. The Nazi concentration camps were intended to completely destroy the human personality and to reduce it to a number tattooed on the skin, like animals in a slaughterhouse. The questions that people asked were, for example: having survived physically after being in Auschwitz and Mauthausen for two years, having survived the terrible Death March in January 1945, how did you find the strength to be a human being again; how did you adjust to living in a normal society again Above all, where did you find the strength to come back to Germany (the land where crime was so scientifically organized) and, day after day, tell young Germans the details of your sufferings How could you tell them that the younger generation is not guilty, that they and their parents (who are now the same age as my children) were not even born at the time when these events occurred The answers to these anguished questions were given to me by the children themselves; they were deeply moved by my lectures. One day, in December 1994, I received an invitation from Micaela von Marcard, head dramaturge of the Berlin State Opera, to attend the Memorial Concert to be given in Berlin on January 28, 1995, on the fiftieth anniversary of the liberation of Auschwitz. Also, Mrs. von Marcard asked me to write some 'Memories of Auschwitz' for Vivace, the bulletin of the State Opera. I used the occasion of my visit to Berlin to present several lectures at various Gymnasia in the vicinity and, most important, to once again meet a few of the girls who had written to me after my original lectures. I am very grateful to Mr. and Mrs. Leonhard Dünnwald for organizing this reunion in their villa in BerIin. I am also very grateful to four girls, Juliana, Tina, Katrin and Kristin for coming so far to our meeting and for their most thoughtful contributions to the discussions of these very anguished questions. My sincere appreciation to James S. Brice, an American student at the University of Konstanz, for translation. 108 pp. Englisch.

Ed. Columna; Barcelona. 1999. Castellano. Rustica. 21x14 cms. 192 pags. Buen estado. NARRATIVA. Ref. 45353.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Jacques Stroumsa: Preface to the English editionProfessor Dr. Erhard Roy Wiehn from the University of Konstanz and editor of an important collection of books about the Shoah, has asked me to write a preface for the English edition of my book, Violinist in Auschwitz. The experience acquired in Germany during my lectures at Gymnasia (high schools) in Berlin and neighboring Potsdam in 1993 and 1994 gave me a number of important insights which I would like to share with the English-speaking public. The Nazi concentration camps were intended to completely destroy the human personality and to reduce it to a number tattooed on the skin, like animals in a slaughterhouse. The questions that people asked were, for example: having survived physically after being in Auschwitz and Mauthausen for two years, having survived the terrible Death March in January 1945, how did you find the strength to be a human being again; how did you adjust to living in a normal society again Above all, where did you find the strength to come back to Germany (the land where crime was so scientifically organized) and, day after day, tell young Germans the details of your sufferings How could you tell them that the younger generation is not guilty, that they and their parents (who are now the same age as my children) were not even born at the time when these events occurred The answers to these anguished questions were given to me by the children themselves; they were deeply moved by my lectures. One day, in December 1994, I received an invitation from Micaela von Marcard, head dramaturge of the Berlin State Opera, to attend the Memorial Concert to be given in Berlin on January 28, 1995, on the fiftieth anniversary of the liberation of Auschwitz. Also, Mrs. von Marcard asked me to write some 'Memories of Auschwitz' for Vivace, the bulletin of the State Opera. I used the occasion of my visit to Berlin to present several lectures at various Gymnasia in the vicinity and, most important, to once again meet a few of the girls who had written to me after my original lectures. I am very grateful to Mr. and Mrs. Leonhard Dünnwald for organizing this reunion in their villa in BerIin. I am also very grateful to four girls, Juliana, Tina, Katrin and Kristin for coming so far to our meeting and for their most thoughtful contributions to the discussions of these very anguished questions. My sincere appreciation to James S. Brice, an American student at the University of Konstanz, for translation.Books on Demand GmbH, Überseering 33, 22297 Hamburg 108 pp. Englisch.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Jacques Stroumsa: Preface to the English editionProfessor Dr. Erhard Roy Wiehn from the University of Konstanz and editor of an important collection of books about the Shoah, has asked me to write a preface for the English edition of my book, Violinist in Auschwitz. The experience acquired in Germany during my lectures at Gymnasia (high schools) in Berlin and neighboring Potsdam in 1993 and 1994 gave me a number of important insights which I would like to share with the English-speaking public. The Nazi concentration camps were intended to completely destroy the human personality and to reduce it to a number tattooed on the skin, like animals in a slaughterhouse. The questions that people asked were, for example: having survived physically after being in Auschwitz and Mauthausen for two years, having survived the terrible Death March in January 1945, how did you find the strength to be a human being again; how did you adjust to living in a normal society again Above all, where did you find the strength to come back to Germany (the land where crime was so scientifically organized) and, day after day, tell young Germans the details of your sufferings How could you tell them that the younger generation is not guilty, that they and their parents (who are now the same age as my children) were not even born at the time when these events occurred The answers to these anguished questions were given to me by the children themselves; they were deeply moved by my lectures. One day, in December 1994, I received an invitation from Micaela von Marcard, head dramaturge of the Berlin State Opera, to attend the Memorial Concert to be given in Berlin on January 28, 1995, on the fiftieth anniversary of the liberation of Auschwitz. Also, Mrs. von Marcard asked me to write some 'Memories of Auschwitz' for Vivace, the bulletin of the State Opera. I used the occasion of my visit to Berlin to present several lectures at various Gymnasia in the vicinity and, most important, to once again meet a few of the girls who had written to me after my original lectures. I am very grateful to Mr. and Mrs. Leonhard Dünnwald for organizing this reunion in their villa in BerIin. I am also very grateful to four girls, Juliana, Tina, Katrin and Kristin for coming so far to our meeting and for their most thoughtful contributions to the discussions of these very anguished questions. My sincere appreciation to James S. Brice, an American student at the University of Konstanz, for translation.