Jager Chris (34 results)

Hardcover. Condition: Very Good. No Jacket. First Edition. Heavy, extra postage required unless posted within South Africa. 571 Pages. The boards are little shelf rubbed, however presents strong, bright and clean. Internally, clean and complete. Tightly bound. [Ak]. Our orders are shipped using tracked courier delivery services.

4to; original pale boards, with black lettering to spine and upper cover; laminated pictorial dustwrapper; pp. 128; numerous photographs and facsimiles. Dustwrapper a little rubbed and edgeworn; scattered foxing; trace of fishmothing to endpapers. Good condition. Afrikaans text. "So spontaan soos die deelname van duisende luisteraars aan sy humorprogram Flink uit die Vere, so spontaan het die gedagte van 'n huldeblyk aan Fanus Rautenbach ontstaan. Fanus is vandag die naam wat Afrikaanse humor vergestalt. Fanus is die man wat 'n volk geleer het om vir homself te kan lag; wat reeds 'n kwarteeu lank die spanning oor buitelandse dreigemente en binnelandse woelinge met sy kwinkslae ontlaai. Deur die gesproke en geskrewe woord het hy 'n bydrae tot taalskepping en volkskultuur gemaak wat hom 'n enige plek in die geledere van Afrikaanse woordkunstenaars besorg.".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Heavy, extra postage required unless posted within South Africa. Afrikaans text. 128 Pages. The jacket is a touch shelf rubbed, and show minimal signs of previous ownership. The boards are a touch shelf rubbed, but remains strong and sturdy. Internally, the pages are clean and complete. Tightly bound. ak. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. First Edition. The dust jacket is slightly shelf rubbed and chipped at the edge. There is a previous retailer price sticker on the front of jacket. It will still look good in cellophane though. The boards are in a very good condition, except for minor knocking at the corners. Internally clean and tightly bound. This tall book is complete with 128 pages. Afrikaans language. [B.K.]. Our orders are shipped using tracked courier delivery services.

Condition: New.

Paperback. Condition: Brand New. 999 pages. 12.52x10.67x1.34 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Condition: New.

Hardback. Condition: New. The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact "Spirit figures" in film (as distinct from but inseparable from Christ-figures), even if sometimes they're not intended as such, "Spirit-led" characters, are moved to act "prophetically," against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 215 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 266 pages. 9.00x6.00x9.29 inches. In Stock.

Hardback. Condition: New. The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact "Spirit figures" in film (as distinct from but inseparable from Christ-figures), even if sometimes they're not intended as such, "Spirit-led" characters, are moved to act "prophetically," against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making.

Condition: Sehr gut. 384 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Deutsch Gewicht in Gramm: 599.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: new. Hardcover. The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact Spirit figures in film (as distinct from but inseparable from Christ-figures), even if sometimes theyre not intended as such, Spirit-led characters, are moved to act prophetically, against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making. The Spirit and the Screen explores pertinent pneumatological issues that arise in film and asks how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about Gods Spiritedness. Can the experience of music speak to human spiritedness, the worlds transcendentality, or a persons own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of the flesh. As such, this book also engages musics placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music. This book considers how music can transport listeners beyond themselves. Both music and the Spirit operate between languages and cultures, between desires and longings, between the visible and invisible, and between the deep and near. Thus, the Spirit, through music, unites and gathers communities, revealing new possibilities. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: new. Hardcover. The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact Spirit figures in film (as distinct from but inseparable from Christ-figures), even if sometimes theyre not intended as such, Spirit-led characters, are moved to act prophetically, against their inclinations and in excess of their skill or knowledge and with eccentric, life-giving creativity; third, it identifies subtle and explicit symbolizations of the Spirit in pop culture, symbolizations that requires deep, careful thinking about the Christian doctrine of the Spirit and generate new horizons for cultural analysis. The contributors of this book explore these issues, asking how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making. The Spirit and the Screen explores pertinent pneumatological issues that arise in film and asks how Christian convictions and experiences of the Spirit might shape the way one thinks about films and film-making. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about Gods Spiritedness. Can the experience of music speak to human spiritedness, the worlds transcendentality, or a persons own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of the flesh. As such, this book also engages musics placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music. This book considers how music can transport listeners beyond themselves. Both music and the Spirit operate between languages and cultures, between desires and longings, between the visible and invisible, and between the deep and near. Thus, the Spirit, through music, unites and gathers communities, revealing new possibilities. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.